FUNNY POOL DAYS WITH JAZZ & METAL

A New Year - a new project : ) 
Grundomma is myself and my brother Glenn Ward. Its been a few years since we actively made music together...but now seems like a good a time as any. We live a few 1000 kms apart across Australia so this a file swapping exercise. The first track "Flying" features Glenn on rhythm programming, synths and sampling and yours truly on Basses and glitchy noise stuff.. this will no doubt change with each future track. Thanks as always for stopping by. Grundomma salutes you : )

Flying

Interpretación y arreglos : Jesús Flores.


Producción y Mazterizacion: Arturo Guevara G.
The Noise Infection Studio

Hoy Tengo Ganas De Ti

01 - Spitfire Audio - Appassionata Strings - Cellos (6) - Legato
02 - Spitfire Audio - Appassionata Strings - Violins 1 (8) - Legato
03 - Spitfire Audio - Appassionata Strings - Violins 2 (6) - Legato
04 - Spitfire Audio - Appassionata Strings - Violas (6) - Legato
05 - Spitfire Audio - BBC Symphony Orchestra Professional - Oboe - Legato
06 - Spitfire Audio - Hans Zimmer Strings - 60 Cellos - Long
07 - Spitfire Audio - Fractured Strings - Grid
08 - Spitfire Audio - Spitfire Solo Strings - Cello - Legato

Appassionata Strings & Oboe V4

The village beauty.
I took this photo in Matera, an old city in the deep south of my country, a magical place, unique in the world. It's even hard to find the words to describe the beauty of this place.
Inhabited since the paleolithic period, the city, perched on a rocky slope, has developed on a system of millenary cave houses dug into the rock, called Sassi. With its small streets that go up and down, its thousand Escher-style stairs, cave churches, underground cisterns and rock houses, it looks like a neo-realist nativity scene or one of Italo Calvino's Invisible Cities, a place out of time. The first time you see Matera you are speechless, its beauty takes your breath away.
After the war, in the 50s, the city, which had always been isolated from the rest of the country, lived in a state of extreme, desperate, poverty. Many of its inhabitants, dedicated mostly to sheep farming, still survived as their ancestors had always done, living in caves together with the same their animals. A heated national political debate arose which ended with the decision to build a new city next to the old one and move its inhabitants there.
Then, for many years the old city remained a ghost town but its recovery began in the 80s, it was declared a World Heritage Site by UNESCO and is now a wonderful museum town. Matera is 10,000 years old, the third oldest inhabited city in the world. An absolutely must-see place.

La bella di Matera

Photo : Marielle Lemaire - Ariège - France

Marcher, c'est des captures d'images, des sentiments qui se composent, se transforment, se ruminent en de douces pensées. Dans l'enlacement continu du parcours, cette source de satiété physique offre une richesse grandissante à l'esprit. La pérégrination ancre nos sens dans cette réalité.

Walking is capturing images, feelings that are composed, transformed, ruminated in sweet thoughts. In the continuous embrace of the journey, this source of physical satiety offers a growing richness to the spirit. The journey anchors our senses in this reality.

Ce projet se compose d'un prélude, d'une pièce principale, de cet interlude suivi de son postlude.

3 - Sur Le Chemin - Avec Franck Douvin

In this time of wars & great crisis, we should keep call for Peace & equality, for a better humanity.
Here are some vocals extract of my song on the topic. So who want can use it, mixing it as you like with music or as featuring in another .song  
You can also use, in a same track, some part of other vocals from this playlist https://soundcloud.com/specialvocals/sets/call-for-humanity-vocals-for
The files are on Free Download.  If You Use My Vocals, Mention My Name in the Track & Let Me Know, I will Repost, Share, Include it in Playlists & Mix...
& If you use it for commercial purpose, let me know, all my songs are under Authors Rights

EQUALITY  For ALL - Let GOOD OVERCOME - Vocals for Collabs

https://soundcloud.com/windscaleblues: flute x10; clarinet x6; tenor sax x3; soprano sax x2; alto sax; bamboo flutes x2; oboe; synth; beats (Inspiring original track https://soundcloud.com/windscaleblues/cryptoblues).
RUIZZOIDMAN: lyrics, vocals, guitar.

VENTOSO BLUES A LA PRADERA  /  WINDY BLUES FOR THE PRAIRIE

Pradera, salgo de viaje,  /  Prairie, I go on a trip,
te dejo aquí prisionera.  /  I leave you prisoner here.
Salgo sin prisa, pradera,  /  I leave without hurry, prairie,
seca de hierba salvaje.  /  dry from wild grass.
Dejo este bello paraje,  /  I leave this beautiful place,
este río y su ribera,  /  this river and its bank,
atrapados en la espera  /  trapped in the wait
de recibir su folaje,  /  to receive its foliage,
su frescura y su coraje  /  its freshness and its courage
verde de la primavera.  /  green of the springtime.

Este tren que con seguro  /  This train that with confident
traqueteo de ti me lleva;  /  rattling takes me away from you;
surge el humo de su cueva  /  the smoke arises from his cave
ensuciando tu aire puro.  /  polluting your pure air.
Ya la vía, acero oscuro,  /  So the railway, dark steel,
ya la vía es la prueba,  /  so the railway is the proof,
ya la vía, nieve o llueva,  /  so the railway, may it snow or rain,
debil tú, el acero duro,  /  weak you, the steel hard,
tú la brisa, él el muro,  /  you the breeze, it the wall,
tú la suave, mi pradera.  /  you the soft, my prairie.

De tus flores, la frescura,  /  From your flowers, the freshness,
quieren apagar el fuego  /  they want to extinguish the fire
de la marcha, y así luego  /  of the pace, and so then
mantener fragancia pura,  /  maintain pure fragrance,
mas es tal tu desventura,  /  but your misfortune is such,
tal fuerza del enclavado  /  such strength of the interlocked
metal, que te ha fallado  /  metal, that has failed you
tuya la verde dulzura  /  yours the green sweetness
bajo la realidad dura  /  under the harsh reality
de los rieles plateados.  /  of the silvery rails.


Pic from https://www.thoughtco.com

Ventoso Blues A La Pradera (with The Windscale Blues Experiment)

* Love Me With All Your Heart \ Author : Michael Vaughn \ ISWC : T-070.097.988-9
Publishers : Emmi Edition - APRS
Released : June 1964

* Cuando Calienta El Sol \ Authors : Carlos Rigual & Mario Rigual \ Composer : Rafael Gaston Pérez \ ISWC : T-900.760.644-2
Publishers : Edit Mex de Usica Int - Peermusic France
Released : 1961

* And I Love You So \ Songwriter : Don McLean \ ISWC : T-070.880.626-1
Publishers : Benny Birs Company Inc - Mayday Music Inc \ Universal Music
Released : January 1971
__________________________________________________________________

 Live at a wedding anniversary of one of our musician friends. (October, 5th 2013)
It's been 6 years (2007) since we last saw our guitarist and friend.
We hadn't rehearsed these songs at all
--------------------------------------------------------------------------------------------------------------
Vocal : Anh
Lead guitar : Kok
Keyboard : Phong
Recorded : October 5th 2013
__________________________________________________________________

Medley "Love me with all your heart - Cuando calienta el sol - And I love you so"

Remix for no profits / No monetization

Prod By Heartless



Ari Lennox - Waste My Time (Dramantic Remix)

Enjoy the summer!
Spotify Playlist Curator Shania Wagema:
„The beats give off strong vibrant and summer vibes…The production is amazing and quite admirable.“

Sommerhit

SOAR / feat. Odarka / Paploviante Music
Vocals and Lyrics Odarka:
https://www.looperman.com/acapellas/detail/23305/soar-acapella-by-odarka-95bpm-pop-acapella
Paploviante:
Bass, Music Composing, Mix, Picture and Mastering

SOAR feat ODARKA

I always wanted to make a sonic companion to the last song Bitzone, Frawstakwa, and I made together, “What Difference Does It Make.” I finally got my chance. This one came together real fast. Bitzone sent me a raw beat, I asked Frawstakwa to kick it off, and then I made some arrangement adjustments and laid down my lyrics and vocals based on Frawstakwa’s. Bitzone then finished it up and bada-boom, gotta move, gotta shake!

Massive thanks to Frawstakwa for bringing the fresh ideas and original verse and chorus vocals. And big thanks to Bitzone for always make the tracks more vivid than I could imagine. 

May there always be at least a little time to bounce in your week! 

Track Credits:
Bitzone: Music, Production, Arrangement, Mix, and Master
https://soundcloud.com/bitzone
https://www.bitzones.net/
Frawstakwa: Verse and Chorus Lyrics and vocals
https://soundcloud.com/frawstakwa
the Couch King: Verse Lyrics, Vocals, and Samples
https://musiciselation.bandcamp.com
Intro: Louis Bloomfield

Lyrics: 

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

Here we are
Coming through
With whatever it takes
Full force
On these fools
All up in your face 
Show and prove
Break it down
To the drum 
And the bass
That good old
One two
Gotta move 
Gotta shake
Bada-boom
Something 
That you can feel
But wait
If you could feel 
Anything at all
Feeling great
Letting it flow
Mind body and soul
On my way
That’s how it goes
So the people them know
See you later

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

I’m just your everyday reverie of an emcee
You see
I’m but a memory of the way 
You say it be
On this beat 
You project the street 
On the hit of the kick 
The click 
Boom, respect it’s the fire of the heat 
It’s the sweat dripping from the meat 
You expect flowing from that bass 
That slow tempo that’s got you feeling 
You on the creep, you on the chase
Brace fo the bounce putting you in the some headspace 
Race everyone to hear every ounce so tie up yo shoelace 
And let’s go 
Yo, lettin’ the people know

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce

The flow is
Summoned 
On command
Dig deep
Within 
Without a plan
Improvise
And
Ka-blam 
That is called conviction
Can you understand
The definition
What is your religion?
Damn
It takes blind faith
To hope that one can trust
In what is true 
What is real
For real
So what it do?
We are here to
Be seen
Be heard
Be who
We truly are 
Hold up then
Please
Tell us
Who are you?
 
Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

I got the feeling the bounce is appealing
Now that the ceiling’s been breaked
We got the unwilling to denounce appearing 
How it is that they never been waked 
Allow the revealing of the fake
Watch out we congealing as we get baked 
Take out that sponge cake, make no mistake 
It got that spring, there’s no remake 
Can feel the earth quake 
The beat is shaking
The bass is rumbling
So deep you feel your belly ache 
What’s at stake 
You gotta know
It’s that flow state 
We on a roll 
So slap on the butter baby
We gravy 
Grab a plate and
Before you go

Bounce
Bounce
To the boogie
The bang
The beat
Box
About
To bring it back
The breakdown
For the block
For my people
I see you
Gimme a pound
Tell me how
Have you been
For now
The breakdown
I’m here for you
Hear me loud 
And clear
We are responsible
For where we’re 
Bound
The breakdown
Heading out
Gotta beat the crowds
To get home
Put my feet up
While I eat on the couch
The breakdown

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce

Break Down The Bounce

Bitzone, RS Frawstakwa & the Couch King - Break Down The Bounce

Thursday

TIMELINE / Open collaboration from IPG1
IPG: Vocals and Verses
https://soundcloud.com/ipg1/timeline-vocals-97-bpm
Backing Track : Paploviante
https://soundcloud.com/paploviante-and-friends/enigmatic-paploviante-open-collaboration-offer
Lillithe: Arrangement and Production

Timeline   Open Collab from IPG1 with Paploviante

very metal

Original composition and drum programing (Addictive drum) by Neno J.
Electric guitar Yamaha SG, recorded directly using multi effect Hotone Ampero 100, Valhalla effects, Bass guitar Ibanez
July, 2025.

Jazz meditation

Whispers on the Threshold is a suspended, weightless, and ethereal track from the Mystic Flora collection, part of my body of work designed for film, TV, and media licensing. Ideal for scenes building mysterious tension, atmospheric drifts, or contemplative moments. Features evolving synths, delicate pads, and subtle textures creating a sense of unresolved beauty

Whispers on the Threshold (60s) - Mystic Flora | Music for Licensing

https://open.spotify.com/intl-fr/album/10sxiy3Ds20LZwmXCscjae
https://music.apple.com/us/album/funny-days-ep/1822802207
https://www.youtube.com/channel/UCm8WMUk78ieCvdKBsnjLuVg

recorded in Area 52 Studio, Saugerties New York   
Steve Rust on Bass, Harvey Sorgen on Drums, Olivia Siegel Keyboards     Barbara Browning Vocals & Cello   Imre L. Vocals, Guitars, Hammond organ

"FUNNY DAYS" EP MEDLEY TEASER (see description for links)

Written and produced back in June of 2021 for the TRIP FM Compilation, TIME LAPSE. 
Mastered by Michael Southard, Triplicate Records, Chicago, IL @supplyfi
https://tripfm.bandcamp.com/album/time-lapse

Ink Pool

When https://soundcloud.com/dneye asked me for a track to play his fantastic guitars on, I brainstormed this 5/4 piece with odd chord set in order to make it difficult to him and thus get the best from his skills. After programming it, I added some organic solos (yep I played keys) to make it seem more friendly ;))))

And he... succeeded in the challenge, overcoming all my expectations !!!

Five by D'n'Eye: guitar1, guitar2, guitar3, guitar4, harp.
Five by E-Ruizzo: piano, bass, mellotron, organ, drums.

Hope you'll enjoy this our first post in the new year !!


High Five !! (with D'n'Eye)

(Don't follow me here, best on my main page ;)

FUNNY POOL DAYS WITH JAZZ & METAL

Ruizzoid Support