Most of us are still in the ‘transition’ period when going back to the dance floor and partying. After more than a year, it feels surreal being surrounded by friends and strangers, sharing the energy of the music, and welcoming the Sun during the after hours. The mix we are excited to present to you today comes from Horkheimer, the co-curator of The Live in Robert Johnson record label (https://soundcloud.com/live-at-robert-johnson)and founder of KLINIKA (https://soundcloud.com/klinikamusik). 
It is a perfect soundtrack for the interim state we are in right now and reminiscent of the beginning of the club night when DJ slowly prepares the crowd for the marathon ahead. The art of warm-up DJ is almost gone and a skill that takes years to master. 

During this 70min, Horkheimer manages to masterfully create a warm-up set ‘sampler’ and takes a listener for quite a journey which slowly unfolds from leftfield electronica to depths of dub techno and closing this chapter with marvelous track ‘Swallowing Tubes’ by Robert Dietz, which is coming out soon on LARJ.

Horkheimer on Instagram: https://www.instagram.com/_horkheimer/
Horkheimer on FB: https://www.facebook.com/HorkheimerKlinika

Klinika on Bandcamp: https://klinikamusik.bandcamp.com


www.itsdelayed.com
www.instagram.com/_itsdelayed_
www.facebook.com/itsdelayed

Delayed with... Horkheimer

Vivian Koch (@kochvivian) has real range. For labels like Life And Death, a.r.t.less and AD 93 she has served up everything from IDM to moody breaks, ambient soundscapes to emotive techno. Her most recent album - last year's ominous but hopeful Beyond Contact - was fine proof of that from the Berlin-based artist who started DJing aged just 16. She has since mastered the art of making and playing club music thanks to her residency at Griessmuehle and her own Olympe party series.

She very much eases into this week with a superb ambient selection. It's broad in its remit, with the most beautiful and suspensory pieces bleeding into gently suggestive rhythms. The moods, too, range from mind-emptying bliss to passages of hopefulness and even romance. It's the sort of cathartic listen we all occasionally need to immerse ourselves in as a way of resetting.

Dekmantel Podcast

Dekmantel Podcast 374 - Vivian Koch

We probably don't need to tell you who Deadbeat is. (He even did a previous RA Podcast for us, all the way back in 2007.) But if you need a refresher, he's one of the most important and revered artists in dub techno. The Canadian artist came up in the Montreal scene alongside other trailblazers like Akufen and other Canadians (think Cobblestone Jazz, Mathew Jonson, Wagon Repair, etc). His early records for ~scape are some of the most classic and influential minimal there ever was, but dub is always at the heart of his work, and runs in the veins of BLKRTZ, the prolific label he runs himself.

Sa Pa, on the other hand, sits somewhere in the ambient zone. Originally from Adelaide, he's found a powerful creative sparring partner in Deadbeat. The two released their first album together, The Mountain, earlier this year. It's the 50th release on BLKRTZ and maybe one of the most monumental records in either artist's catalogue, a triple-LP that harks back to the hypnotic, plink-plonk days of yore with the strong cross-genre underpinning that marks Deadbeat's work these days, and plenty of lovely atmospheric wiggles.

The duo's lengthy RA Podcast, taken from two different recordings at their Absurd Dub Lustre party in Berlin, mirrors the LP's sound, weaving through tracks new and old. It's full of warm, dubby vibrations and smooth transitions.

Read more: http://ra.co/podcast/836

@sapaofficial

RA podcast

RA.836 Deadbeat & Sa Pa

Next up on the #GrooveResidentPodcast is @kapitelbollwerkbern resident, Dubtopia organiser, Midilux and montsomnia member @phrex. Interview and track list: bit.ly/GrooveRP34

Groove Resident Podcast 34

Tracklist

Groove Resident Podcast 34 - phrex

tracklist:
im rausch der tiefe
the day after tomorrow
about leaving
elevate this
floodgate
the luring of the beyond
closedgates iii
take your time
psi
trippyaf
upstairs
climber
light flooded
life (beautiful (no matter what))
broken home
outro

life

This mixtape is a declaration of love to the workshop & THE TRILOGY TAPES Lable, Even Tuell, Kassem Mosse, Joy Orbison, Anthony Naples, Omar S, actress and to Techno in general.

...Vinyl only°

Tracklist:

workshop - ld 7 - b1

Even Tuell - In Circles

Joy Orbison & Boddika – Dun Dun

Workshop 19 by Kassem Mosse - b3

Even Tuell & Midnightopera – Workshop Special 02 - b2

Kassem Mosse – Workshop 08 - a1

Actress - Maze (Long Version)

DJ Slyngshot –  Workshop 29 Untitled A2

Omar-S – Booted poor Fake REMIX

Joy O - Tennov6teen

Joy Orbison, Boddika - Nil (Reece)

Kassem Mosse - Birds Flying In The Sun Like U Know How

Anthony Naples  - Busy Sig

mm/ km (kassem mosse & mix mup) - Espace Level 2

Anthony Naples - ZTL

Even Tuell - Precious Cloud

SryForMin72 MIXTAPE

Fresh off his new album 'Closer Now' on Lapsus Records, Earth Trax steps up in this week's Rhythmic Culture podcast. Delivering both nostalgia and futurism through cosmic grooves, the artist hailing from Warsaw is here to rev up your day.

@earthtraxonline

RC:112 Earth Trax

Transition at ://about blank

Thanks Alex!

Earth Trax Live 25.06.2022

Recording of Dekmantel Soundsystem's set at Dekmantel Festival 2017.

Dekmantel Festival 2017

Phuong-Dan at Dekmantel Festival 2017

Lean back and take this fine souvenir as your blurred memory from a certain weekend in august.             

subscribe ↝ podcasts.apple.com/de/podcast/kann…st/id1529103072

KANNMIX 18 - Lux - 62min

- No Tracklist -

▸ @lux-io

KANNMIX  

KANNMIX 18 | Lux

For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

So here we are, number 28. All grown up, thinking we know everything and that the world is at our beck and call. Little do we know, that is exactly what we know - little. Consistently hungry for knowledge, we peruse through the audible world looking for spikes in our interest in every way or form. Sometimes knowledge finds us. In this case, it comes in a form of a single human by the name of Chris, or Chris SSG or Chris of the former musical oracle, MNML SSGS aka Minimal Sausages (r.i.p). And it shall be known from this moment forward as, Number 28. 

 
If you’re reading this then you probably have Chris to thank. He was a pivotal influence in my (and probably your) musical upbringing. For five solid years,Chris and PC (the other founding member) consistently flooded the world with incredible mixes and unbiased musical journalism through their blog. Most of the mixes are still very much alive and well to this day, in-fact they’re quite sort after. After the end of SSGS, Chris moved to Tokyo to continue to sooth the world in his own unique way, veering away from the traditional ideals of “dance” music and how it's perceived and listened to. 

 

This mix is a testament to that. Playing ambient music to a club full of people has always been a personal dream of mine (you don’t have to dance to enjoy yourself and at least there’s a chance that people will finally shut up on the dance floor). Strung together perfectly, the journey entails so many beautiful and subtle twists and turns that it perfectly fits every atmosphere. Just over two hours of pure bliss, I liken the mix to a session in an isolation tank, relaxing yet stimulating. Odd soundscapes laced with beautiful folk music all woven together with the cream of what we now know as “ambient music” (until we find a more appropriate term).

 
Chris will be doing his thing at the next ONO party (TIP! some very good friends doing some very good things/ link below). He’s joining some other great thinkers alike in bring forth of what will be an incredible night of music. 

His words >>>

The mistake is in thinking music is about music. Music is about people. The bonds we make, the experiences we share, the conversations we have: this is the meaning and substance of it. This podcast was made possible by Nadine in Germany, Josh and Gregory in Taiwan, Eileen in Singapore, Toss in Japan, Louis in Australia, and all the producers whose music I used. It was recorded at ‘Soft Landing’, the first ambient event hosted by The Council in Singapore in July 2019. The recording reflects that context and moment, but hopefully carries to wherever you are. This is the way I play ambient. Thank you for listening. Chris SSG

--

His sounds >>>

@thecouncilsg

@mnml-ssgs


ONO party / Sept 6th
https://www.facebook.com/events/490539465013487/


So long, and thanks for all the ssgs

FHUO # 28 // Chris SSG

ℰ𝓉𝒽ℯ𝓇ℯ𝒶𝓁 ∞

https://earthtraxonline.bandcamp.com
earthtraxonline@gmail.com

Balmat, Lapsus, Shall Not Fade, Phonica Records, AUS Music, Into The Light, Growing Bin, Emotional Response

Earth Trax Live 25.06.2022

Earth Trax

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