Baroque Crush (Spitfire Chamber Strings) - Lucie Treacher

The second track from my new album, (music for an unmade film). The album was borne out of a film score I wrote for an independent film that sadly never reached completion.

it doesn't get easier originally accompanied a period of reflection and sadness within the unmade film, with a principal character reflecting on tragic events that occurred near the start of the film and set the tone and scene for the principal plot. The piece accompanied a montage of sadness and reflection within the film, reaffirming the scale of the tragedy of the main event around which the plot was built.

I'd love to hear your own thoughts on what the story of the film was. Let me know in the comments!

Label: @bigoandtwigetti

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(music for an unmade film)

it doesn't get easier

As The Dust Settles - Blakus (Contextual)

Fink — Signatures: £49 / $49 / €49 https://www.spitfireaudio.com/shop/a-z/fink-signatures/

Eos — Lucie Treacher

Violin Concerto - Mvmt I - Allegro maestoso
composed by Robin Hoffmann (2010)
performed by the London Symphony Orchestra & Anna Karkowska, conducted by Benjamin Wallfisch, recorded July 3rd 2010 at Abbey Road Studios, London

http://www.robin-hoffmann.com/

Violin Concerto - I - Allegro maestoso

Lux Aeterna by Adam Hochstatter

Savannah - Alex Wallbank

Maximo: Action Packed & Powerful Cinematic Orchestral Sampling
https://www.sonokinetic.net/products/instruments/maximo/?ref=sndcl
Maximo fills a space in our phrase-based orchestral line-up that many composers working in media have been waiting for. Like the old adage, we didn't go home, we went BIG! Our enlarged and expanded orchestra worked overtime to play the biggest, baddest orchestral phrases possible. Not only is the sound huge, but the writing has been tailored to this specific set of instruments. Some phrases were composed specifically using unusual harmonic content like the odd flat 6th and flat 2nd intervals. We created a product that will fit in perfectly with any contemporary writing style. 
Of course all of the stuff you would expect in a Sonokinetic phrase-based instrument is there, so if you've used any of our instruments before you will be able to put Maximo to work right away without any trouble. Within minutes you'll be adding this big amazing sound to your palette. 
Using our midi drag and drop functionality doubling the orchestral phrases with a synth for that hybrid sound has never been easier. The full score is also available within the interface so you can peek under the hood and see what's going on compositionally with the phrases you are using and how the sound coming out of your speakers has been achieved.
Expanding the brass section and having them play their lungs out was a very visceral experience and we think it translates really well to the finished product. The sound has a 'kinetic' strength and brings about a joyous feeling that is hard to ignore. We've been smiling all the way through production with this one!
For the strings and woodwinds the emphasis is on the lower side of things too, with 8 double basses, 16 celli, 6 bassoons and a contrabassoon. We've made sure that the low content has enough pressure and presence to carry a mix all the way through, whatever you decide to add on top.
We, at Sonokinetic BV, are very proud to introduce Maximo to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it.

Maximo Demo - Captain Bitonus - Sascha Knorr

Demo for Musical Sampling that showcases Adventure Strings.

http://www.musicalsampling.com

A Tall Tale - Blakus

Stratosphere Part I - Christian Henson (contextual)

This calm and gentle piece showcases the intimacy and vast expressiveness of the Cremona Quartet, with all four instruments playing harmonious legato patterns.

By Adam Hochstatter

Earthshine

e-instruments creates innovative, easy-to-use virtual instruments so you can focus on what’s important-the music. We strive to capture the clarity, warmth, and soul of real instruments for real musicians. Perfection is key to our process. We meticulously record and edit every sample with the best equipment to ensure the highest fidelity sound. Our mission is to combine acoustic accuracy, outstanding sound quality, and an intuitive user interface to develop virtual instruments for all musicians and genres.

e-instruments was founded in 2009 by Thomas Koritke. For over 15 years he has been the main sound designer behind more than 100 Yamaha musical instruments and crafted a large part of the manufacturer’s sample library.

At e-instruments, we’re all musicians. We produce authentic, highly detailed instruments to maximize your creative potential.

Earthshine

e-instruments

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Ingo Wegener

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