Name: Gulp - Search For Your Love by GULP
Duration: 4 min 18 s
Description: 'Search For Your Love’, out now via O Genesis

Fantastic song ! Sad and Epic all at the same time. <3

Out digitally now and on limited 7" (500 copies) on 15th April.

https://ffm.to/sw039_lewsberg

SW039 // Lewsberg - Six Hills

LYRICS

When you've had enough of screaming inside
When you've had enough of losing your mind
When you need a certain devotee
Know that you can always come and find me
						
In the corner booth of a speakeasy
I watch your lips but I'll never get your language
I don't really care what they may think
Take a sip and recline let me show you that I'm
						
Your freak, your freak
Your man of a thousand faces
Your Lon Chaney
Your pre-code Hollywood
						
Your freak, your freak
Your Gen X slacker zero, your antihero
Your pre-code Hollywood
						
There's no freedom left in speaking your mind
If you want a career to get by
Tricky business being a troubadour
Now we're living through 1984
						
In the corner booth of a speakeasy
I watch your lips but I'll never get your language
I don’t really care what they may think
Take a sip and recline let me show you that I'm
						
Your freak, your freak
Your man of a thousand faces
Your Lon Chaney
Your pre-code Hollywood
						
Your freak, your freak
Your Gen X slacker zero, your antihero
Your pre-code Hollywood

Pre-Code Hollywood

"Lonely Richard" appears on Love, out now. 

LP/CD: http://www.sacredbonesrecords.com/products/sbr113-amen-dunes-love
iTunes: https://itunes.apple.com/us/album/love/id820487768?ign-mpt=uo%3D4

Facebook: https://www.facebook.com/amendunes/
Bandcamp: https://amendunes.bandcamp.com/
Instagram: https://www.instagram.com/amendunes/?hl=en
Twitter: https://twitter.com/amendunes

Tourdates: https://www.facebook.com/amendunes/app/123966167614127/


iTunes

Amen Dunes - Lonely Richard

"MG 333" by Richard Swift from 'Walt Wolfman'. Originally released 10/18/11 on Secretly Canadian

About a year ago, Richard Swift horrifically fractured his left ring finger. For a moment his nimble guitar and piano work flashed before his eyes. Doctors were saying things like "movement and feeling could eventually return," etc, etc. Certainly, not even a little blip on the sadness radar of humanity, but a massive bummer for a fellow who has carved out a niche as one of independent music's sought after session players and producers -- and especially in relation to the astounding Richard Swift solo output we all know and love.
So, it's with a great, collective sigh of relief that he's back to churning out new material like "Whitman." It's chugging, chiming and triumphant, featuring Swift's always-endearing falsetto and casual call-and-response lyricism. "I've got my own Whitman...Farewell, farewell/I hope it did you good/To say the things/My father never could," Swift pines. The song is a cryptic salute to Walt Whitman, whose American lineage of primal, urgent art can be traced to include Kerouac and Dylan, Bo Diddley and Beefheart -- right on through to modern outsider-pop wunderkinds like Swift. And according to Swift, "Whitman" is a nice taste of what we can expect from his next longform recording.
The same can be said for the remainder of the Walt Wolfman EP. Conceived in the same spirit that gave us 2008's cult favorite Ground Trouble Jaw EP, these blown-out, basement R&B rippers are not for the faint of heart. They require movement and sweat, dancing with a cocktail glass in your grip until your shoes are soaked in booze. Highlight of the set, "MG 333," is a raw and ghostly trance, a blast of kinetic energy and jazz cigarette smoke. Meanwhile, the neu-vintage jive of "Drakula (Hey Man)" and "Zombie Boogie" pack a timelessness that transcends their seasonal titles. And yeah, that's Swift himself on rapid-fire drums across the whole damn set. Shit, he might have been fine without that measly finger after all.

"MG 333" by Richard Swift from 'Walt Wolfman'. Originally released 10/18/11 on Secretly Canadian

Walt Wolfman

MG 333

Richard Swift - "MG 333"

Give us some love, 'heart' the track on HypeMachine: http://hypem.com/track/2gqbv/Hidden+Charms+-+Cannonball

Listen on Spotify: http://spoti.fi/1Tp9L6d
Digital download: http://bit.ly/1XBBF23
Pre-order on iTunes: http://apple.co/209sJPW

Produced by Mr Chop. Mastered by Reuben Cohen. Recorded at Ape Studios. Artwork by Young & Sick.

Cannonball

'Search For Your Love’, out now via O Genesis

Search For Your Love

Gulp - Search For Your Love

From Porcelain Raft's album 'Strange Weekend'

Unless You Speak From Your Heart

We were all knocked out by the Frankie Rose and the Outs album from 2010, the effortlessness of its gorgeous girl-pop mantras, the intimate immensity of its Spector-esque walls of reverb, the beauty of a song sung sweetly over the most graceful two-chord vamps. But are you ready for the new Frankie Rose? – her transformation into a wholly other kind of pop, the reverie and revelation of "Interstellar," an album that floats free of its maker’s history – time spent with Vivian Girls, Dum Dum Girls, Crystal Stilts, and creator of one of the most breathlessly compelling girl-pop albums of the past few years – and offers the listener something strangely other, as alien as it is familiar, as compelling as it is enchanting.

Talking with Frankie about the record, it’s clear she was itching for a new start. The first big indication – production by Le Chev, remixer supreme (for Lemonade, Narcisse, Passion Pit, and Frankie’s own “Candy”), an ensemble member of Fischerspooner, etc. “We recorded the record in a private studio dubbed The Thermometer Factory in Park Slope. I wanted this record to be totally different and in so doing I knew I had to work with someone who would lend fresh ideas and know how to make sounds that I wouldn't know how to make. I wanted to make a particular record and I knew Le Chev would be the one who could help me do it.”

So, out with the reverb of the Frankie Rose and the Outs, and in with something altogether more glam, glittering, shivering. On "Interstellar" Frankie takes the lessons learned with her debut album – like reverb as the holy route to pop-grandeur, scaling a wall of teenage tears – fully digests, and transfers those skills into the brave new world mapped out by ten new songs. In its place is the confident swagger of a singer and auteur fully aware of how to build the simplest of pop moves into aching, full-blown melodramas, how to grab hold of an emotion and ride its darker waves. “I always have a big picture in mind,” Frankie reflects. “I knew I wanted a HUGE sounding record. Big highs, big lows, and clean. There is no fuzz on this record. I knew I wanted to make a streamlined, spacious record with big choruses that sometimes referenced 80s pop.” But that referencing never swamps the melodies: this record isn’t a retro trip. If anything, it liberates sounds familiar from that decade and gives them new context, breathes life into clay golems of sound that too often become basic, pre-set triggers.

On "Interstellar," Frankie Rose goes epic, goes widescreen.

Out February 21 on Slumberland Records in US, Canada, Asia, Oceania.
Out March 19 on Memphis Industries in Europe.


Frankie Rose - Night Swim

Gotta Run

Belfast-based four-piece Girls Names are a singular proposition, both geographically and psychically removed from their contemporaries at home and abroad. Released in February 2013, their second album 'The New Life' is the sound of a band on the fringes striving to forge their own path, purposefully out of step - and time - with their surroundings. Weighed heavy with the grey landscapes of their hometown, 'The New Life' is isolation laid bare, shot through with an undeterred sense of purpose and individuality.

Having released a series of singles and EPs on various independent labels, Girls Names made their first significant impression on the wider world in 2011 with their debut album, 'Dead To Me,' earning plaudits from the likes of Pitchfork, NME and Loud & Quiet amongst a host of others. And yet, despite all the praise heaped on it, as soon as that record was released Girls Names were already moving into a different headspace. 

The band’s performance at this year Primavera festival provided them with their first real opportunity to showcase the songs that were to comprise 'The New Life.' The sunshine backdrop of the Spanish coastline offered a somewhat incongruous setting to the eerie dissonance of the new material, a kind of trial by fire metamorphosis rapturously received. Following a tour of Europe, the band returned home to record the album over a series of months. Having been produced by singer and songwriter, Cathal Cully, they’ve managed to capture that sense of otherness the performances at Primavera hinted at. The expansion to a four piece means the garage-clatter of the spritely pop songs of their debut have been replaced by a deeper, shadowy exercise in catharsis, driven by repetition, psychedelia and Dionysian crisis. And the record was born of a weighty concept too, as Cully explains: 

“'The New Life' is not an over night change for Girls Names - just over two years in fact. 'Dead to Me' literally was dead to us by the time it was committed to wax. But it's a learning curve. We started moving on as artists the moment we finished that recording session, maybe even before. Not to dwell on the past, 'The New Life' is what happens when you reset everything back to zero and start again, but try to perfect. It starts back at zero the minute the needle hits the groove but we're also starting back from zero once the needle lifts at the end of the record. Ad infinitum. 'The New Life' is what follows now.”

The album’s title track, and the first single to be taken from the album, is an ideal entry point. Just shy of 8 minutes long, it rotates around a hypnotic bass line, and in Cully’s evocation of renaissance, offers a perfect metaphor for the album as a whole. New single ‘Hypnotic Regression’ - available to stream today - reflects another side to the record. The reverb-heavy guitars and compelling melody are immediately memorable, but there are signs of experimentation, too; the white squall of the lead break; the uneasiness in the vocal echoes that furnish the verses. As such, 'The New Life,' stands as a brave statement; the mark of the band untying themselves from the past and easing forth into the unknown.

"The New Life" will be released on February 18th, 2013 on Tough Love (UK) and February 26th, 2013 on Slumberland Records (US).


Girls Names - Hypnotic Regression

Pressure valve
In control of my doubt
Angels are dressing down
in the sky
Human touch
in the absence of love
And my blood, it is sound
I get by

Such a thought
to forget what I'm taught
No more pills to be popped
I'm alright
But I'm not blind
to what I cannot find
Though I try and I try
and I try

I won't grow old in golden light
And Babylon ain't worth the fight
I'll be happy to be fine.

***
Written, performed, produced, and mixed by Dorvin Borman
Mastered by John War

Gulp - Search For Your Love

GULP

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