I SEE AN ADVENTURE OF INTERSTELLAR FRUITS

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Old Textures

Attacca
: attack at once 
—used as a direction in music at the end of a movement to begin the next without pause.

Movement. .......................................................................  Timeline

1st .............War Cry ......Call to Arms ...............................0.00--1.55
2nd............The Advance to Battle ...................................1.55--2.48
3rd.............The Battle Begins...........................................2.48--3.59
4th.............The Triumphant...............................................4.00--5.10
Thanks to Dennis for his pristine gunfire and airbourne fx....https://pixabay.com/users/dennish18-26151496/
Cover-art :- Marek Studzinski ...https://unsplash.com/@jccards
Orchestration,arrangement,mix and production ...Pablo

Attacca

"Attacca"

SUCH IS LIFE
Written, Performed & Produced
by Andrew Borderick Copyright 2025 AB Music

V1
IT'S ANOTHER ECLIPSE OF THE CITY
SOUNDS LIKE YOU'VE BEEN AWAY
S S SAILING AWAY
WHEN I FLOTE INTO YOUR EYE'S
LOOK'S LIKE YOUR FAR AWAY
THERE TO STAY
(CHORUS)
IT'S ALRIGHT, YOU'LL BE FINE
GET OFF THE GROUND, TO TAKE MY HAND
AND FALL AGAIN, TO FALL AGAIN
WE CAN HIDE AND TRY TO DEFINE
SUCH IS LIFE
V2
WE ALL LIVE IN THE CRIME OF THE FUTURE
FEELS LIKE THE END OF TIME
REALING AWAY
NOW YOU'VE SLID INTO THIS STYLE
IT'S NOT THAT YOU HAD TO STAY
I'M HERE TO SAY
(CHORUS)
IT'S ALRIGHT, YOU'LL BE FINE
GET OFF THE GROUND, TO TAKE MY HAND
AND FALL AGAIN, TO FALL AGAIN
WE CAN HIDE AND TRY TO DEFINE
SUCH IS LIFE
(BREAK)
(CHORUS)
END

SUCH IS LIFE

The part that sounds like a bass in the middle section is actually tapping using an 8-string guitar. Naturally, no bass was used at all for this part. Lately, I've been exploring the potential of the lower strings, and tapping and slapping are part of that. Regarding the song's theme, I've been deeply contemplating the grandeur of the universe and humanity recently, and I composed this piece wanting to express that atmosphere through my guitar. I'd be delighted if you could feel a sense of floating and light-like speed within the song. Finally, thank you so much for reading this far. I think you're truly wonderful!

Interstellar Contact

METROPOLIS APOCALYPSE (Ft. Brian Butts)

Go Speed Racer! Go!
Pedal to the metal and we are shifting gears! Let's build up some momentum here and start this project off with a little speed!
We even have a couple new instruments to throw in the mix! This one has audio of the steel drum! enjoy!
🐢🐢🐢🐢🐢🐢🐢🐢🐢🐢🐢🐢🐢🐢🐢🐢🐢
-TATWD 

Ruby Racer (SHIFT)

A bit late for the end of summer, but I hope you enjoy this melancholic atmosphere.

This is a song I started composing in August 2024, with the idea of ​​featuring a real guitar solo, especially at the end. This summer, I approached Chris Grant @chris-grant-554540731 about joining the project. He loved the idea, and what I've included here is the result of that collaboration. His solo made a huge impression on me, and I'd like to thank him for his fantastic contribution. Without that guitar, this song wouldn't exist! Thank you so much, Chris!
If you want to listen to more of his amazing music, please visit his profile: @chris-grant-554540731!

I hope you enjoy his contribution and our song as a whole!

Composition, programming, production and mastering - R.U.R.
Guitar additions and solo at the end - Chris Grant @chris-grant-554540731

To make my part I've used:
DAW: Ableton Live 11 Standard
Instruments:
Spitfire LABS (free): Soft Piano, Bell Swarm, Expressive Strings, Bass Guitar
Impact Soundworks Sheddage 3.5 Stratus Free (NI Kontakt Player)
Drum Loop: 64 Pads Dub Techno Kit groove 01_105 bpm from Ableton's Drum Essentials Pack
Samples: Ambient Crash (Live's Factory Content)
Chris used: Yamaha Revstar guitar and the ToneX Mesa boogie reference signature collection – Mesa Boogie MKIV amp capture

This piece was created without the help of any generative AI.

Cover picture by me, at Grzybowo, Summer 2025

The Summer's End

Summer's End

Here are some vocals on Freedownload . Who want can use all of it or parts of it mixing it with music or as featuring in another .song...
Also you can, if you feel like, modulate, make loops or special effects ...  
Of course, let me know you if you do a track in Collab, mention my name & I wil share it :)

My Friend Dean Grant aka RICO made yet 2 tracks with it  
https://soundcloud.com/ricochet8888/awake-awarececilia-rico
https://soundcloud.com/ricochet8888/awake-aware-cecilia-rico-1

AWAKE  & AWARE - Accapellas

This is how it’s done / FRAWSTAKWA & Paploviante
Lyrics and vocals written and performed by FRAWSTAKWA
@frawstakwa
https://soundcloud.com/tobedetermined-frawstakwa/this-is-how-its-done-160bpm
Paploviante: Music, Bass, other Instruments, Mix and Mastering

This is how it’s done (frawstakwa&Paploviante)

Wow, this is it, the final song I will be posting for the untitled album Stricknice, Bitzone, Wou-Wou & the Wormling and I have been working on! We posted the first song, “Ghosting Out,” from this set on January 4, 2021. I started this set of 12 songs in 2020, during the pandemic, using demo tracks that Wou-Wou graciously allowed me to use. I can’t, yet totally can, believe that it took 5 years to finish and finally post all the songs. I am still not sure if all 12 songs will be included in the album since the total run time is about 43 minutes and I like albums to be a little closer to 30 minutes. We still also need to decide on the track sequence. Eventually the album will be posted the album on Bandcamp for free. 

I have written it many times before and I will write it again, it has been an immense pleasure and honor and blast to work with Sticknice, Bitzone, and Wou-Wou on this set of songs. I feel so lucky to have had this opportunity.  

Track Credits:
Heartscore: Violin
https://soundcloud.com/heartscore/tracks
https://heartscore.bandcamp.com/album/the-edge-of-times
https://www.youtube.com/dirkradloff
Stricknice: Guitar
https://soundcloud.com/j-nice-6
Bitzone: Additional Drums and Bass, Mix, and Master
https://soundcloud.com/bitzone
https://www.bitzones.net
Wou-Wou & the Wormling: Synth, Synth Bass, Drums, Original Demo Track, Song Art
https://soundcloud.com/wouwouandthewormling
https://wouwouandthewormling.bandcamp.com
https://www.instagram.com/wouwouandthewormling
the Couch King: Lyrics, Vocals, Samples, Production
https://musiciselation.bandcamp.com

Lyrics:

I don’t wanna have to do this
But I would be terribly remiss
If I just pretended to shoot and miss 
Maybe I could find somebody nobody’ll reminisce 
Maybe I could find somebody deserving the abyss 
The kiss of deaths sweet lips 
The heat of cold bullets
Rationally tearing you from the grips 
Of life meaningless in this soulless culture gone amiss 
I’ve been hunting these woods since my childhood 
Living as any self respecting and god fearing man should
sovereign and secured in responsibility for one’s own livelihood  
The devil wants you to believe in falsehoods 
and city life leads to no good
The heathens all had me misunderstood 
I wouldn’t want to be with them if I could

It feels like its been me and the bird forever now 
And i can’t allow myself to let him down 
I have him in my sight 
But there is two of ‘em 
Damn it 
What am I going to do with ‘em 
I’m going to have shoot both of ‘em 
I can’t leave a witness
Gotta move with swiftness 
At least this 
male’s a total stud 
and bird will pleased 
As he falls with a thud as his chest spews out blood 
and soil turns to mud
This is the right thing to do, isn’t it
After all I made an agreement 
I can’t permit 
Bird to throw a fit
or It’ll be me my head 
that sits on that wall 
And I really wouldn’t want him to leave me 
and be alone again

The Shrike Pt. 4

Heartscore, Stricknice, Bitzone, Wou-Wou & The Wormling, and the Couch King - The Shrike Pt. 4

Vocals: 2nick8
https://www.looperman.com/acapellas/detail/19830/once-in-a-lifetime-90bpm-rock-acapella
Second Vocal: Leslie dancing in the Moonlight
E Bass: Paploviante
https://soundcloud.com/paul-racle
Lillithe: Arrangement and Mix

Once in a Life Time feat. 2nick8 & (Paploviante-E Bass)

Introspection

Soul&Jazz

Bring It Over Here

Fruit

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Bandcamp

Epilogue to a fantasy adventure

Cast of characters:

Gaz Brownie — @user-755327533 — Gaz — vocals, vocal harmonies, lyrics, and composition
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four-string fretless bass
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson custom T guitar
J.J. Terrell– @j-j-terrell – organ and piano
Llanpsych–@llanpsych –Tez– mix, production, and mastering

This song began by Gaz composing it and on his acoustic guitar, and singing his original lyrics over it. Gaz is a brilliant songwriter, lyricist, and singer, with whom we've worked before. However, this is the first song he's shared with us. He gave it to Ken first, who started the project and invited the rest of us to it.
  Ken, who was the originator of the project, was actually the second person to lay down a part, which he did to Josh's bass, instead of the other way around, as they usually do it. Stephen then came in and replaced Gaz's acoustic guitar with his silky smooth electric guitar. JJ got down on his magical piano and organ parts not long after Stephen added his guitar. 
  This was a somewhat uncomplicated process, as Gaz gave us a fully realized song to work with right from the start. Tez sealed the deal with his expert production to cap it off, too.
  As mentioned, this is our second song starring Gaz, and we're very grateful to him for sharing his magic with us. We're all looking forward to working together again in the future, too. We hope you enjoy listening to this as much as we enjoyed creating it. 
Original lyrics by Gaz Brownie:
V1
Im drawing the conclusion that 
Im just being polite 
And questioning myself is it me our are they right
I’m feeling a little angry hope it’s not out of spite 
Is just a reaction to this uncomfortable night 

Chorus 
When did the world stop listening 
When did the world stop listening 


V2
As we compete for space to try & speak
Everyone’s on journey on a bus to shit creek
With condescending story’s of their bad & awesome week
And I’m working on finding just a better style of technique 

Chorus 

V3
I avoid catching that struggle bus 
Don’t wanna be part of my problem and be misunderstood 
What are you looking at is there something you wanna discuss 
I push his   face up the window cause I’ve had enough 

Finish on a chorus

When Did The World Stop Listening (Eclectic Collective with Gaz Brownie)

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

The Lizard

(Don't follow me here, best on my main page ;)

I SEE AN ADVENTURE OF INTERSTELLAR FRUITS

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