Heavily involved with UK's industrial/post-punk scene of the 80's collaborating and playing in acts like Psychic TV and Throbbing Gristle, Drew McDowall was also a member of legendary experimental music group Coil. 

As a solo act he has been making solo drone music for 17 years while collaborating with the likes of Croatian Amor, Psychic Ills and a whole bunch more. 

Check out this amazing 1 hour mix he made exclusively for Ears Have Ears.

https://drewmcdowall.bandcamp.com/

EHE 14.06.18 Drew McDowall - Exclusive Mix

self-titled's needle exchange mix series

NE258: Ahnnu

Objekt — Cocoon Crush
Format: 2xLP / CD / Digital
Cat.No. PAN 97
Release Date: 9 November 2018 
Pre-order album: bit.ly/2xhO0kR / bit.ly/2OvxYuv

PAN welcomes back Objekt for Cocoon Crush, his first LP since 2014’s Flatland. Over the past four years Objekt has continued to challenge conventions with his club output (the Objekt #4 single release and the Kern Vol. 3 mix CD for Tresor), while maintaining his reputation as a DJ who deploys impeccable technical finesse in crafting elaborate narratives from a diverse and challenging palette of electronic music. 

Written between 2014 and 2018 in Berlin and on the road, Cocoon Crush once again sees the producer jettisoning the functional requirements of the dancefloor. Marking a further evolution from the youthful exuberance of Flatland, Cocoon Crush explores a more introspective side, with themes of human interaction resonating throughout the record as it ruminates on a spectrum of complex moods rooted in 4 years of sometimes turbulent personal experience. 

Cocoon Crush represents an aesthetic departure from Flatland’s largely synthetic tonality, drawing from organic source material and natural textures to illustrate perplexing and unfamiliar sceneries in photorealistic detail. In Cocoon Crush, Objekt diverges further still from his musical influences to craft the purest manifestation of his own musical personality to date: an intriguing and enigmatic album whose reference points are hard to pin down, in which ghostly synth passages weave through mind-bending, weighty drums, and ASMR-triggering foley collages scrape and sparkle. Through meticulous sculpting, Objekt traces a rich and impressionistic journey through claustrophobia, hope, guilt, anxiety and joy, nested in layers of sonic detail which reward with every listen. 

The album is mastered by Rashad Becker, featuring photography by Kasia Zacharko, and layout by Bill Kouligas.

@keinobjekt
http://p-a-n.org

Cocoon Crush

Objekt - Secret Snake (Single Mix)(PAN 97)

The Brvtalist is pleased to premiere a new track from Lucy Cliché. "Head Duety" is a double edged assault that comes off the Australian artist's debut on Fleisch. Cliche's Principle is a killer five track EP which ranges from hypnotic synth-wave, infectious electro, Body and beyond. Read more and pre-order the record at: www.thebrvtalist.com/headyduet/ 

@lucy-cliche
@fleisch-berlin

Lucy Cliché - Heady Duet

Croatian Amor "Isa" LP 
Release date
January 25th, 2019
Preorder - www.poshisolation.net 

In 2019 Croatian Amor returns with a new album, 'Isa'.

Copenhagen's Loke Rahbek works in a wide variety of forms. His prolific rate of activity is best viewed through his and Christian Stadgaard's Posh Isolation label. Of Rahbek's many projects, his most eloquent and gentle is Croatian Amor.

2017’s single 'Finding People' bloomed from Croatian Amor's previous album, the widely acclaimed 'Love Means Taking Action'. These melancholic transmissions presented a kind of alien pop. For 'Isa', he has drawn on an impressive list of guests to realise a nauseating narrative of virtual communication and eschatological programming. The album's title invokes a messianic entity, and though it's hard to tell what's imagined or remembered anymore, the play that Croatian Amor is known for feels far more vivid today.

"Enhance photo to reveal a picture of Bird caught mid-flight; enhance again, the bird has a human face screaming."

Never pessimistic, Croatian Amor circles themes of tragedy and comfort to animate a sense of hope. His accomplices pluck details from his graphic scenes like a searchlight drifting over a starlit surface. Alto Aria, Soho Rezanejad, and Jonnine Standish of HTRK, each contribute vocals across the album, cloaked and kerned on Croatian Amor's inimitable stage. Eden 1.1 and its accompaniment Eden 1.2 feature the voices of Frederikke Hoffmeier and Yves Tumor, respectively. These are some of album's most delicate pieces, and where one may find respite from the helix of damaged rhythms that eddy across 'Isa'. Familiar faces from Copenhagen are solicited throughout, and perhaps the album's most endearing quality is the space for volatility that all of the collaboration has invited.

All the signals and timelines lead everywhere and back. Maybe it's only the myths that get us?

The cover of Isa features work by artist Amitai Romm.

"Tracing reflections that float in the pool: the water is lost in all images. Two skies hold glass billboards.”

       Tracklist:

A1 - Towards Isa
A2 - In Alarm Light (ft. Soho Rezanejad)
A3 - Point Reflex Blue
A4 - Eden 1.1
A5 - Siren Blur Accent
B1 - Dark Cut (ft. Jonnine Standish)
B2 - Into Salt (ft. Alto Aria)
B3 - Eden 1.2
B4 - In World Cell

Posh Isolation 220

Croatian Amor - Dark Cut Ft. Jonnine Standish

See here for more info: https://wp.me/pwcbn-kSf

rrrrrrafael

r hunter, 'Vienna Residue' (2019). Courtesy Genot Centre, Prague.

Taken from Futuro (Music for the Waldorf Project) released on 2LP and download 01/02/19.

• Not Waving’s engrossing, highly original soundtrack to Sean Rogg’s world-renowned art/theatre project
• Ambient tonal works and abstractions written between 2013-2018
• Mastered and cut at D&M, Berlin.
• Limited edition vinyl with full colour insert featuring photographs by Lee Arucci
• RIYL Laurie Spiegel, Steve Roach, Brian Eno, Shuttle 358

’Futuro’ is Not Waving’s sublime synth/ambient soundtrack to one of the world’s most intense art/theatre experiences: Sean Rogg’s radical immersive artwork ‘The Waldorf Project’ - fusing choreography, spatial design, music and performance into a cohesive experience.

Drawn from more than 20 hours of material made for the project between 2013-2018, ‘Futuro’ finds Alessio Natalizia exploring a style of tonal and spatial minimalism that works as a fine palette cleanser from much of what you’ve heard from him in the past. 

While not a new solo album, per se, the long form, Eno-like results of ‘Futuro’ demonstrate the full wingspan of Not Waving’s obsessive knowledge and emotive feel for electronic composition, making it in some senses one of the more substantial and unusual releases in his catalogue to date.

BUY!

Not Waving - Emotion 1.4 Decontamination [ELP040]

Released on Cassette & Digital 28/06/19
Pre-order at https://provenance.bandcamp.com

Ahm creates evocative dance-floor oriented music, combining rich textural elements with intricate rhythmic interplay that draws from industrial techno, experimental electronic music and drum & bass. ‘Why I Let You’ is Ahm’s second solo release after many years of working with a range of Melbourne acts including Huntly, Gregor, Lalić and Arrom.

‘Why I Let You’ is the closing chapter of Ahm’s explorations of caring for someone who hurts you, and recognising how this shapes one’s identity and self-worth. The songs serve as a personal and therapeutic means of examining the dynamics of such a relationship and embody a practice of self-prioritisation.

Why I Let You

Am I Better Off

AHM 'Am I Better Off' from 'Why I Let You' (PR018)

buy vinyl/digital nicemusiclabel.bandcamp.com

taken from Thomas Hardisty 'Peace In The Plaza' NM028V

Nice Music presents the debut album proper from Melbourne's Thomas Hardisty, known for his varied and imaginative contributions to Nun, Constant Mongrel, Woollen Kits and more. Hardisty has quietly laboured on 'Peace In The Plaza' over the 2 years leading up to its release, taking time to channel the wordless profundity which fills this record in plumes of contemplative melody and warmth. His placid focus on understated expression on this recording seems to be fueled deeply by its decided concept; a study of the mind's quiet hours which bookend the working day's concerns. This essence slides glacially within a specific physical space, encapsulated entirely by the suburban valley in which Hardisty has found himself - Northcote's verdant suburban strips which back onto parkland and more namely, the somewhat notorious Northcote Plaza. The ghosts of concepts such as sobriety or daily responsibility linger with indolence in the distance while this music gives space to a purer consciousness, albeit within a commonly experienced inner city milieu. Hardisty wields the sleight of hand to animate this juxtaposition, intangibly and lovingly. 

For fans of Hiroshi Yoshimura, Abul Mogard

Peace in the Plaza

Peace In The Plaza

Thomas Hardisty 'Peace in the Plaza'

Pelada - Movimiento Para Cambio
Format: LP / Digital
Cat.No: PAN 102
Release Date: 04 October 2019
Purchase: bit.ly/2N5ID0M / bit.ly/2yWc1yu

Movimiento Para Cambio, is the full-length and debut for PAN from Montreal based duo Pelada. Comprising of vocalist Chris Vargas and producer Tobias Rochman, they have gained international attention through the city’s underground warehouse rave scene.

An urgent, headstrong body of work, the LP uses the music as a mechanism for delivering ideas central to the group’s moral and political ethos. Vargas explores themes of power, identity, surveillance and environmental justice atop Rochman’s raw mix of rave synths, acid basslines, breakbeats and dembow rhythms.

While at times unpredictable, the album is unified in its fast and loose approach. A Mí Me Juzgan Por Ser Mujer (‘I Am Judged Because I’m a Woman’) is an anti-machista anthem, stylistically nodding to NY house. Though Vargas doesn’t identify as a woman themselves, they understand their experience as a woman in an imbalanced patriarchal society that excludes women, femmes and non-binary people. Habla Tu Verdad (‘Speak Your Truth’) emphasizes the need to overcome the stigma around discussing sexual harassment, offering courage and strength to those who may need it. Asegura (‘Secure’) deals with the unprecedented power of Big Data, which monetizes a surveillance based economy through its users' data and behaviours. 
These themes are set to fierce unrelenting bpms, nods to gabber, and samples of a reality show where young men compete in a prison fitness contest. Caderona (‘big hips’), features a hardline perreo-tinged beat that carries Vargas’ vocals with refreshing ferocity. Inspired by a cumbia song, Caderona offers a counterpoint to the male gaze, acting as an opportunity to demand space. Aquí describes the reality of a global corporate domination, where capitalist insatiability meets government inaction as we sit on the precipice of a mass extinction of our own making.

Pelada hope to inspire critical self- reflexivity through engagement, building power, demanding space and action. Or as it is written in their liner notes: ‘ABRE TUS OJOS, LA BESTIA SE ALIMENTA DE LA EXPLOTACIÓN' which translates to ‘OPEN YOUR EYES, THE BEAST FEEDS ON EXPLOITATION’.

The album is mastered by Jeremy Cox, featuring artwork by Johannes Schnatmann & Bill Kouligas.

http://p-a-n.org

Movimiento Para Cambio

Pelada - Ajetreo (PAN 102)

FBi Radio's multi-award winning 
experimental show (2011 - last air date August 29, 2019)

Created by Brooke Olsen & Scarlett Di Maio.
fbiradio.com/945fm/programs/ears-have-ears

EHE 14.06.18 Drew McDowall - Exclusive Mix

Ears Have Ears

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