EVER BEEN LOST IN THE MIDNIGHT VIEW?

Piece inspired by romanticism in the city: love within concrete walls, poetry beneath artificial light...

Three vocal parts (translated lyrics below) became in very different moods in the songwriter phase, so I couldn't fit them in the same tempo. Working hard on transitions, I got the following solution:

Intro: ad libitum
A: 6/4 & 5/4 at 147bpm
B: 4/4 at 220bpm
C: 4/4 at 293bpm

Such ABC pattern is repeated twice, structured with some city scenes, and 2nd 'C' part includes a guitar soloing lesson by https://soundcloud.com/paco-ray, old friend of mine, technical consultor and personal luthier ;)

Pic: edited photo taken from home studio window where I recorded some city sounds for the track.

LETRA / LYRICS:

DAS VIDA A MI CIUDAD      /      YOU GIVE LIFE TO MY CITY

En la ciudad donde vivo,     /   In the city where I live,
llena de romanticismo,       /   full of romanticism,
el cariño que has perdido    /   the affection you have lost,
ven a buscarlo conmigo.      /   come to look for it with me.

Las farolas en la acera,    /    The lamps along the sidewalk,
con su fija alternativa,    /    with their constant alternation,
iluminan, no iluminan,      /    illuminate, do not illuminate,
el escenario de mi vida.     /   the stage of my life.

Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de pedir perdón. / we are able to apologize.
Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de sentir amor. /  we are able to feel love.

Caminando sobre asfalto,   /     Walking on asphalt,
abrazado a tu cadera,     /      held on your hip,
entre coches aparcados,     /    amid parked cars,
duerme la ciudad entera.    /    the entire city sleeps.

Eres tú toda la vida      /      You are all the life
que esta ciudad necesita,   /    that this city needs,
compartiendo cada esquina,   /   sharing every corner,
calles de melancolía...     /    streets of melancholy...

Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de pedir perdón. / we are able to apologize.
Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de sentir amor.  / we are able to feel love.

ER21HC01 - (C) Ruizzo 1995 - (R) Francés Records;) 2014

Das vida a mi ciudad (2nd solo by Paco Ray)

Such a great buzz to reconnect with my good friend, ŞöļäçėŠțřëęț, and receive this newly inspired lyrical / vocal flow, to a piece of improv guitar I posted a while back. Dedicated to a very special person.

Check out his consistently amazing music here: https://soundcloud.com/solacestreet

Lyrics, vocals, atmospheric flow ~ ŞöļäçėŠțřëęț
Guitar ~ learningtoplay

Out there, somewhere . . I'm Still With You - ŞöļäçėŠțřëęț (+ltp)

COtu: Production, Synths, Guitars
Mastered To Analog Tape by Marc Felish

Antidote

Buy HD

This is the latest song from the album Wou-Wou & the Wormling, Stricknice, Bitzone, and I have been working on. Like all the rest of the songs in the set, this one began during the start of the pandemic and reflects the changes in political perspective that were happening in society, and continue to this day. And, as with the other songs, I started this song with an unreleased demo from Wou-Wou and created a 1 minute outline which I then often passed on to a guest collaborator. When it came time to fully work on the track, I expanded on the original idea, along with the guest collaborator stems, until a full song was arranged. I then passed the bones and organs of the song to Stricknice and Bitzone to add any additional muscles and flesh they believed in until it was finished. I am so blessed to work with Wou-Wou, Bitzone, Stricknice, and all the guest collaborators on this inspired set, that one day will be complete. 

May everyone find something authentic to themselves to believe in.

Track Credits:
Mayor of Donutville: Synths, Chimes, Vocals
@mayor-of-donutville
https://mayorofdonutville.bandcamp.com
Stricknice: Guitars, Reverse Guitars
@j-nice-6
Bitzone: Bass, Drums, Keys, Vocals, Mix, and Master
@bitzone
www.bitzones.net
Wou-Wou & the Wormling: Guitar, Synths, Original Demo Track, Song Art
@wouwouandthewormling
https://wouwouandthewormling.bandcamp.com
www.youtube.com/channel/UCy0rEOgxbaIcWbZZuxAKVmA
the Couch King: Lyrics, Vocals, Arrangement, Production
https://musiciselation.bandcamp.com

Lyrics:

Looking for a new day
Looking for a new way to pray
Looking for a new way to say
I need something to believe in

Waiting for the next season
Waiting for a better reason
Waiting for some cohesions
In my something to believe in

Searching for another chapter
Searching for another answer
Searching for the here after
To give me something to believe in

Oh oh lord
You’re no more
The savior oh

Praying for a true sign
Praying for not to resign
Praying that any divine
Has something for me to believe in

Been out there but it’s freezing
Been out there but it’s displeasing
Been out there now releasing
My reason for something to believe in

There’s nothing in the wind speaking
There’s nothing in the house creaking
There’s nothing for the sinned seeking
For there’s nothing left to believe in

Oh oh lord
You’re no more
The savior oh

Oh oh lord
You’re no more
The savior oh

Reborn but still
Still worn out for real
Forlorn with no goodwill
Forgotten like landfill
Discarded until rotten
Downtrodden turned to God and
Abandoned I turn to
The concerns of the spurned few
True or is it not true
It is what we’ve been through
When all has been lost to
Those others who sin too
Grew up with a promise
Now there’s thieves up upon us
Asking who can we turn to
To return to us what’s due
I shouted but nobody
Listened I doubted
And then somebody heard
Just wanted to be devoted
So a savior got stirred
For a favor his word
With our promise to help turn
The truth to be blurred

When will there be a new leader
When will there be a new preacher
When will there be my savior
To tell me what I should believe in

Looking for a new day
Looking for a new way to pray
Looking for a new way to say
I need something to believe in

Oh oh lord
You’re no more
The savior oh

Something To Believe In

Mayor of Donutville, Stricknice, Bitzone, Wou-Wou & CKP - Something To Believe In

Club Of Lost Souls (collab):
All vocals and text by Saskiagoethals (@saskiagoethals:)
music composed. all guitars and synth played by Neno J.)

This is my new collab with the talented Saskia. I'm really happy with how this collaboration sounds. Thank you Saskia!

Club of Lost souls

If nothing is your name
And love is just a game
If it’s in the wrong direction
that you’re looking for connection,

And you reach out for acceptance
And you want to be seen
But no one seem to care and everyone is mean

If you’re longing for attention
And you’re screaming it out
But alone in the desert
No one hears your shout
And you’re talking with the devil
Corse he is the only one
Who tries to figger out
what you want

Club Of Lost Souls - revisited version (Collab with Saskiagoethals)

Poem “Dillard Sissman” from the Spoon River Anthology by Edgar Lee Masters

Thanks for recital from LibriVox.org read by Linda Leu

The buzzards wheel slowly
In wide circles, in a sky
Faintly hazed as from dust from the road.
And a wind sweeps through the pasture where I lie
Beating the grass into long waves.

My kite is above the wind,
Though now and then it wobbles,
Like a man shaking his shoulders;
And the tail streams out momentarily,
Then sinks to rest.

And the buzzards wheel and wheel,
Sweeping the zenith with wide circles
Above my kite. And the hills sleep.
And a farm house, white as snow,
Peeps from green trees - far away.

And I watch my kite,
For the thin moon will kindle herself ere long,
Then she will swing like a pendulum dial
To the tail of my kite.
A spurt of flame like a water-dragon
Dazzles my eyes -
I am shaken as a banner!

Kite

UNTAPPED feat. IPG1
This is an open collaboration from IPG1 / Ian Greaves
https://soundcloud.com/ipg1/untapped-voxes-92-bpm
IPG1: Lyrics and Vocals
Lillithe: Music, Arrangement and Production
Lyrics: 
Off the top ———-is where it’s at unwrap this —————-gift RAP hitting the streets—-it’s ——pure crack Stone cold —-this trap ——TRACK! Pool of knowledge ——-untapped going —-in —-hard——we do that  Better —-tighten up —-them bootstraps  ———SAY-——-“what the hell ——did Lou snap!!!” swag baby —-The recap  no snags—nah—we stop that!!!
Break the game down--it's a new map Flow so rich--- better check that NASDAQ Eyes on the prize---go the full lap concrete jungle---stuck in the trap
[Verse] From the alleys to the skyline---watch us elevate Living large in the boroughs where we demonstrate Every word a heavy weight--- every rhyme we detonate New York state of mind---watch the Empire State
We on a mission---ain't no intermission, snap back Murals on the walls--- street art on the subway track Ambition in the air, we the kings--- claim the throne Spittin' bars like bullets--- in this zone--- we at home
Icons of the asphalt--- legends in the flesh Droppin' beats so heavy--it’s poundin' in your chest From the 5 boroughs, anthems——- on full blast Queens to the Bronx-- Brooklyn —-movin' fast Elevate the hustle---the spirit never cracks Struggle in the verses —-resilience in the—— tracks

UNTAPPED feat. IPG1

Music & Lyrics: Jan Schonander

This track is a little nuts.....

If you've ever battled a raccoon, this is the song for you, sung from the perspective of the perpetrator. Raccoons are wily little buggers and more than a little guile is needed to control the movements of an animal that has been trapped in a cage before.

Debated with myself a bit on adding more instruments and sounds but in the end decided that less was more. The "rhythm guitar" is a distorted saturated synth and the "lead" is a Logic Pro Heavy Metal guitar manipulated with the pitch stick on my synth. The difficult part was getting the swing on the drums right and the ADSR right on the main synth, modulation and LFO. Also played a bit with the compression to get a breathing sound.

About the raccoon - that battle is ongoing - physical deterrence is now in place.

The raccoon, also spelled racoon and sometimes called the common raccoon or northern raccoon to distinguish it from the other species, is a mammal native to North America. It is the largest of the procyonid family, having a body length of 40 to 70 cm (16 to 28 in), and a body weight of 5 to 26 kg (11 to 57 lb). Its grayish coat mostly consists of dense underfur, which insulates it against cold weather. The animal's most distinctive features include its extremely dexterous front paws, its facial mask, and its ringed tail, which are common themes in the mythologies of the Indigenous peoples of the Americas surrounding the species. The raccoon is noted for its intelligence, and studies show that it is able to remember the solution to tasks for at least three years. It is usually nocturnal and omnivorous, eating about 40% invertebrates, 33% plants, and 27% vertebrates. [Wikipedia]

NEVER LOSE

Keep on coming back
Doesn’t really matter 
Spicy red American 
Coyote piss whatever

Turn up the volume
Tie up the bait 
Bag it all, close the door
I don’t give a damn

I’ll never give up
I’ll never give up

I know what’s down under
I know what you’re trying to hide

It’s all mine
Day or night 
I don’t even care
Seen all the tricks
You can try again
All over again

Keep on coming back
Never ever mattered
Inca mountain flake 
Apple cider try

Play rock’n’roll
Talk show or news
Heard it all before
Kinda like it now

I’ll never give up
I’ll never give up

Time is on my side
Time is my legal guardian

Find another way
Find your hidden weakness 
Seen you from above
You can try again
All over and again

Keep on coming back
Its never gonna matter
Flashing disco lights
I’ll do a pirouette

Put a ring on it
I’ll go left or right
I’m coming down
I got you number

I’ll never give up
I’ll never give up

I know where you live
I know when you’re asleep

It’s all mine
Day or night 
I don’t even care
Seen all the tricks
You can try again
All over again

I never lose
I never lose
I never lose
I never lose

Keep on
Keep on coming back
Keep on
Keep on coming back

It’s all mine
Day or night 
I don’t even care
Seen all the tricks
You can try again
All over again

I never lose

Never Lose

Many thanks to She's Excited! and Couch King Presents for giving life to this old demo.

Instrumental, mix and artwork - @wouwouandthewormling
Vocals and lyrics - @she-s-excited
Vocals and lyrics - @couch-king-presents

Flight (feat. She's Excited! & Couch King Presents)

Released: 7/31/24

Lyrics
Pre Chorus
No imagination—-no glory
Worry don’t set ——the pace

Verse1
each level deeper——— keep it positive ——
—-no negative ——when I come through——
🎵It’s unedited
Playing the odds———I won’t lose 
living life —-no regrets, is what I choose 🎵
open bars, liquid——-flow 
drink it up ———here we go
Wow —-wow—-wow
now you know 
rhymes so——- magical
X’s and O’s ———-crossing lines like 
tic-tac-toe 

Verse2
Throwing kisses ——count it—-SWAK 
tapping out Beats—— enemies being taxed
Hitting the streets, with pleasantries
—-Every key, belong to me, gate keeper.
Can you see—-it has to be——number one priority?
Keep it 100—-come on
Peep That shadow —-by my side 
That’s the Grim Reaper

What’s money worth—— when life is much cheaper, 
hand-to-hand, with death, 
Each level deeper, 
Each level deeper
the lesson you learn ——only once 
he’s a great teacher [Echo]

Chorus

No imagination—-no glory
Worry don’t set ——the pace
No imagination—-no glory
Worry don’t set ——the pace——peace!-(X2)

Verse3

each level deeper, keep it positive no negative
when I come through——It’s unedited
Playing the odds, I won’t lose 
🎵living life —-no regrets, is what I choose 🎵

Each level deeper, ever since the beginning, 
convince, but still winning, 
musically I’m pimping, 
better come on get’em
dress to the left—-even my limp got rhythm
each beat —— a beat that—— tell a story,
Unlimited ——imagination ————brings it glory. 
Don’t worry—-Don’t worry

Verse1

open bars, liquid——-flow 
drink it up ———here we go
Wow —-wow—-wow
now you know ——now you know
rhymes so——-magical
X’s and O’s ———-crossing lines like 
tic-tac-toe 

Verse2

——————break—————-


Each level deeper, ever since the beginning, 
convince, but still winning, 
musically I’m pimping, 
better come on get’em
dress to the left—-even my limp got rhythm
each beat —— a beat that—— tell a story,
Unlimited ——imagination ————brings it glory. 
Don’t worry—-Don’t worry

🎵Worry don’t set the pace——
Worry don’t set the pace🎵
Each level deeper
Each level deeper [Echo]

Each Level Deeper

Fantastic Flight

Empty World by Jim Manser
mixed and produced by Russ sinfield 
taken from the forth-coming album Tales of generation x
2024
watch the music video on youtube
https://youtu.be/OeSaLV4wVV0?si=K_dXQc2Jhe2sBY3F

empty world

youtube

Love At First Sight - Tom Régnier, Jussi Welin, Mark J Bennett & Boon-Suzuki

Moon Mood / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering 
BPM 110
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

Moon Mood - Open Collaboration Offer

(Free WAV Download available here under '••• More'; and eventually as part of my Foul Weather Friends album)

I bet I met Belial Pelegrim (https://soundcloud.com/belial-pelegrim, https://belialpelegrim.bandcamp.com/) within the first 3 months of discovering Soundcloud; and man did he set the bar high. If you have yet to encounter his music while exploring this community, I would be flabbergasted. He is most definitely located in the left ventricle of this great circle of friends. :)

One of the things I genuinely admire about him (besides being an off-the-scale musical genius) is his tremendously generous nature in supporting the people of this community. Back when the idea of collaborating scared the living shit out of me, he actually offered me the opportunity; we then made ‘Fog Drinker’ (that was back in August of 2017. Wow! Where has the time gone?)… and after that, I wasn’t so horrified by the idea of collabs any more. Frankly, you survive the wild ride that is a Belial collab, and you’re pretty much fully acclimatized to the idea. Haha.

And here we are, almost 7 years to the day… and I have the great privilege of hosting our 8th musical soundscape… and this thing is superb if I do say so myself. 

Honestly, everything I’ve created with this guy is awe-inspiring. Here's a link to the playlist so you can check them out when you’re done here (https://soundcloud.com/justin_mackay/sets/the-belial-pelegrim-grevusanjl). You’ll thank me for this. I promise. 

Oh, and while you're on his page, check out any one of his Taffeta series. A new chapter is released every weekend. Needless to say, it has been a massive stretch just to reach song 200 (of 266) this weekend. And it is a labor of love we can all benefit from. It truly boggles the mind.

In the meantime, we hope you enjoy, ‘Trading My Doomsday Clock For A Sundial’. :)

F.W. Friends

Trading My Doomsday Clock For A Sundial | Belial Pelegrim & GrevusAnjl

Evening View

Sometimes our path, or journey as it were, leads us to an edge. Edges of self, life, circumstances, reality, cliffs, you name it… Some edges are dangerous, sharp and jagged, even life threatening. Other edges encourage us to traverse them. Back in the 1970’s, there was this great sand cliff we used to go to, in Northern Europe, where we could run and hurl ourselves off of it and land in the water below. It was exhilarating, as the hang time allowed for contemplation in the moment, during the free fall. It felt like we were flying like the bluebirds in the sky. At the base of the cliff, we hung out by the water. We were mostly unfamiliar with the freedoms we had found there. Harry ran off and intentionally lost his swim trunks on the beach, while chasing after a beautiful woman who herself was sans swimsuit. He was in love with her. She had other ideas. He was drinking heavily, then he passed out, ass up in the sand, under the blazing sun, after making a fool of himself. It was a sad moment all around. By the time we found him, he had a bad sunburn. Poor guy. Could hardly sit down. A bunch of us were camped in the forest, not far from the cliffs. That night, I was sitting by the fire next to a wild-eyed woman and asked her something in another language. She blew smoke in my face and laughed nervously as if taunting a bear. Then she kissed me. We all seemed to be chasing after a freedom that did not exist in this life, at least for us. Some of us would later die trying to find that same freedom. For some strange reason I survived. We were wild back then and maybe always will be. This song contains some of that freedom among other things.

Lammbone's Album

Have You Ever Been?

J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, drums, bass, composition, and arrangement
Llanpsych-- @llanpsych -- Tez – guitar
TexMex Shaman– @texmex-shaman –Stephen– guitar, production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–ehru
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – lap steel

This ripe piece of funk started with JJ essentially composing it on the e. Piano, organ, drums, and bass. He had the Eclectic Collective in mind when he did so, though. JJ actually is playing his drum kit on this one, so funkily that we decided to keep his drums in there. That didn't leave a whole lot of room for Ken to get in on it, but he managed to add a really cool ehru part. The ehru is a two stringed asian violin with a distinct high percussive sound. JJ's bass line was so well played and solid, we decided to keep it in there, too, which also left Josh searching for a place in the mix. He decided to go last with the lap slide to anchor the foundation of the blues idiom. But he did that after Stephen and Tez cast their spells on the song with their magical guitars. Tez can be heard with the trippy, delay-heavy staccato lines, and Stephen with the silky smooth crying blues lines throughout.
Of course, every great song needs a great mixer and producer, and we're lucky enough to have Stephen to do the honors on this one for us.
This song represents The Eclectic Collective at our funky finest, and we always enjoy and appreciate when JJ starts a song for us. We hope you enjoy listening to this as much as we enjoyed making it.
If you really dig it, and have read the whole way to the bottom, please consider sharing this, too. We all appreciate your ears and support.

EVER BEEN LOST IN THE MIDNIGHT VIEW?

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