This is wonderful. Keep making these sounds!

have to play this one again it pretty good :)

..psych folk at it's best..this is just beautiful..

Here a new song  with more <3 lesbian love energy <3 

You can purchase it in my Bandcamp!

Lyrics in English <3:

I cant stop waiting
I cant stop waiting for you

You had to leave
You had to leave 
Out of here
You had to leave me

And your eyes
And your smile
Never stop looking at me
Today

E B U__Keep Hold The Ocean Sound

buy this: https://y1640.bandcamp.com/track/spit-intent

Spit Intent

SPIT INTENT

buy this: https://y1640.bandcamp.com/track/weep

WEEP

2017 free download https://autumn-eternal.bandcamp.com

Ethereal Shroud

An ep inspired by the emotions experienced during depression and anxiety. Its a free download but all money raised is donated to www.helpmusicians.org.uk towards their work with musicians that suffer from mental health issues.

http://bit.ly/2VAXvdm

Hi5ghost - Wake Me Up Never

@bruhmanegod

Being a shooter 
Don’t make u a rapper
Niggas just lie to they fans 
They a capper
Send me the addy
I cause a disaster 
That nigga jaw is 
What I’m gonna shatter
You niggas all talk
You know you don’t matter 
Im finna cook you up
like you a platter
I’m finna step on you
You just a ladder 
My name is corpse
You just a cadaver

You online
You think you a shooter
How you gon shoot
From behind a computer
Talking that shit
You won’t see a future 
they watching close
To see the maneuvers
I’m finna close you
Like you a browser
Niggas not hard
Bitch you just a coward
Feeling like Ghostie 
Ima devour 
Fuck all that noise
Ima make this shit louder

That’s that bot shit
Think you hot shit 
Shoot up the block
And I’m stopping that opp shit
Nigga come pop shit
Yo music not shit
I get your bitch
To come suck all on my dick

Rapper know I got that pull like a lever
My dick on winter shrivel and shiver
All of that poison go straight to yo liver
Show you the real world like I’m the giver
If I was you I would fuck on yo sister
I am a dick bruh I am a pisser
Blunt tar all in her throat make my dick hurt
I might jus show that lil bitch how my fist
I’m in the morgue playing games on the hard mode
I make ya car flip like its in Logic Pro
I’m finna lock n load like call of duty
Sauce in my pocket spill out come n shoot
You aint performing lil boy you a loser
Yo shawty pussy smell jus like a grouper
I’m in the booth so I’m gettin it sooner
You won’t pull up to the show it get you hurt
Jus got back from the bipolar house
That shit was fuckin lit
Aint nobody test my sound cause I am so legit
You are just a rat makin slop for the pigs
You jus put yo whole fuckin life on your wrist
I jus beat sekiro 7 fuckin times
ng+6 bell demon to remind em
And the next time I might jus say fuck that kuro charm
Resurrecting on you maggots you can’t do no harm

Listen

Awesome! w/Bruhmanegod

Lw2 - Circle Circle Dot Dot (PROD. GHXST)

@yayoyanoh @sininigenie

video: https://www.youtube.com/watch?v=HaRng6Y2LZE

So Vital x Don Sinini & Yayoyanoh  – Baklava

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: https://bit.ly/2XtJGvQ

E B U__Keep Hold The Ocean Sound

E B U

Recent comments

Caravansaraii

TR Clemmett

musicalmoses

Wy

Related tracks