Premiered by: Muriel Ferraro and Proxima Centauri
Festival MAD 2022, Bordeaux

Nuit Zéro for Voice, Flute, Sax, Piano, Percussions and Electronics

For electric guitar and live electronics
Performed by KNAPP (laptop duo) & Hugues Kolp (electric guitar)

Interactions#3

Tourrorists!

Meat Supply

Ami moi-même

Confabulation 1.7 (2009 rev. 2010, for flute, clarinet, piano, violin, cello
Selection from the 2010 NOISE international call for scores
U.S.A premier, 06/18/2011, soundON Festival 2011
http://www.sandiegonewmusic.com/repertoire.html
NOISE Ensemble
Christopher Adler  - Piano
Lisa Cella - Flutes
Franklin Cox - Cello
Mark Menzies - Violin
Robert Zelickman - Clarinet

Confabulation 1.7 (2009 rev. 2010)NOISE, U.S.A, 2011

Paris 2024

Ensemble : Neue Vocalsolisten
Recording : musica

Epigraph : « Le bruissement, c’est le bruit de ce qui marche bien. Il s’ensuit ce paradoxe : le bruissement dénote un bruit limite, un bruit impossible, le bruit de ce qui, fonctionnant à la perfection, n’a pas de bruit ; bruire, c’est faire entendre l’évaporation même du bruit : le ténu, le brouillé, le frémissant sont reçus comme les signes d’une annulation sonore. » Roland Barthes in Le Bruissement de la Langue.

Bruisé - Neue Vocalsolisten - 2018

For his EastEast Radio Mix, Mark Gergis has compiled tracks from his project Syrian Cassette Archives, which aims to document hundreds of tapes he collected between 1997 and 2010. Featuring a wide range of styles, including recordings of live concerts, studio albums, soloists, children’s music, patriotic music, religious music, and many others, the project helps educate listeners about the music of Syrian Arabs, Assyrian, Kurds, and Armenians from the region.

Nuit Zéro for Voice, Flute, Sax, Piano, Percussions and Electronics

Dzovinar · Mikirditsian

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