Name: Nox (Part 1) (2005) by Dylan Drazen in Dylan Drazen
Duration: 59 min 58 s
Description: Five hour techno set performed live at Orosco - Burgos, Spain - 02.12.2005

Dylan Drazen

Recorded live at Industrial Copera - Granada, Spain - 01.16.2010

Industrial Copera (2010)

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Find the CD at: https://www.discogs.com/release/1910415-Charles-Schillings-Overground-House?srsltid=AfmBOooOdZf0iomscQlSUPiDP_LHZWNCqMqVkY-MFVa4a9k_LA0blvHC

Big shout out to Yassine for the share!

Overground House Vol.1 mixed by Charles Schillings (1996)

A 1 hour excerpt from Balearic don Chris Coco , recorded live at the Pikes Ibiza Poolside, during our The Chill Out Tent Takeover back in June!

Join us every Saturday from 12–10 PM, and live on OpenLab 6-8PM at the legendary Pikes Ibiza as we take over the poolside with OpenLab residents and special guests.

OpenLab Live From Pikes 07/06/25 [with Chris Coco]

AMK Passenger Resident following on from the best DJ in Scotland Domenic Cappello - the postman always delivers they say - certainly did on this occasion. SUBLIME. 

Allan McKenzie, aka AMK, proved once again why he’s one of Passenger’s most versatile and accomplished resident DJs. A true journeyman of the scene and master selector, he has the rare ability to warm up, close, and move fluidly through tempos in any setting. 

At the Passenger Dance Tent at the Back Doune the Rabbit Hole Festival, following the legendary Domenic Cappello was no small task but AMK didn’t just fill those big boots, he brought the whole shoe shop with him. 

His set radiated raw energy and unrelenting pressure, culminating in a breathtaking, melancholy track that at one point had myself and others in complete awe.

It was an unforgettable performance, cementing his reputation as one of the best, and we’ll be back for more at next year’s festival, 17–19 July.



AMK replay - Back Doune The Rabbit Hole Fest- Saturday Night - Peak TIme - Passenger Dance Tent

Set de Vermelho (@vermelho), apresentado no Gaspar dia 11/07/2025

Gaspar recebe Vermelho

Finally here'z Part 2 of Laurent Garnier mix live from Club Douala in Germany. Big thanxxx 2 my brother Nils Hoffman for recording this 4 me. Nils was also a resident DJ @ Club Douala & would alwayz test my unreleased traxxx on his dancefloor. Much love & respect 2 you my brother 
Nils!!♡
So let'z get right in2 it & let Laurent beat tha boxxx!!! BTW, we still have Part 3 which I will feature a little later. So many tapez so little time...

Enjoy,

Manny Cuevas
aka
DJ M-TRAXXX

Psalms 150=Thee Truth

Manny Cuevas'z Tapez

Laurent Garnier Live @ Club Douala, Germany 1995' Pt 2 (Manny'z Tapez)

All Night Long with Funk D'Void

Mariah has been a DJ in Azerbaijan’s electronic music scene since 2021. She is known for her unique selection in house music. Her inspiration is the deep melody, vocal, and rhythm of 90’s house classics which specifically feels in her every set. In this show, she is mainly going to share the delicate deep house and minimal sounds of her collection.

@mariahhh_music

12:00 – 1:00pm
Monthly on the third Tuesday

www.blooplondon.com
www.facebook.com/blooplondon
www.youtube.com/blooplondon
www.mixcloud.com/blooplondon
www.twitch.tv/blooplondon
@blooplondon

Chill, Deep and Minimal w/ Mariah - 21.10.25


This DJ mix is an absolute masterclass in everything I love about A Deeper Groove.

You can hear the full weight of their 30-plus years in dance culture woven into every transition, deep electronic textures melting effortlessly into warm, soulful grooves. 

That Scotland-born, Berlin-shaped sensibility shines through loud and clear, capturing the spirit of those formative nights at places like Panorama Bar, Berghain, and all the underground corners that helped refine their sound.

What blows me away most is how naturally they move across genres, just like they always have. Hip hop foundations, acid house edges, Detroit pulse, Chicago swing, soulful uplifts, none of that single-genre nonsense. 

If it sounds good, they play it, and this mix is living proof. It feels like being transported back to 1989, wide-eyed and 17 again, discovering all the music that changes you for life.

A Deeper Groove and Passenger, It feels like a perfect fit, their depth, their musical honesty, their history, and their visionaire values aligning with everything that Passenger represents, it just makes this mix feel even more special.

You can catch them at Passenger presents {BODY LANGUAGE} at El Santo on 27th December with DJ Q. 

Passenger crew x

Passenger Presents_A Deeper Groove.

This is one of the most classic L and B free mixes - I know its not Just Be music but I want to share this with you all.... please download it before the SC police take it down! <3 

The Ibiza Cheese - Free Mix By Layo & Bushwacka!

Five hour techno set performed live at Orosco - Burgos, Spain - 02.12.2005

Nox (Part 1) (2005)

House Calls was a weekly party on the Lower East Side of Manhattan, where I played lots of classic house music for the locals.

House Calls 2 (Part 3 - My Roots) (2010)

Performed at WMC Miami in March 2012 and originally published for Spain's Technopedia Magazine podcast.

http://www.technopedia.es/technopedia-podcast-vol-viii-dylan-drazen/

Agoria – Speechless (Whisper Dub) – Infiné
Jordan Peak – Brutal Life – Tsuba
Kerri Chandler – Chaos (Jamie Jones Edit) – White
Danny Ocean – Backstage – Desolat
Oliver Klein & Peter Jurgens – Hey Baby – Kling Klong
Sergio Fernandez – Vivan Las Lolitas – Toolroom
Philippe Ralos – Sweep (Massimo Girardi Remix) – Fresh Lemon
Romano Rapeso – Not A Nightmare (Massimo Girardi Remix) – Teknologik
Peter Horrevorts feat. Eric Harrary – Play One (“Freak” Edit) – Lost In House
Phillip Arruda – Cassanova – Rawthentic
David Bocanegra – Hijos De La MMMM (Massimo Girardi & Deltano Remix) – Aella
Stereophonic – Question (Massimo Girardi Remix) – Lophanta
Davide Giugliano – MWAK (Audio Junkies Remix) – Human Garden
The Junkies – Werq This – SCI+TEC
Keith John – Shook 1 – Rawthentic
Nicole Moudaber – Tears Of Civet – Intec Digital
Filthy Rich – Perico (Massimo Girardi Remix) – Takt
The Junkies – Tuco – SCI+TEC
Robert Guerrero – Ayahuasca (Dylan Drazen Remix) – Selëctry Recs
The Junkies – Thug Life – Rawthentic
Jose Castillero – Belle Epoque (Luke Creed Big Bass Dub) – Technologika
Horn Porn – Sioux (Diarmaid O Meera Remix) – Naked Lunch
Dylan Drazen – One Night Outside The Tunnel – Tetraedrums

WMC Miami (2012)

Live at Tubetech Festival - Guadalajara, Spain - September, 2012

My first time with Traktor, this is the full set which was featured on the following podcasts:

Naked Lunch
http://www.mixcloud.com/nakedlunchradio/naked-lunch-podcast-023-dylan-drazen/

Corrupted Sessions
http://www.mixcloud.com/Corrupted_Sessions/corrupted-sessions-18-dylan-drazen-october-2012/

Tracklisting:

Playin 4' The City - Hall 3 - Straight Up 
Sheldon Drake - Sordei - Liquid Sky 
Cristian Glitch - Sculpture (Gabeen Remix) - Plastiq 
Datamatrix - Metro Line (Darmec Remix) - Carnage 
A.Paul - Driving Force - Naked Lunch 
Eric Sneo & Klaudia Gawlas - Bubbles - Masters of Disaster 
Eric Sneo & Klaudia Gawlas - Nostalgia - Masters of Disaster 
Argon & 3000krieger - Tito B. - Plastiq 
Billion Jaguar & Andrew Live - Dirty Brake (Dorian Knox's Remix) - Techno Pulse 
Gabeen - Insanity (Dorian Knox Disorder Version) - Plastiq 
Dorian Knox - Ground Zero (Gabeen Remix) - Plastiq 
Gabeen - Fucking Noise - Plastiq 
Gabeen - Fucking Noise (Vegim Silent Remix) - Plastiq 
Vegim - The Rioter (Luke Creed Remix) - TMMR 
Cristian Glitch - Technomachine - Road Trip 
Elvio Neto - Logic - Naked Lunch 
Andreas Kremer & DJ Update - Animal - Naked Lunch 
Visco Space - Saves The World - Konsequent 
DJ Ogi - Sars - Techno Factory 
DJ Ogi - Sars (E. Pravdica Remix) - Techno Factory 
Jean Simon - Drumcoding - Another Techno 
Davik Sekera - Tauro (Pryde Remix) - White 
Sergy Casttle - The Tunnel - Xtiluxe 
Jean Simon - Ciento Trece (Dylan Drazen Remix) - Another Techno

Tubetech (2012)

Performed at Club Spazio - Miami, FL - April 6, 2013

Dylan Drazen Presents Miami Sessions: Vol. 1

The Essential Mix is a weekly radio show on BBC Radio 1 currently broadcast between 0:00 - 2:00 AM UK time on Saturday morning. Originally broadcast on 30 October 1993, the Essential Mix features contemporary DJs and music producers of electronic dance music. The show has been presented since its inception by Pete Tong and features an uninterrupted two-hour mix from a different artist each week, overlaid with occasional continuity announcements delivered by Tong. With a broadcast run in excess of 25 years, the Essential Mix is one of the longest-running programmes in the current BBC Radio 1 schedule, and is one of very few Radio 1 shows which is not broadcast live.

Essential Mix 1996-09-15 - Howie B

No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest by the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it shuttered, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in Fort Lauderdale and its saturation of gay nightlife. His bimonthly residency at the legendary Ramrod helped pave his way back, growing just as comfortable in today’s booths as he did 20 years prior.

After a couple years of this and then launching The Techno Files podcast, he realized it was time for more. So in 2025 Dylan decided to relocate once again, this time to the birthplace of where it all began: Detroit.

Within his first year as Detroit resident, Dylan was already playing events for Detroit Techno Militia & Bang Tech 12, along with multiple appearances at Spot Lite, Spkrbox & TV Lounge.

New York-born, Miami-tested, now Detroit-welcomed: Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influence can be put on brilliant display in a single set.

Nox (Part 1) (2005)

Dylan Drazen

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