Este set es una melodia de principio a fin.Magnifico.

Please if any body got this CD promo please contact me!

Still a great set even after 21 years. DD was ahead of his time

Hace mas de 15 años que lo escucho. No deja de gustarme.

Filling in for my friend Chalk-E-White on the Acid House Experience Radio Show on Unity DAB on Monday 21 February 2022.
The first half is a Superfreq 20th Anniversary Acid House Showcase. 
The second half is a late 80s Acid House Showcase.
I hope you enjoy this radio show.

Acid House Experience with Mr.C - Unity DAB

Deep house set performed live in downtown Detroit's Spkrbox, musically inspired during the afterhours magic of Movement festival.

With music from: Tuccillo, Crackazat, T.Markakis, Ben Walsh (UK), Darius Syrossian, Jason Hodges & more.

Spkrbox (May 28, 2023)

Andrew Weatherall - Cream (Six Nights In Heaven) Nation - Liverpool - 1994

This week on the pod: A mix straight from Chicago's Boompty HeadQuarters by Derrick Carter.

RA.124 Derrick Carter

The legendary jock celebrates his 50th birthday with RA.

RA.248 Danny Tenaglia

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Buy on Discogs

415 - Afterdark - Chicago mixed by The Ananda Project (2005)

Just like dd21 and dd23 are in a tie for my favorite techno mixes, dd24 is in a dead heat with dd22 for my favorite house mixes.  The early 2000s were an equally special time for hard techno and deep house, and I'm happy to have been a part of it.

"And every sista in here has tried that shit at least one time, baby!"

Performed January 2002 at Tetanus Studio, Brooklyn

The Kick Inside - Lush Life - Brique Rouge 
Pound Boys - T's Theme - Bumpin' City 
Brett Johnson/Demarkus Lewis - The Snooze Button - Roam 
Fusion Groove Orchestra + Simon Green - The Dream - Curious 
St. Germain - Sure Thing (Todd Edwards rmx) - Blue Note 
Paul Jays - Lava Love - Kaos 
DJ Spinna - Groove - Sole 
Tiefschwarz - Schwanitz - Classic 
Modjo - What I Mean (Mood II Swing rmx) - Modjo 
Louis Benedetti - Doin' Da Boogie - ProgCity 
Stacy Kidd - Love & Tenderness - Riviera 
Nova Fronteira - Calma - Z Records 
Sunaga t Experience - Chitose Airport (Swag rmx) - Flower 
Hanna - The Rose - Lumi 
Ronin - Jazz Dirt - Primary 
Playin' 4 The City feat. Janice Leca - Show Me Love - Straight Up 
Shunt Limit - In My Life - WideLeft 
Kick Squad - Walk South Central - Pêng 
Next Evidence - Interlude - Basic

dd24 - Carry On (2002)

Jori Hulkkonen-Essential mix 2002.02.03

I will say that this is probably the finest collection of tracks I’ve ever found. It’s the mix that once literally brought me to tears.
In 2003, I wrote:

“whenever i set up to record a house mix, there are inevitably a few records that must get left out, mostly because they are too deep, time doesn’t permit and don’t fit with the rest of the mix. here are those neglected babies, crying out for empathy. this is not peaktime music! one wednesday night i turned down the lights in the studio almost to the point where it was pitch black in the room, turned up the system real loud, and absolutely got lost in it. in today’s depressed music industry, the beautiful and intelligent tracks get left out, replaced by candy coated bullshit. the artists represented here have obviously recorded these soulful gems for the love. they were released between 2002 and 2003, largely under the radar.”

Recorded live at Tetanus Studio, Brooklyn 06.04.2003

Schmoov! – Playground – DIY
Vincenzo – The Charmer – Dessous
Osunlade – Beloved – Soul Jazz
Cpen – Follow The Shine Pt. 1 – Aesoteric
Patrick Richard – Runnin – Route 33
Rebuild – Late Night Cycling (Gerd rmx) – Duplex
Sweet Abraham – Couldn’t Catch You When I Fell – Diaspora
Rasoul feat. Star Stern – Reality Remix – Soulfood
Dylan Drazen – What Will She Do (unreleased)
Elesse – Liberian Girl – BlackJack
Mike & Steven Sugar – Flight@Night – Milk&Sugar
Dalminjo – Cruz Persille – Deeplay
Westpark Unit feat. Victor Davies – Fade Away – Draft
outro

Only Deep (2003)

Five hours of the rawest, purest Sub Club sound from the maestros they call Harri & Domenic. Kicking off our Autumn season with their first Open to Close set of September. 

A true masterclass & testament to why they are the best resident DJ's on the planet.

Same as it always was. Same as it always will be.

To honour the huge impact these three have on what Subculture is all about we have decided to double down on the gang and go residents only for the first 4 weeks of November, no nonsense no BS just high quality house music delivered in a way only they can down in that hallowed basement. 

THIS IS SUBCULTURE.

There will be a limited number of £5 early bird and £8 advance tickets available for each event and £10 flat on the door.

November 2nd - Telford, Harri & Domenic
November 9th - Harri & Domenic
November 16th - Harri & Domenic
November 23rd - Harri & Domenic

Simple. Come join us. 

Tickets >>> residentadvisor.net/club.aspx?id=1918

Sub Club Recordings 

Harri & Domenic [Open to Close 5 Hr Set] // Subculture 21.09.19 // Sub Club, Glasgow

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Terry's Cafe vol. 3

708 - Terry's Cafe 3 mixed by Terry Le Brown Jr (2000)

No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest in the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it closed, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as an assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in his current residence of Fort Lauderdale and its saturation of gay nightlife. To his surprise, there existed a small but thriving underground electronic scene right in his backyard, so he decided to jump right in. Those couple years helped pave his way back and he now feels just as comfortable in today’s booths as he did 20 years prior. Getting tapped to play Ramrod’s prestigious monthly Pig Dance in 2023 sealed the deal. 

Determined to not stop there, now Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influences can be put on brilliant display in a single set.

dd24 - Carry On (2002)

Dylan Drazen

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