NO WAY TO ANNIHILATE A HIDDEN HAPPINESS

Franck Douvin joue sur une flûte PRIMA SANKYO Sayama en argent massif avec une embouchure en argent massif et cheminée en Or 9K "Faulisi" PARIS

- Spitfire Audio - LABS - Vintage Keys : The Seventy Three (Fender Rhodes)
- Spitfire Audio - Ólafur Arnalds Chamber Evolutions - Chamber Waves
- Spitfire Audio - BBC Symphony Orchestra Pro - Bassoon
- Spitfire Audio - Spitfire Appassionata Strings - Violins Legato
- Spitfire Audio - Albion II - HornEuph
- Spitfire Audio - Contemporary Drama Toolkit - Electric Cello
- Spitfire Audio - Contemporary Drama Toolkit - Combi Textural
- Spitfire Audio - Albion - Solstice
- Spitfire Audio - Originals Rare Flutes
- Spitfire Audio - Spitfire Studio Strings - Celli(6) Legato Performance
- Spitfire Audio - British Drama Toolkit - Alto Sax
- Heavyocity - Foundations Emotive Choir
- Arturia - CS80

Old Textures - Variation Avec Franck Douvin

In this time of wars & great crisis, we should keep call for Peace & equality, for a better humanity.
Here are some vocals extract of my song on the topic. So who want can use it, mixing it as you like with music or as featuring in another .song  
You can also use, in a same track, some part of other vocals from this playlist https://soundcloud.com/specialvocals/sets/call-for-humanity-vocals-for
The files are on Free Download.  If You Use My Vocals, Mention My Name in the Track & Let Me Know, I will Repost, Share, Include it in Playlists & Mix...
& If you use it for commercial purpose, let me know, all my songs are under Authors Rights

FREE TO BE HAPPY  - Vocals for Collabs

Unlike our previous two collabs, Dan does lyrics, vocals and lead guitars on an instrumental by me.
I made a 7/4 track for him, knowing he can sail odd waves, and here you are the fantastic result !!

https://soundcloud.com/user-276716031: lyrics, vocals, guitar solos and fills, percussion, artwork on logo by WouWou
https://soundcloud.com/ruizzoidman21centurions: instrumental idea, rhythm guitars, bass, drums

Verse 1:
A promise was made
And It shouldn’t fade
The words were spoken
Then they was broken

We were in the bright sunshine
I thought she was mine
It’s not something you can pawn
And asa now she is gone

I was here forever beau
It was years ago

Verse 2:
But I thought it still held
Like a solid weld

A promise is a promise
Even for a doubting Thomas
It should carry some weight
It doesn’t have an expiration date

But a last I find
That things can unwind
And we are not together
In this Summer weather

Verse 3:
She made her assurance
But I had no insurance
From the broken promise she made
Yes our romance began to fade

Now I am in the dark
What was there was just a spark
Now I Don’t know
Which way to go

No direction in my life
Yes I’m living in such strife
Wondering if life means anything
My joy has no more spring

I am that sad guy you passed by
Not noticing the tears in his eyes

B E T R A Y A L (with Daniel Lockhart)

A rough and ready summertime rock & roll song. Discount Jimmy Buffett.
A salvage title is a car deemed a total loss by an insurance company.
From the album "Curiosities Of Outsider Art" (Sept 2025)

Lyrics:
I surround myself with my friends 
That I know and love
Kick those bad times
Down the stairs
A little shove
Even when we're hurt
Drinking a toast
To the last rotation of the earth
You should know by now

We're living life with a salvage title
I'm out of sync
With my circadian cycle
Your molecular structure
Looking vital  🤪 
Salvage title

Take the time
And disregard all the rest
I'm at the Ramada Inn
Under house arrest
They say life is just a little test
I took off my shirt
To get this off my chest
You should know by now
This kind of spirit never goes away
It just becomes something else

We're living life with a salvage title
Getting sunshine
In tiny vials
Kicking down the portals of time
For an on time arrival
Salvage title 
Hot dog (yeah ) !!!!

Salvage title
And if you're coming over tonight
I'm going to be up late
Dancing with myself
Like Billy Idol

Salvage Title

I started making this piece with the intention of it being a set of songs that could stand on their own as well as being an open collaboration, but then it took on a life of its own, and things just got out of hand from there, lol! 

But I still managed to control myself and didn’t add too many samples though, haha! 

I was listening to 1985 and 1986 hip hop singles when making this so….

You can download this for free as well as some of the unmixed stems on Bandcamp. The lyrics can also be found on Bandcamp since SC didn’t provide enough space in the song info. I reached my description limit!

Feel free to treat it as an open collaboration if you like. The song list, BPMs, and time signatures are listed below. 

I Like To Sample Old Drums Bandcamp Link: 
https://musiciselation.bandcamp.com/album/i-like-to-sample-old-drums

Funny we are now moving to Portland. Bye, bye Hillsboro. I guess this is now a farewell song. 

Track Credits:

The Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield

I Like To Sample Old Drums
Rap Attack: 112 BPM 4/4
Take The Max Down To Hillsboro: 189 BPM 4/4
Peach ’N Plum: 132 BPM 3/4
What, Would, When: 112 BPM 5/4
I Like To Sample Old Drums: N/A
This One Goes: 101 BPM 4/4
Bllll: 92 BPM 4/4
The Couch Can’t Help It: 87 BPM 4/4

Here are the lyrics just for: 

Rap Attack

I will
Put you in a tourniquet
Bleeding there’s no stopping it
Got a pimple 
I be popping it
Tripple nipple
Don’t be knocking it
I be chopping it off
Now blood is slopping  
I ain’t mopping 
You be dropping
When you slippin’ in it 
Finna sit and watch as I scoff
Maybe lickin’ ice cream soft serve, huh
What cha sayin’ I can only seem to catch ya gurgling brah
Nah, No one can hear you scream 
When you got a severe stream of
Foam bumbling, bubbling from your mouth, tumbling gravitationally south
Bro, i’m feeling bad for your health
See you reeling keeling over looking so sad 
had I know your noncongealinkg slow at healing
I might have
Not tried to put you in a tourniquet 
Tried to put you in a tourniquet
Tried to put you in a

I Like To Sample Old Drums

Bandcamp

Russell Sinfield and the Couch King -I Like To Sample Old Drums

SUCH IS LIFE
Written, Performed & Produced
by Andrew Borderick Copyright 2025 AB Music

V1
IT'S ANOTHER ECLIPSE OF THE CITY
SOUNDS LIKE YOU'VE BEEN AWAY
S S SAILING AWAY
WHEN I FLOTE INTO YOUR EYE'S
LOOK'S LIKE YOUR FAR AWAY
THERE TO STAY
(CHORUS)
IT'S ALRIGHT, YOU'LL BE FINE
GET OFF THE GROUND, TO TAKE MY HAND
AND FALL AGAIN, TO FALL AGAIN
WE CAN HIDE AND TRY TO DEFINE
SUCH IS LIFE
V2
WE ALL LIVE IN THE CRIME OF THE FUTURE
FEELS LIKE THE END OF TIME
REALING AWAY
NOW YOU'VE SLID INTO THIS STYLE
IT'S NOT THAT YOU HAD TO STAY
I'M HERE TO SAY
(CHORUS)
IT'S ALRIGHT, YOU'LL BE FINE
GET OFF THE GROUND, TO TAKE MY HAND
AND FALL AGAIN, TO FALL AGAIN
WE CAN HIDE AND TRY TO DEFINE
SUCH IS LIFE
(BREAK)
(CHORUS)
END

SUCH IS LIFE

Giving and Taking (open invitation for a collaboration from IPG1) 
https://soundcloud.com/ipg1/giving-and-taking-vox-90-bpm
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering
Lyrics IPG1:
Cloud Stepping (Chorus) Life is relative, 
to the one that’s living it Inside outlook, 
to giving and taking it 
Experience god’s works, all senses 
We were given just a little bit 
We couldn’t handle it all  the few we have 
can nearly fit the few 
we have can nearly fit
(Verse1) 
If we knew it all, and all, and all 
Then nothing would matter It’s all a puzzle to be solved 
We have always been the answer 
The plan of god without reward 
Evolves in different ways 
We are all awake in different dreams 
To let the devil play
(Verse2)
 Who amongst us hear the screams 
Of millions of lives lost,  and don’t look on it as savagery
 And wonder what’s the cost 
What’s the worth, and what’s the cost 
Are we listening or not 
Are we listening or not
(Chorus)
 Life is relative, to the one that’s living it Inside outlook, to giving and taking it Experience god’s works, all senses 
We were given just a little bit 
We couldn’t handle it all  the few we have 
can nearly fit the few we have can nearly fit

Giving And Taking IPG1 and Paploviante

Oh Baby I need you   (Open collaboration offer Paploviante)
Backing Track: 
https://soundcloud.com/paploviante-and-friends/still-think-positive-open-collab-offer
Lillithe: Mix, Arrangement and Production

Oh Baby I Need You (Open collaboration offer Paploviante)

■概要(Overview)
みんにゃについていけなくて、にゃんかノレにゃい自分・・
そんな感じの曲にゃ。みゃぁ、このギターが一番ノレてにゃいにゃん！
いい子だね！いい子だよぉ！
It's a song about not being able to keep up with everyone else and feeling a bit left out. Well, this guitar part isn't the most catchy though!
What a good kid! What a good kid!

■歌詞
夜の街をただ
あてもなく歩いた
どこかの客引きが
舌打ちをする夜

過ぎて行ったもの
探しているように
冷たいビルに紛れ
灯を探している

紛れていたい
同じものを見て
クスッとしたりさ

はやりの歌
友達同士で口ずさみたいな

でも何をしたって上の空
どうにもノレない
ズレてる感覚
自分を塗りつぶす
夜の灯　色を付けて
私を隠し　混ざり合ってゆく

真剣なまなざしで
作り話をする
無意味な時間さえ
捨てることも出来ない

過ぎて行ったもの
つかみ取った人が
冷たいビルに紛れ
灯を浴びる夜


誰かの歌　聴こえてきて
口ずさむふりをした
その時　少し混ざれた気がしたのだけど

でも何をしたって上の空
どうにもノレない
ズレてる感覚
自分を塗りつぶす
夜の灯　色を付けて
私を隠し　混ざり合ってゆく
夜をほどいてく

■Lyrics (English translation)
"Out of Sync Night"

I walked the city streets  
With no destination in mind  
A tout somewhere clicked his tongue  
On a night like that  

As if searching  
For things that have already passed  
Blending into cold buildings  
Looking for a light  

I want to disappear into the crowd  
See the same things  
And smile quietly with someone  

A trendy song  
I wish I could hum it with friends  

But whatever I do, I’m not really there  
I just can’t get into it  
This offbeat feeling  
Paints over who I am  
The city lights tint me  
Hide me, and I begin to blend  

With a serious gaze  
I tell made-up stories  
Even meaningless hours  
I can’t bring myself to throw away  

Those who’ve grasped  
What has already gone  
Blend into cold buildings  
And bask in the glow of night  

Someone’s song reaches me  
I pretend to hum along  
And for a moment,  
I felt like I belonged—just a little  

But whatever I do, I’m not really there  
I just can’t get into it  
This offbeat feeling  
Paints over who I am  
The city lights tint me  
Hide me, and I begin to blend  
Unraveling the night

ノレない夜(Out of Sync Night)

A tender tribute to a dear friend facing the battle of breast cancer. Hold Me In Silence is an attempt to explain emotions through music when words often fall short. The delicate melodies and lyrics are aimed as an embrace in sound for someone navigating pain, uncertainty, but also an immense amount of hope. 

If you enjoyed listening, please like and repost, which would be greatly appreciated. Thank you.

Hold me In Silence

Hold Me in Silence

Annihilus

Back again with a bit of Country . Fellow Northerner Dave Cooper sent me the lyrics to this , so I enlisted the help of my good friend Axel Menningen to put it together . It's an Anglo/German collaboration , we really hope you like it ! Me and Dave are back in a few weeks time ! Next up is a cracker by me and Gaz Brownie , followed by more me and Kim , stuff by myself , and another one me and Gaz have just finished . The song contest finished with no win for me and Kim , oh
bugger ! Many thanks for listening , it means the world . Me and Charlotte's album links are below
www.youtube.com/playlist?list=OLA…L7MJ_1UTdMo0MjJLM
open.spotify.com/album/78ewrWZjS4…DSSrOdWlanz6UPMw

Turn around and face yourself
There’s nothing you can do
For you see there’s no escape
Love’s got a hold on you

It doesn’t matter what you say
It doesn’t matter what you do
There is simply no other way
Love’s got a hold on you
Chorus

Don’t hide your love
Don’t hide your love
Don’t hide your love away
Bridge

Every time you turn around
There’s a love that’s newly 
There’s a love that’s newly found
Solo

So don’t you try and hide
For you know that it’s true
Somewhere deep down inside
Love’s got a hold on you
Chorus x 2

End 

Love’s got a hold, love’s got a hold

Love’s got a hold on you

Don't Hide Your Love

Well no school, no work, no worries! At least for us making another track. But Mr. Grank is on a mission with his dirty pal Rusty. They encounter a mysterious phone booth in the park and Mr.Grank stops to make an important call to a long lost friend of his. What was the number though, the name? Address??? It is strange... Tubs, Fish tanks, Habitats, fire places... these things still have purpose in today's world... but phone booths? long lost friends? They fade into the background and slowly into the void. 
What is this lump in the phone book???
Another one of Mr. Grank's marbles! At least it wasn't all for naught. 

Lost In The Phone Booth Feat. Rusty

Suas possibilidades dão o brilho do seu olhar
Levam toda a força de um rei
Mostram que a leveza está no ar
De muitos afetos que lhe dei

Leva contigo tudo que puder
Conta comigo para o que vier
Me dê motivos, eu gosto
Dos seus motivos, os
Que me levam pra qualquer lugar
Onde eu possa estar junto à ti

Para uma vida exemplar
Sigo leve e forte o meu buscar
De tanto cair me levantei
Fazendo gírias próprias de viver

Vocais, letra e melodia: Gui Pagliari
Guitarras e arranjos: Silvério Simioni
Baixo: Jaime Bones
Bateria: Kassio Todescatt

Possibilidades

Part 4 of the final track of Then She Reaches For The Gun's 2nd Album
released in Jan 2025 - nomatesensemble.bandcamp.com/album/i-am…m-with-you.

Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of 21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar - 2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide Part 4

Cast of Characters:

Surfers Like Us– @user-411502040 –Artur–composition, arrangement, and Fender Jaguar delayed, foundational rhythm guitar
J.J. Terrell– @j-j-terrell – Yamaha Genos 2 Synthesizer
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson custom T model electric giutar, production, mix, and mastering
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
The Beautiful Dark -- @thebeautifuldark -- Carl -- ovation acoustic guitar, vocals, and lyrics

This song began in Artur's jam room at his house, where he creates all of his amazing music on his Fender Jaguar, which is perfect for the surf sound, at which he's a master. He shared it with Josh, who shared it with the group.
  Before Josh could lay down a bass part to it, though, JJ came up with his elegantly moody synth and laid it down. The rhythm section, Josh and Ken, then did their usual dance, dialing it in with some back and forth. Stephen was next in line, adding a subtle duet with Artur's chords. Tez then played the ethereal lead throughout most of it. Stephen, after it was pretty much laid down, came through with the ripping wah solo towards the end.
  Once the music was all taken care of, Carl came up with some great lyrics for it, and sang them, as the newest member of the group. He also laid down an accompanying acoustic rhythm guitar part, too. After Carl did his thing, we turned it over to Stephen for a mix, which he did with his professional skill set.
  This is the latest in a long line of surf rock tunes Artur has shared with Eclectic Collective. If you dig the sound, he has plenty more great ones on his page, which are worth checking out, too. We tried to do this with a little nod to The Police, the band, not the profession. We hope you enjoy listening to it as much as we enjoyed making it. Thanks for listening.
Original lyrics by The Beautiful Dark:

Who said we're different
We got our genes and our names
One human mission
Heart fused like fission
Real collective brains

Pure pine for pure
Pleased though holds hands
Reel in one love
Filter for our sands

I feel the same as you
No provocation ever making us blue
I feel the same as you
No provocation ever making us blue

I feel the same as you
Let music train our clue
No place like home we woo
I feel the same as you

I feel the same as you
Let music train our clue
No place like home we woo
I feel the same as you

I Feel the Same as You (Eclectic Collective with Surfers Like Us)

Philosophisches Duett über die zeitlose Weisheit, dass wahres 
Glück nicht im Ankommen, sondern im bewussten Gehen liegt. 
Chamber Folk mit Cello/Violin-Arrangements, progressive Taktarten 
(7/8, 5/4) und zwei Stimmen, die Generationen verbinden. 
Für Fans von Sufjan Stevens, Fleet Foxes und moderner Kammermusik.

Lyrik: (The English translation is below the German lyrics)
Im Morgengrauen der Seele erwacht
Ein rastlos Herz, das nach dem Horizont sich sehnt
Die Ungeduld der Zeit hat uns gemacht
Zu Jägern, die dem nächsten Glück entgegen gehen

Immer rennen, niemals ankommen hier
Zwischen Atemzügen hält die Zeit still
Ein Zauber webt sich leise, sanft wie Schnee
Zeigt den Weg, den ich schon immer gehen will

Die Wahrheit liegt so nah
War immer schon da
In uns

Es gibt keinen Weg zum Glück
Glück ist der Weg, den wir gehen
In jedem kleinen Augenblick
Kann ich die ganze Welt schon sehen
Nicht am Ende wartet das Gefühl
Nein, es tanzt in jedem Schritt
Das Leben ist kein fernes Ziel
Es singt in unserem Rhythmus mit

Zwischen Anfang und Ende
Zwischen Traum und dem Erwachen
Leben wir

Der Duft von Regen auf dem warmen Asphalt
Ein Lachen das von tief im Herzen kommt
Die Wärme einer Umarmung ungezählt
Das ist das Glück, das in uns wohnt

Nicht wischen nach dem Glück, wisch als das Glück
Die junge Seele spürt es schon so lang
Zwischen Hetze und dem Stillstand liegt der Trick
Im bewussten Gehen liegt der Klang

Es gibt keinen Weg zum Glück
Glück ist der Weg, den wir gehen
In jedem kleinen Augenblick
Kann ich die ganze Welt schon sehen
Die Revolution ist nicht das Ankommen
Sie lebt im bewussten Sein
In jedem Jetzt ist alles gewonnen
Der Weg selbst lädt uns ein

Der Weg selbst ist das Geschenk

English translation:
At dawn, the soul awakens
A restless heart that longs for the horizon
The impatience of time has made us
Hunters who pursue the next bit of happiness

Always running, never arriving here
Between breaths, time stands still
A spell weaves itself quietly, gently like snow
Showing me the path I've always wanted to take

The truth is so close
It was always there
Within us

There is no path to happiness
Happiness is the path we walk
In every little moment
I can already see the whole world
The feeling doesn't wait at the end
No, it dances with every step
Life is not a distant goal
It sings along with our rhythm

Between beginning and end
Between dream and awakening
We live

The scent of rain on warm asphalt
A laugh that comes from deep within the heart
The warmth of countless hugs
That is the happiness that dwells within us

Don't wipe away happiness, wipe away as happiness
The young soul has felt it for so long
Between rushing and standing still lies the trick
In conscious walking lies the sound

There is no path to happiness
Happiness is the path we walk
In every little moment
I can already see the whole world
The revolution is not the arrival
It lives in conscious being
In every now, everything is won
The path itself invites us

The path itself is the gift

Der Weg ist das Glück

So, our friend (assuming he really is our friend) is no longer alone at home. The work week is over, it’s been a hard one. Maybe for both of them: for him, and for the woman now leaning out the window. There’s a touch of unease in the air, and it’s not necessarily connected to how things are going between them. Maybe something is about to happen. Or maybe not. The only sure thing is that they’re not interested in finding out.

This is the fourth in a series of eight easy, acoustic, rather short, and deliberately inconclusive tracks, assembled by combining new ideas with reworked older material, adding parts and sounds along the way. This time I struggled to make it to the end, adding and removing, changing and restoring and working to the mix. I probably messed things up a bit (thirty recorded tracks, twenty of them muted...), but never mind.

Part 1 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-1-night
Part 2 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-2-dawn
Part 3 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-3-noon
Part 5 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-5-night-again
Part 6 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-6-dawn-again

Composed by Michele Ansani (2025).
All the ambient noises are taken from public sound archives. Saxophone is courtesy by Diamond Hues. Male vocals are mine, female by Spitfire Labs.
Posted on SoundCloud: 2025, September 19.

In case nothing happens - part 4 (late afternoon)*

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

Music & Lyrics: Eddy Mango

YESTERDAY, SO FAR AWAY

Yesterday, so far away, so far away, yesterday...
Tomorrow, is tomorrow, tomorrow is not today.
Yesterday, nothing can I do about, yesterday...
Today maybe it will be okey.

Good morning to you a happy day,
good morning I sing this serenade.
Good morning feel good I open up,
window starting up a brand-new day.

Don´t forget, don´t forget live today,,,
never stop, don´t give it up.
Yes I say, live today maybe this is your day...
You never know, around the corner,
maybe maybe, you will find the gold.

Mats Demotape

Yesterday, so far away. ( 1994 ) Eddy Mango-Margareta Theorin ( Eddy )

(Don't follow me here, best on my main page ;)

NO WAY TO ANNIHILATE A HIDDEN HAPPINESS

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