GIVE BACK YOUR COLD FEELINGS

The 9th EP of "past is the verse"

-Spotify
https://open.spotify.com/album/273KoY8npsRDlTEDEIHVGV

-Apple Music
https://music.apple.com/us/album/1588759016

-Amazon Music
https://music.amazon.co.jp/albums/B09HR8TC9M

-bandcamp
https://pastverse.bandcamp.com/track/hurting

Hurting

Download

Interpretación y arreglos : Jesús Flores.


Producción y Mazterizacion: Arturo Guevara G.
The Noise Infection Studio

Amiga

Get ready for this fabulous adventure !! My 4th work with Joao, inspiring as always !!!

https://soundcloud.com/jowwwafi: instrumental themes and arrangement, percussion, bass, guitars, synths..., production.
https://soundcloud.com/ruizzoidman21centurions: lyrics, vocals, guitars, synths, added sounds, production.
Intro/Outro: traditional music from Congo Republic. Picture: AI.

Translated lyrics (a funny-epic poem when I was 15):

Cacique manda: “¡Ir a cazar!”  /  Chieftain says, "Go hunting!"
Mondongo Gwanda pronto marchar.  /  Mondongo Gwanda soon leave.
Él ha bebido vino y gazpacho;  /  He has drunk wine and gazpacho;
torre ha subido todo borracho.  /  tower has climbed all inebriated.

Gran cazador, Mondongo corre  /  Great hunter, Mondongo runs
ojo avizor desde la torre.  /  watchful eye from the tower.
Cree haber visto una gacela.  /  He thinks he saw a gazelle.
“No me resisto, voy a cogerla.”  /  "I can’t resist, I’ll catch it."

Lleva su lanza, lleva su flecha,  /  He carries his spear, he carries his arrow,
pronto la alcanza y encima se echa.  /  he soon reaches for it, and jumps over.
Su colocón le trae de cabeza,  /  His drunkenness gets him in trouble,
¡el tío torpón falla la pieza!  /  the clumsy guy fails the prey!

 “¡Jopeng!” Exclama Mondongo, duro,  /  "Dang it!" exclaims Mondongo, tough,
enciende llama porque está oscuro.  /  he lights fire because it’s dark.
 “¡Cagonla!” Grita desesperado.  /  "Bullshit!" he screams desperately.
Ya la monita se le ha pasado.  /  The hangover is over already.

Sobrio, Mondongo no se calló,  /  Sober, Mondongo didn’t shut up,
dijo: “En el Congo soy yo el mejor.”  /  he said: "In the Congo I am the best."
Fue lanza en mano tras el animal,  /  He went spear in hand after the animal,
bajo un manzano fuelo a encontrar.  /  under an apple tree he got to find it.

Comiendo estaba tranquilamente,  /  It was eating calmly,
Gwanda acercábase lentamente.  /  Gwanda approached slowly.
Ya que la vio le tiró fuerte;  /  Once he saw it, speared it hard;
tanto la hirió, le dio la muerte.  /  he hurt it so much, caused its death.

Mondongo salta, vuelve al poblado,  /  Mondongo jumps, returns to the village,
alegre canta: “Ya la he cazado”.  /  happy he sings: "I’ve already hunted it".
Mondongo Gwanda llega a casita.  /  Mondongo Gwanda arrives home.
Cacique aguarda, le felicita.  /  Chieftain awaits, congratulates him.

MONDONGO GWANDA (with Jowwwafi)

This song was inspired by "The Cold Heart" (German: Das kalte Herz), a fairy tale written by Wilhelm Hauff. It was published in 1827 in a collection of fairy tales that take place within the narrative of The Spessart Inn.
Although written almost 200 years ago, the described conflicts of mankind are still up-to-date, maybe even more than before. Preferring status und prosperity over humanity is something which has become socially acceptable.

Special thanks for prelistening and precious ideas to my dear friend Gary Reeves!

Lyrics
Peter was in the charcoal business
never in peace with the live he was living
made a deal with the forest spirit
Three wishes and a new life given

Descending to the darkest corners of humanity
what was it you were thinking of when you lost your pity
 
Inside your stone cold heart
You‘ve built a world of disregard

It did not play out like you were whishing for
glassworks went down and you needed much more
sold your heart to Dutch Mike to keep living
a heart of stone and the fortune you were given

Descending to the darkest corners of humanity
what was it you were thinking of when you lost your pity

Inside your stone cold heart
You‘ve built a world of disregard

Flourishing business kept you going
but your smile was eternally frozen
when your drivers faded and you had murdered love
nothing left there but an empty heart

Descending to the darkest corners of humanity
what was it you were thinking of when you lost your pity

Inside your stone cold heart
You‘ve built a world of disregard

Stone Cold Heart

https://spiralizer.bandcamp.com/track/dont-give-in

On major platforms

Bandcamp

Don't Give In

Attacca
: attack at once 
—used as a direction in music at the end of a movement to begin the next without pause.

Movement. .......................................................................  Timeline

1st .............War Cry ......Call to Arms ...............................0.00--1.55
2nd............The Advance to Battle ...................................1.55--2.48
3rd.............The Battle Begins...........................................2.48--3.59
4th.............The Triumphant...............................................4.00--5.10
Thanks to Dennis for his pristine gunfire and airbourne fx....https://pixabay.com/users/dennish18-26151496/
Cover-art :- Marek Studzinski ...https://unsplash.com/@jccards
Orchestration,arrangement,mix and production ...Pablo

Attacca

"Attacca"

The Great Awakening
I wish you all HAPPY EASTER!
  Vocals: Winkandwoo
https://soundcloud.com/winkandwoo/the-great-awakening-vocal-stem-124-bpm
Lillithe: Music, Arrangement and Production

THE GREAT AWAKENING

Modes About Me - Catacombs
Album:
Happy Not Hateful

Guitar:
@themysteriousdecibel

Bass:
@thefunkykaiju

Producer:
tssrecording.com/

Lyrics:

Happy Not Hateful

Catacombs

BringIng Back this Song made 10 years ago. Hope You Feel it ... You can Download it for Free :)
Lyrics Singing/ Music Mix Demo/Video Clip Mix  by Special Cecilia
Video on Youtube : https://youtu.be/msOF7Y6pEBk?si=2Gq2-KMYOsjiot5C

WE CAN BE GREATER ...

In The Game feat. SteelCityRed
Vocals and Lyrics SteelCityRed:
https://www.looperman.com/acapellas/detail/23517/in-the-game-hook-acapella-by-steelcityred-120bpm-rap-acapella
Paploviante:
Bass, Music Composing, Mix, Picture and Mastering

In The Game feat. SteelCityRed

I always wanted to make a sonic companion to the last song Bitzone, Frawstakwa, and I made together, “What Difference Does It Make.” I finally got my chance. This one came together real fast. Bitzone sent me a raw beat, I asked Frawstakwa to kick it off, and then I made some arrangement adjustments and laid down my lyrics and vocals based on Frawstakwa’s. Bitzone then finished it up and bada-boom, gotta move, gotta shake!

Massive thanks to Frawstakwa for bringing the fresh ideas and original verse and chorus vocals. And big thanks to Bitzone for always make the tracks more vivid than I could imagine. 

May there always be at least a little time to bounce in your week! 

Track Credits:
Bitzone: Music, Production, Arrangement, Mix, and Master
https://soundcloud.com/bitzone
https://www.bitzones.net/
Frawstakwa: Verse and Chorus Lyrics and vocals
https://soundcloud.com/frawstakwa
the Couch King: Verse Lyrics, Vocals, and Samples
https://musiciselation.bandcamp.com
Intro: Louis Bloomfield

Lyrics: 

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

Here we are
Coming through
With whatever it takes
Full force
On these fools
All up in your face 
Show and prove
Break it down
To the drum 
And the bass
That good old
One two
Gotta move 
Gotta shake
Bada-boom
Something 
That you can feel
But wait
If you could feel 
Anything at all
Feeling great
Letting it flow
Mind body and soul
On my way
That’s how it goes
So the people them know
See you later

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

I’m just your everyday reverie of an emcee
You see
I’m but a memory of the way 
You say it be
On this beat 
You project the street 
On the hit of the kick 
The click 
Boom, respect it’s the fire of the heat 
It’s the sweat dripping from the meat 
You expect flowing from that bass 
That slow tempo that’s got you feeling 
You on the creep, you on the chase
Brace fo the bounce putting you in the some headspace 
Race everyone to hear every ounce so tie up yo shoelace 
And let’s go 
Yo, lettin’ the people know

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce

The flow is
Summoned 
On command
Dig deep
Within 
Without a plan
Improvise
And
Ka-blam 
That is called conviction
Can you understand
The definition
What is your religion?
Damn
It takes blind faith
To hope that one can trust
In what is true 
What is real
For real
So what it do?
We are here to
Be seen
Be heard
Be who
We truly are 
Hold up then
Please
Tell us
Who are you?
 
Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

I got the feeling the bounce is appealing
Now that the ceiling’s been breaked
We got the unwilling to denounce appearing 
How it is that they never been waked 
Allow the revealing of the fake
Watch out we congealing as we get baked 
Take out that sponge cake, make no mistake 
It got that spring, there’s no remake 
Can feel the earth quake 
The beat is shaking
The bass is rumbling
So deep you feel your belly ache 
What’s at stake 
You gotta know
It’s that flow state 
We on a roll 
So slap on the butter baby
We gravy 
Grab a plate and
Before you go

Bounce
Bounce
To the boogie
The bang
The beat
Box
About
To bring it back
The breakdown
For the block
For my people
I see you
Gimme a pound
Tell me how
Have you been
For now
The breakdown
I’m here for you
Hear me loud 
And clear
We are responsible
For where we’re 
Bound
The breakdown
Heading out
Gotta beat the crowds
To get home
Put my feet up
While I eat on the couch
The breakdown

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce

Break Down The Bounce

Bitzone, RS Frawstakwa & the Couch King - Break Down The Bounce

I am hugely grateful to Stefan Kraft, an incredibly talented musician and composer, for enriching my music with his stunningly beautiful arrangement & orchestration. It has been a great honour and pleasure for me to collaborate with Stefan.

You can hear more of his wonderful music here: @stefankraft_music.

Thank you very much for listening —  we do hope you will enjoy this piece!

Credits:

Piano: Anastasiya Ihnatovich
Arrangement & orchestration: Stefan Kraft


The video made by Stefan for our music is available via the following link:

https://youtu.be/BFBwKQEJkTY

All (Ft. Stefan Kraft)

Giving And Taking
------Cloud Stepping
(Chorus)
Life is relative, to the one that’s living it
Inside outlook, to giving and taking it
Experience god’s works, all senses
We were given just a little bit
We couldn’t handle it all 
the few we have can nearly fit---NOT barely
the few we have can nearly fit

(Verse1)
If we knew it all, and all
Then nothing would matter
It’s all a puzzle to be solved
We have always been the answer
The plan of god without reward
Evolves in different ways
We are all awake in different dreams
To let the devil play

(Verse2)
Who amongst us hear the screams
Of millions of lives lost, 
and don’t look on it as savagery
And wonder what’s the cost
What’s the worth, and what’s the cost
Are we listening or not
Are we listening or not

Giving And Taking

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

touch

Original composition and drum programing by Neno J.
Electric guitar Yamaha SG, recorded directly using multi effect Hotone Ampero 100, Bass guitar Ibanez
May, 2025.

Colorful feelings

PLEASE FOLLOW US On YOUTUBE AND WATCH THE VIDEO:
https://www.youtube.com/watch?v=gT2tzzx-N1c

This is the first song of my new band "Radcor". I collaborate with an old schoolmate, who plays the guitar here. Giacomo Rossi as usual on vocals and Maxim Prokofiev from russia on drums. In the long run we will go for a full album. 

Don't turn your head 

The mighty god of the underworld
Looks with sadness into my soul
White hands hold my only love
Dark words rise from a deep hole

Don't turn your head
Or else she will be dead
This move, my son, can never be undone

One after one through hell and fire
Ignoring just a strange desire
Does she look pale or maybe alive?
Does she follow me through the night?

Don't turn your head
Or else she will be dead
This move, my son, can never be undone

I could not resist, my dear
When I looked I saw the fear
One last sign of love you gave me
Before you fell back into your grave

Don't turn your head
Or else she will be dead
This move, my son, can never be undone

music and lyrics by Dirk Radloff/ all rights reserved

Don't turn your head

Hello guys on SoundCloud, very nice to see you again!
It has been a long time since my last release. Many things happened and gone away around me. And the world can never stop changing, I feel like I’m standing in a storm. 
This is the song of such stormy,confusing world , hope you’re all safe and well.

Lyrics 
Bringing back
Streaming inside
To walk around
Both of your hands

Breaking down
Fall on ground
Grabbing your hands up
Breath again

Now when we hurry out tomorrow
 (never tell you that)
Better way to soon
( take me to the place)
Just one more time together
If we out of tomorrow away 

Left behind out 
Waking crowd
Blowing wind
Where you go
(All fake world)
Let me heard out
Crossing inside
Whisper then
I know your lie
(Don’t look back)
We know your lie

Written, sung by Chihiro MATSUMOTO (JETTT)
Acoustic and Electric guitars played by Chihiro MATSUMOTO ( JETTT)
All the arrangements by Chihiro MATSUMOTO (JETTT)

Out Back Storm

Aporia is an ongoing Internet collab project based around the piano/bass duo 'Kirby/Ward'. Occasionally we capture something at rehearsal that we send to dummer Dane Renshaw (Japan) and guitarist Bruce Musser (U.S.A) to add their respective talents too. Its usually pretty spacious and dreamy : ) For this track we added the talents of Dylan Banks playing the Intonarumori as it seemed the least likely instrument ( and therefore most fun)  to suit this pseudo jazz jam extraction. As always Aporia may or may not record more music

Aporia #4

Cast of characters:
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums, acoustic guitar, song and vocal melody composition
Joseph Shenton -- @joseph-shenton -- lyrics
Gaz Brownie — @user-755327533 — Gaz — vocals, vocal harmonies, and lyrics
one man verity show – @one-man-verity-show – Scotty – electric guitar intro
TexMex Shaman–@texmex-shaman –Stephen– Les Paul Custom electric guitar, mix, production, and mastering
Llanpsych–@llanpsych –Tez– Epiphone Les Paul electric guitar
Tea R. Sea @tea_are_sea -- Terry – low synthesizer
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Fender Precision bass and high synthesizer


This song began a few months ago as an idea Ken had to make the quintessential Gen X song. He structured the chords, beat to appeal to anyone of a certain age group, of which most of the folks in the band are a part. He even played wrote it on his acoustic guitar and came up with the vocal melody, which Gaz put a shine on for the final version. Once he had the form of the song down, he tapped the incredibly talented Joseph Shenton to write the lyrics. Gaz not only superbly sung four part harmonies for this, but the came up with the lyrics for the break parts, too. 
  When he first envisioned it, Ken thought it would be fun to invite as many musicians as we could onto it. However, for whatever reason, it stalled out and sat untouched for a couple months, with just Stephen's foundational guitar, Scotty's thrilling guitar intro, Terry's lush, low end synth, and Josh's bass to hold it down. Then, Ken had the great idea to invite Gaz to sing it for us. His awesome vocal track inspired us to heat up the kiln again, and put some real effort into bringing it to life. On that note, Josh redid his bass part to match Ken's rocking drums, as well as added the high, melodic synth you hear throughout. Tez came in last with the fiery guitar fills and solo, which you can hear throughout, as well. 
  Once it was all in the bag, we tapped Stephen to produce and mix it, which he did in his always pro manner. 
  This is the first collab Eclectic Collective has done with Gaz, but we all hope it won't be the last. He is one of the finest singers on the Cloud, and we're honored that he would sprinkle his magic on this song with us. We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by Joseph Stenton:

Where were you on those days gone by
Were you out by the tracks where the lone train whistle cries
Or kicking up rocks on those dusty roads of dirt
Or skating on streets paved with gold
Or wrestling upon the grass beneath endless sky

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
Were you tugging at the stars too
In an attempt to release their light
Bonded by hours
To a brotherhood we believed would never die

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
From within this dull petrification of time
Comes a crystalline memory
Of those long lost moments, now born free 
Of come what might, come what might be

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
With a tape in the walkman
Playing the soundtrack of passing time
To these moments of our lives
That once burned bright but never died

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs

Generation X-Gaz Brownie/Tea R Sea/Joseph Shenton/One Man Verity Show/Eclectic Collective

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


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Te veo venir (No te vuelvas a ir)

(Don't follow me here, best on my main page ;)

GIVE BACK YOUR COLD FEELINGS

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