Bravo Dylan, your sets are like the dressing of my favorite menu. Thanks for being there. M.r. Drazen

Trip Presents 002: Ian O’Donovan (Guest Mix)(10-21)

This week Trip Presents an exclusive 1 hour Guest Mix from @ian-odonovan

Ian O'Donovan works with 'emotions.' From his driving tech numbers to the deepest of house via grand progressive tracks, Ian's music always plays on the listeners feelings. His use of melody and uplifting chord structures is polished and it’s this skill that has seen him release work for Vince Watson's Bio label, Darko Esser's Wolfskuil and of course John Digweed's Bedrock. - Adam Carter.

🔈🖤🔥

Techno Music, Events, Podcasts, News, Fashion & Creative Design. Link in our bio for more @tripradiolive #TripRadio #technomusic #techno #technodj #technolovers #technolove #technoparty

Head In The Clouds

Free Download

Trip Presents 002 - Ian O’Donovan

Piknic Electronik, QC, Canada - September 4th 2022

@daveclarkeofficial recorded at Loveland Festival in Sloterpark, Amsterdam on Saturday 13 August 2022

UPCOMING LOVELAND EVENTS

• Loveland ADE: loveland.nl/ade/program
• Loveland van Oranje 2023: more info soon
• 909 Festival 2023: more info soon
• Loveland Festival 2023: more info soon

Dave Clarke | Loveland Festival 2022 | LL194

Like the Mix? Click the [Repost] ↻ button so more people can hear it!
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NUDE is a sub-brand of Data Transmission focusing on Techno.

133. Misstress Barbara

Hour two from my 5-hour set at Ramrod FTL, containing some drummy deep-tech and tribal house.

With music from: Jay de Lys, The Deepshakerz, Mabel Caamal, Norty Cotto, Caparzo, D.Noriega & more.

For the full 5-hour set, head this way: www.mixcloud.com/dylandrazen/ramrod-nov-26-2022/

Ramrod (Nov 26, 2022)

Hello my dear friends and welcome to a new edition of the Club Room. Today I am presenting you a sweetheart, a milestone on the Sous compilation Vol. 1. It’s the wonderful artist from Amsterdam LUPE! Maybe you checked his track “Size Queen” out. Really cool, I play it in every set. So please, welcome LUPE from Amsterdam, again on the Club Room. Enjoy his Set and I hope it brings you happy times especially in these grey dark times in Europe. So enjoy LUPE in the Club Room, I am very proud to have him again. 

Hey everybody this is LUPE selecting music for this very Club Room. I’m excited! Hope you guys are good. I like both House and Techno as well for DJing and producing too. I’m also very excited to be included on the Sous Compilation. My track “Size Queen” from that will also be in this very mix. There is more new music coming out. Another track of mine is also called “Gonna Getcha”. Something old, something new, all kinds of goodies in this mix. Some are more famous than the other ones. I hope you enjoy it! 

Jerome Sydenham & Fatima Njai - Katana
Life On Planets - Atlantis (Catz N Dogz Remix)
Dense & Pika - Shank
LUPE - Size Queen
Jason Mills - Letter To Hell
Fear-E - Jerkolator
LUPE - Gonna Getcha
ProOne 79 - Let There Be House
Robert Armani - Warning
Tai Davis - Computer insanity
GHSTGHSTGHST - Spread Love (Extended Mix)

Club Room 247 with LUPE

Pig Dance at Ramrod Fort Lauderdale was the most important gig I had since deciding to come out of DJ retirement 18 months ago, never preparing so hard for an all night set. It’s the culmination of 18 months of learning, by trial and error, curating the best of what has worked, knowing I didn’t have to hold back—and I didn’t.

While I’m fairly new to playing for gay crowds, I have the benefit of literally decades of experiencing the gay nightlife in multiple cities around the world, but mainly all those New York experiences that have left their indelible mark. This set brings all those experiences together, culminating with these recent months of living life as a local DJ, something I’ve always wanted to experience.

Hopefully those who have stuck by me have benefitted in some way. I did not come up in the DJ world playing gigs like this. It’s definitely been a learning experience but it has made me stronger. The narrative in this set is the vision I’ve had for many many years of what I’d personally want to experience at a major gay party. Some of the tracks in this set you might not expect from me, but I’ve been holding onto them in my back pocket with this vision in mind.

I know it’s long, but there isn’t some peak 1-2 hour stretch I could edit out for your convenience. It stands alone as a single statement.

Pig Dance (Feb 4, 2023)

Read the full interview here...
https://tripradio.co.uk/2023/03/13/greg-gow-interview/

@greg-gow has released on some of the most iconic techno imprints in the industry, recently being awarded the accolade of best underground dance single of year for ‘I Knew Techno’ at the Juno awards. We caught up with Greg for an exclusive Interview and Mix for Trip Radio... 

The Juno Award winning producer & DJ has been consistently pushing the boundaries of his art, with his unique sound being a skillful hybrid of soulful Detroit techno, marinated in the flavours of his Toronto roots.

Hugely influenced by Detroit because of a deep appreciation for the sound and people of the area, Greg’s track “The Bridge” played a vital part in re-launching Derrick May’s legendary @transmatrecords label, and releases on Kevin Sanderson’s KMS took the techno world by storm. Further releases have spread his sound to other labels, such as Radioslave’s @rekids_official (RSPX), Marc Romboy’s @systematic_records , Christian Smith’s @tronic_official  and Steve Bug’s @pokerflat_recordings , alongside Adam Beyer’s @truesoulrecords , and Dubfire’s @scitec_official.

Read the full interview here...
https://tripradio.co.uk/2023/03/13/greg-gow-interview/

Trip Presents 006: Greg Gow (03-23):

1. Lil Louis - Black Out Intro
2. Kevin Saunderson - Into The Future
3. Dj Dextro - Freak Patch
4. Slam - Beat Control
5. Greg Gow - Vengeance
6. Greg Gow - I  Knew Techno - Tunnel Mix
7. Flug - Cube
8. Muted - Traxx
9. Confidential - Recipe
10. Pushmann - Polen
11. Procombo - Spectrum
12. Ray Ray Kajioka - Solid
13. Diego - Infazon
14. Greg Gow - Acid Phantom
15. Ian O’Donovan - Prism
16. Markus Suckut - Flux

Turn it up, Trip & Enjoy x

Link in bio 🔈🖤🔥

Techno Music, Events, Podcasts, News, Fashion & Creative Design. Link in our bio for more @tripradiolive #TripRadio #technomusic #techno #technoparty #technolovers #technofamily #technodj #technoculture #melodictechno #technolove #technolife #acidtechno #technopeople #technodance #technovibes #technorave #darktechno

Trip Presents 006 - Greg Gow

This is the CLR Podcast 329 with a set by Victor Calderone. Enjoy!

@victorcalderone

Tracklist CLR Podcast 329 I Victor Calderone

1. Treibholz - Mike Dehnart
2. Viola (Original Mix) - Ian Pooley
3. Jack Tool (Original Mix) - Gene Richards Jr, Confidential Recipe
4. Adam Jay - Boogie Dub (Joel Mull Remix )
5. Drifted (Original Mix) - Roberto, Fossil Archive
6. STP - Jonas Kopp
7. Laurent Garnier - LeSwing Du Pouleto (Avision Remix)
8. The Choice - Victor Calderone & Avision
9. Arsenic (Original Mix) - Klint
10. Trilogy - Avision
11. Life With The Feelings - The Alles (Ray Kajioka Remix)
12. Chemical - Victor Calderone & Avision
13. Don't Care (Original Mix) Rene Wise

CLR Podcast 329 I Victor Calderone

For more underground techno, follow me @Subterra-Techno

@ben-klock

Subterra Techno

Ben Klock - Awakenings X - Klockworks - @Amsterdam, Netherlands - 22/10/17

Nicole Moudaber at Awakenings Festival 2013 (Spaarnwoude, Houtrak)

SoundCloud: @soundcloud.com/awakenings
Facebook: www.facebook.com/awakenings
Website: www.awakenings.com/

Nicole Moudaber at Awakenings Festival 2013

No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest in the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it closed, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as an assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in his current residence of Fort Lauderdale and its saturation of gay nightlife. To his surprise, there existed a small but thriving underground electronic scene right in his backyard, so he decided to jump right in. Those couple years helped pave his way back and he now feels just as comfortable in today’s booths as he did 20 years prior. Getting tapped to play Ramrod’s prestigious monthly Pig Dance in 2023 sealed the deal. 

Determined to not stop there, now Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influences can be put on brilliant display in a single set.

Ramrod (Nov 26, 2022)

Dylan Drazen

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