2003-2004 this set was something like my “deity”... and I still love it. It’s sooo deeep!

www.openlab.fm | 106.4FM in Ibiza & Formentera 

The Tent (at the End of The Universe) with François K

17 Little Portland Street presents ‘The Tent (at the End of the Universe)’, their new monthly show on OpenLab, where they will be sharing amazing mixes recorded live at their venue:

“For our first show, we are proud to present the one and only Francois K. Nuff said. Recorded live on New Year’s Day 2023 at 17 Little Portland Street, London.”

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The Tent (at the End of the Universe) 01 [with François K]

Quality music only.

@satoshi-fumi

6:00 – 7:00pm
Monthly on the third Thursday

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@blooplondon

Sequent w/ Satoshi Fumi - 18.09.25 🇯🇵

Bloops House, a guest mix series broadcasting a more House music enthused sound from artists globally.

For episode #14 we have @https://soundcloud.com/kocleo selecting.

Kocleo is a Rome-based DJ and producer whose musical journey began at the age of 13, learning the art of DJing from his older brother. His talent quickly emerged, earning him the title of Best DJ at the Nottalba contest, judged by Francesco Zappala and the Krisma crew

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www.mixcloud.com/blooplondon
@blooplondon



Bloop's House #14 w/ Kocleo - 10.10.25

Sequent w/ Satoshi Fumi - 16.10.25 🇯🇵

Mariah has been a DJ in Azerbaijan’s electronic music scene since 2021. She is known for her unique selection in house music. Her inspiration is the deep melody, vocal, and rhythm of 90’s house classics which specifically feels in her every set. In this show, she is mainly going to share the delicate deep house and minimal sounds of her collection.

@mariahhh_music

12:00 – 1:00pm
Monthly on the third Tuesday

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@blooplondon

Chill, Deep and Minimal w/ Mariah - 21.10.25

Simon Morell Sundays At Pikes Tryouts warm up - Freddies 19-10-25

There's something rebellious about playing records completely improvised. Like buying a lucky bag of sweets from the ice cream van and finding a prize inside it, every unheard B side in your record collection knows this only too well. 

Nowadays, you can buy a set of Pioneer CDJ's for £7000 from Amazon and be 'sync button' mixing within hours. It's all the rage afterall.

We on the other hand spend £7000+ a year searching for vinyl and in support of new underground artists. 

Sometimes when we play our records, we discover a phenomenon known by very few - the hidden 3rd track - an act of when 2 different records become one and resultantly the " 3rd Hidden Track " is revealed.

What a joy it will be if you find your own personal feeling of this.

Records are living things, surface noise and all. They bang better. They want to live.

If you know - you know. 

Passenger crew x

You Will Never See My Eyes Again - Volume 3. Passenger Residents Sharkey & Piacentini from Glasgow.

www.openlab.fm | 106.4FM in Ibiza & Formentera

Cumhur Jay returns to OpenLab with a special b2b with Ezekiel, recorded live at our studios in Ibiza:"We are the future of underground quality parties in Ibiza and we are now open for bookings"

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Radio Sound Josep 31 – Cumhur Jay B2B Ezekiel

www.openlab.fm | 106.4FM in Ibiza & Formentera
Check the full tracklist on our website: https://openlab.fm/news/radio-guesthouse-61-mark-broadbent

Drifting through the mind in motion— spiralling beyond gravity’s pull. Free thought from form, let intuition breathe. Each note shimmers with mystery, awakening wonder. In its vast, shimmering silence between tones, the soul remembers infinity and the mind learns to dream without borders…Free your mind and your ass will follow. The kingdom of heaven lies within…

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Radio Guesthouse 61 – Mark Broadbent

Matthias Vogt DJ Set, Zimt at Silbergold Frankfurt, the first two hours

ZIMT1025 The first two hours

Came home one night drunk and totally inspired. The result is a 75 minute sinister jog into a cloudy sunrise.

Recorded 5am at Tetanus Studio, 10.19.2002 - Brooklyn 

Steve O'Sullivan - Breezer Dub - Mosaic 
Jay Tripwire - Bobba This - Northern Lights 
Chris Lum - You're Mine - Hooj Choons 
Osmosis - Feeling Me - Visitor 
Blakhook Project - Tropical Feedback - Big Chief 
Lilac Road Productions - Safety Inagenda - Visitor 
Black Light - Kato Kallesa - Intrinsic Design 
Plug - Indian Summer (ATT rmx) - Plug 
Black Light - Ano Kallesa - Intrinsic Design 
Universal Agents - Solomonic Agents - Worship 
Dylan Drazen - Don't Tell Me - Clicktracks 
Poet Name Life - Contemplation (King Britt rmx) - Electromatrix 
The Parallax Corporation - Anti Social Tendencies - Viewlexx 
Robot Love - White 
Playgroup - Number One - Nuphonic

Equator (2002)

No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest by the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it shuttered, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in Fort Lauderdale and its saturation of gay nightlife. His bimonthly residency at the legendary Ramrod helped pave his way back, growing just as comfortable in today’s booths as he did 20 years prior.

After a couple years of this and then launching The Techno Files podcast, he realized it was time for more. So in 2025 Dylan decided to relocate once again, this time to the birthplace of where it all began: Detroit.

Within his first year as Detroit resident, Dylan was already playing events for Detroit Techno Militia & Bang Tech 12, along with multiple appearances at Spot Lite, Spkrbox & TV Lounge.

New York-born, Miami-tested, now Detroit-welcomed: Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influence can be put on brilliant display in a single set.

Equator (2002)

Dylan Drazen

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