I can't believe it that I only now (after I had been listening to this mix for at least 100 times) realized this genius repetition of 5 Reasons. Still new things to discover...

We're back! This week's mix is from HOP Resident DJ, Josh Rauch.

Josh Rauch - April Mix 2021

Ama Tonga (R.I.S.E Long Play)

Listen on Spotify

Simon Sim's - Ama Tonga (R.I.S.E Long Play)

how to love

Cline [Minimal Groove Concept]

Oliver Dollar & Cajmere -at Industry Standard Showcase, Beatport Boat, ADE 2015 - 17 - Oct-2015

Tracklist -  http://www.datatransmission.co.uk/podcasts/510-tigerskin/

Alex Krüger aka Tigerskin aka Dub Taylor aka Korsakow back catalog will be maybe one of the biggest you can find on Discogs. It says a lot about about the artist when he has dozens and dozens of his own releases and remixes over the last 12 years, along with producing for people like Phonique too.

Finally in 2008 he found some time to produce a new Dub Taylor album for the Berlin based Label Oppossum called "Humatron".  Dub Taylor is his alias well known for the more dubbier Basic Channel influenced side of Techno.This time Alex comes up with a superb mixture of his versatile Producer Skills.

Nowadays as Tigerskin he's found on the housier side of the spectrum and he releases on labels like Dessous, Suol, Mood Music, Dirt Crew Rec, Rotary Cocktail or his own Organic Domain Imprint. Some of his tracks where licensed to the Mix CD's like Steve Bugs Bugnology, Slams Sci Fi Hi Fi 5 or Ministry's of Sound “Clubbers Guide to Berlin” and remixes Depeche Mode have been one of them. Regular Brazil, US/CAN and Russia Tours are a few Highlights besides playing all around Europe.  Also check out his recent Debut Transmission of Cacao Trio – From La Ceiba To Leon (Tigerskin Remix).  We are excited to welcome him to the podcast today.

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510 - Tigerskin

Disco & House Mix

I admit it, this set was not actually recorded live at a beach party, despite my old website's claim of it being "performed live at Jones Beach Field 6, June 2009."  In fact, it was one of the very first mixes I made using Ableton Live.  I forced myself to learn because I was laid up in bed for a week hopped up on pain killers after having all four wisdom teeth extracted.  I made good use of my time.

Gregory Del Piero - I Love You More (Laura Seduces Dylan) - Del 
JT Donaldson & Giom - Let's Make A Recrd (Lucas Keizer Remix) - Kolour 
Johnny Fiasco - The Message - Control 
Roed Svensk feat. Diana Waite - All Love You Need.. 
..(Raul Moros Old Skool Dub vs. Dylan's Message Beats) - Reelgroove 
Rasmus Faber feat. Dyanna Fearson - Give It To Me - Farplane 
Phunk Investigation feat. Kwesi - The Promised Land 
Sylvia Tosun & Loverush UK - 5 Reasons (Original Club Mix) - Sea To Sun 
Michael Woods feat. Inaya Day - Natural High (Dino Lenny Mix) - Legato 
Fruitcake feat. Ann Yung - Fudge (Stonebridge Club Mix) - Stoney Boy 
Lily Allen - The Fear (Stonebridge Club Mix vs Dylan's Fudge Beats) - EMI 
Hott 22 feat. Bonnie Bailey - No Promises.. 
..(Thomas Gold Mix vs Dylan's Fudge Beats) - Gossip 
Liquid Nation feat. Andrea Britton - Breathe Life - Hit! 
Rochelle - Fer De Lance (Cahill Remix) - Southern Fried 
ATFC feat. Rae - Give Me Luv (ATFC's Ocean Trench Mix) - Defected 
Cevin Fisher feat. Loleatta Holloway - You Got Me Burning Up - Stereo 
Giofriddo Brothers - The Music That We Play - Kult 
Meck feat. Dino - So Strong (Inpetto Remix) - Frinetic 
Sylvia Tosun & Loverush UK - 5 Reasons (Arnold T Dub) - Sea To Sun 
Schumann & kloss - Shabuka (Cressida Remix) - Euphonic 
Natasha Bedingfield vs. Chicane - Bruised Water (Adam K Dub) - Modena 
Jerry Ropero feat. Cozi Costi - The Storm (Inpetto Remix) - Positiva 
Deadmau5 + Kaskade - I Remember - Mau5trap 
Chymera - Umbrella (Beatless Mix) - Ovum

Beach Party 5 (2009)

!!!! EXCLUSIVE !!!! ROGER SANCHEZ - Live @ Pacha - Ibiza (FG)  01.08.2003

DJ Rae is enjoying what very may well be her biggest month of the year! With an absolutely packed release schedule including her sublime reunion with Sandy Rivera, collaboration with Vanilla Ace, and Toolroom release “Let Me Try,” their was loads of new music to celebrate!

Full Tracklist: https://1001.tl/2295ulg1
Check out her interview: https://1001.tl/vh5dm2

Connect with @raedjartist
https://www.facebook.com/agirlcalledrae
https://twitter.com/raedjartist
https://www.instagram.com/dj_rae_official

1 on 1 w/ RAE

DJ RAE - 1001Tracklists Exclusive Mix

Big Beat Radio: EP #65 - Motez (Music With Purpose Mix)

Big Beat Radio: https://BigBeat.lnk.to/radioSo
Big Beat Schedule 1: https://BigBeat.lnk.to/Sched1So
Big Beat After Dark: https://BigBeat.lnk.to/afterdarkSo

Check out Motez's new single "Where Have You Been" https://clubsweat.lnk.to/WHYB

Follow Motez
https://www.facebook.com/motez.music
https://twitter.com/motez_music
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https://soundcloud.com/motezmusic

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Big Beat Radio: EP #65 - Motez (Music With Purpose Mix)

No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest by the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it shuttered, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in Fort Lauderdale and its saturation of gay nightlife. His bimonthly residency at the legendary Ramrod helped pave his way back, growing just as comfortable in today’s booths as he did 20 years prior.

After a couple years of this and then launching The Techno Files podcast, he realized it was time for more. So in 2025 Dylan decided to relocate once again, this time to the birthplace of where it all began: Detroit.

Within his first year as Detroit resident, Dylan was already playing events for Detroit Techno Militia & Bang Tech 12, along with multiple appearances at Spot Lite, Spkrbox & TV Lounge.

New York-born, Miami-tested, now Detroit-welcomed: Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influence can be put on brilliant display in a single set.

Beach Party 5 (2009)

Dylan Drazen

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Daniel Álvarez Roldán

Daniel Álvarez Roldán

Daniel Álvarez Roldán

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