EW&F

As an hommage to the late and great Ramsey Lewis, this is the FREE Download of his "Sun Goddess" anthem, as a Radio Edit version, featuring most of the Earth Wind & Fire band... 
The 6:42 long Extended version is available on my Bandcamp here https://doctorsoul.bandcamp.com/track/sun-goddess-doctorsoul-ramsey-re-therapy
BPM is 100
Thanks for your support and Peace y'all ! ✌️

Sun Goddess (DoctorSoul Radio Edit Re - Therapy)FREE DL

A Blues for Music is a journey into timeless romance and hypnotic soundscapes. Built on the foundation of jazz and soul, the record blends warm upright bass lines, brushed drums, and delicate Rhodes keys with lush strings and muted horns. Each track unfolds like a late-night conversation, intimate, smoky, and full of longing.

Themes of love, devotion, and spiritual connection echo throughout, painting vivid portraits of passion both tender and raw. From whispered introductions to soaring choruses, the music carries the listener through moments of vulnerability, desire, and completion.

This is an album designed for quiet nights, candlelit rooms, and the spaces where love and music intertwine. It is not just a collection of songs, but a mood, an atmosphere,where every note breathes intimacy and every silence feels alive.

A Blues For Music

Woke up this mooorninnnn’, sun refused to shine,
Yeah, my baby gone, and the fault was mine.
Coffee’s cold, guitar’s outta tune,
Lonely rhythm playin’ in a dusty room.

I got rust on my sooooouuuul, cracks in my shoes,
Carryin’ the weigghhht of them midnight blues.
Love done left me, time don’t choose,
I keep singin’, singin’ these highway blues.

The radio’s hummin’ some old 45,
Every note remind me, she kept me alive.
Ashtray’s full, but my heart still burns,
Ain’t no road back, just lessons learned.

I got rust on my sooooouuuul, cracks in my shoes,
Carryin’ the weigghhht of them midnight blues.
Love done left me, time don’t choose,
I keep singin’, singin’ these highway blues.

Lord, the years roll heavy,
Like a freight train down the line.
Dreams turn to ashes,
But the blues still keep me alive.

My hands are blistered, strings cut deep,
Every note’s a secret I couldn’t keep.
If tomorrow don’t find me, at least I know,
The blues took my pain, but they saved my soul.

"But Lord… these blues, they been heavy on me."

"Mmm… set him free…"

"Rust on my soul, cracks in my shoes,
Still I walk with faith, and I pay my dues."

"Oh, carry him through… hallelujah!"

"Took my sorrow, turned it into song…
Now I know, Lord, I’m where I belong."

"Where he belong! / Hallelujah strong!"

"Rust on my soul… but the Spirit keeps me true."

I got rust on my sooooouuuul, cracks in my shoes,
Carryin’ the weigghhht of them midnight blues.
Love done left me, time don’t choose,
I keep singin’, singin’ these highway blues.

Rust on My Soul

A tribute to Maurice White founder of the best funk group ever:
Earth, Wind and Fire

FREE DOWNLOAD

EWF - Brazilian Rhyme (Dj Fopp Re - Worked) Tribute 2 Maurice White

Open Our Eyes

Devotion

A round-up of EWF's non-studio-album-material from their peak period '71-'83. Unreleased tracks, soundtrack stuff and rare cuts, sequenced in a way they might've done themselves. 


Note: an exception is made for "Guiding Lights" from 2012, but it's so vintage EWF, it had to be included.

Another note: "Got To Get You Into My Life", "Love Music" & "September" are not rare at all, but never appeared on a proper studio album (The Best Of - Vol 1). so inclusion here is justified.

3rd Note: I made this years ago, before my former SC account got terminated, so some of you might've already seen/heard this before.

Tracklist:

1.    Kalimba Tree
2.   Got To Get You Into My Life
3.   Diana
4.   Brazilian Rhyme (Beijo Partido)
5.   Dreams
6.   September
7.   Ain't No Harm To Moan (Slave Song)
8.   Love Music
9.   Dance, Dance, Dance
10.  Night Dreamin'
11.   Departure (The Traveler)
12.  Guiding Lights (extended version)
....
....

The Spirit Lives On

Earth Wind & Fire - "Departure"

’’… the thing that I was mostly concerned ‘bout this time, is 
having great songs, and it didn’t matter especially what age were 
in or anything of that nature, whatever vibration is better…’’ 
Maurice White

We’re calming down a bit the Disco crazyness, folks, to dust off 
a 1977 track, that is some how related to the genius of one 
of my hero : music visionary Maurice White…  
i am modestly adding up my sorcerer kinda sound, to turn it
into a more Funky production, with some smoking Basslines, 
new Drums, various keyboards...
Bpm is 88 and the full 6:00 Long extended version is only available on Bandcamp herehttps://doctorsoul.bandcamp.com/track/you-cant-hide-love-doctorsoul-i-betcha-re-therapy
Hope you’ll enjoy it and many thanks for your support !

You Can't Hide Love (DoctorSoul I Betcha Re - Therapy snippet) full version available on Bandcamp

Quick recap: this here is Clarence Alexander "Skip" Scarborough. 
Yesterday (26/11) was his birthday in heaven.

Some of you probably never heard of this Grammy Award winning songwriter, but I bet all of you know Bill Withers' evergreen "Lovely Day".
And this man here is responsible for that evergreen.

He also wrote LTD's hit "Love Ballad", Patti Labelle's "It's Alright With Me" and a bunch of songs for my favorite band of all time, Earth Wind & Fire. 
And one of them is the gorgeous "Can't Hide Love".

First recorded by,- these days largely forgotten outfit-, Creative Source, that song took a whole new leash of life in the hands of Maurice White & co, transforming it into a whole new monster; so definite, every recorded version after is indebted to the one EWF put to reel.

So, to honor the man who graced the earth with this gem, I took 15 of those versions (yes, there are more!) and made a 12-and-a-half minute medley out of it, rendering from obscure takes by Perry & Sanlin and Hummingbird to live versions by D'Angelo & Dionne Warwick, not to forget originators like aforementioned Creative Source and, ofcourse, Earth Wind & Fire themselves.

Thanks for all the great tunes, Skip! 
And Happy Heavenly Birthday!


"Can't Hide Love" written by Skip Scarborough >

1.    Creative Source
2.   Jaye P. Morgan
3.   Art Webb
4.   John Tropea
5.   Perry & Sanlin
6.   Hodges, James & Smith
7.   D'Angelo
8.   Dionne Warwick
9.   Bilal & The Randy Watson Experience
10.  Azar Lawrence
11.   Hummingbird
12.  Kenny Thomas
13.  Jimmy Smith
14.  Earth, Wind & Fire vs. Masters at Work
15.  Earth, Wind & Fire

Leroy Rey's Album

15 Ways to "Can't Hide Love" - an Ode to "Skip" Scarborough

Funk Soul R&B P-Funk...  If you hear any noise its just me and the boys boppin...

During the 1970s, a new brand of pop music was born – one that was steeped in African and African-American styles – particularly jazz and R&B but appealed to a broader cross-section of the listening public. As founder and leader of the band Earth, Wind & Fire, Maurice White not only embraced but also helped bring about this evolution of pop, which bridged the gap that has often separated the musical tastes of black and white America. It certainly was successful, as EWF combined high-caliber musicianship, wide-ranging musical genre eclecticism, and ’70s multicultural spiritualism. “I wanted to do something that hadn’t been done before,” Maurice explains. “Although we were basically jazz musicians, we played soul, funk, gospel, blues, jazz, rock and dance music…which somehow ended up becoming pop. We were coming out of a decade of experimentation, mind expansion and cosmic awareness. I wanted our music to convey messages of universal love and harmony without force-feeding listeners’ spiritual content.”Maurice was born December 19, 1941, in Memphis, TN. He was immersed in a rich musical culture that spanned the boundaries between jazz, gospel, R&B, blues and early rock. All of these styles played a role in the development of Maurice’s musical identity. At age six, he began singing in his church’s gospel choir but soon his interest turned to percussion. He began working gigs as a drummer while still in high school. His first professional performance was with Booker T. Jones, who eventually achieved stardom as Booker T and the MGs.After graduating high school, Maurice moved to the Windy City to continue his musical education at the prestigious Chicago Conservatory Of Music. He continued picking up drumming jobs on the side, which eventually lead to a steady spot as a studio percussionist with the legendary Chicago label, Chess Records. At Chess, Maurice had the privilege of playing with such greats as Etta James, Fontella Bass, Billy Stewart, Willie Dixon, Sonny Stitt and Ramsey Lewis, whose trio he joined in 1967. He spent nearly three years as part of the Ramsey Lewis Trio. “Ramsey helped shape my musical vision beyond just the music,” Maurice explains. “I learned about performance and staging.” Maurice also learned about the African thumb piano, or Kalimba, an instrument whose sound would become central to much of his work over the years.

In 1969, Maurice left the Ramsey Lewis Trio and joined two friends in Chicago, Wade Flemons and Don Whitehead, as a songwriting team composing songs and commercials in the Chicago area. The three friends got a recording contract with Capitol and called themselves the “Salty Peppers,” and had a marginal hit in the Mid-western area called “La La Time.” That band featured Maurice on vocals, percussion and Kalimba along with keyboardists/vocalists Wade Flemons and Don Whitehead.

After relocating to Los Angeles and signing a new contract with Warner Bros., Maurice simultaneously made what may have been the smartest move of his young career. He changed the band’s name to Earth, Wind & Fire (after the three elements in his astrological chart). The new name also captured Maurice’s spiritual approach to music – one that transcended categories and appealed to multiple artistic principals, including composition, musicianship, production, and performance. In addition to White, Flemons and Whitehead, Maurice recruited Michael Beal on guitar, Leslie Drayton, Chester Washington and Alex Thomas on horns, Sherry Scott on vocals, percussionist Phillard Williams and his younger brother Verdine on bass.

Earth, Wind & Fire recorded two albums for Warner Brothers: the self-titled 1970 album Earth, Wind And Fire and the 1971 album The Need Of Love. A single from this album, “I Think About Lovin’ You,” provided EWF with their first Top 40 R&B hit. Also in 1971, the group performed the soundtrack to the Melvin Van Peebles film ‘Sweet Sweetback’s Baadasssss Song’.

In 1972, White dissolved the line-up (except he and brother Verdine White) and added Jessica Cleaves (vocals – formerly of the R&B group The Friends of Distinction), Ronnie Laws (flute, saxophone), Roland Bautista (guitar), Larry Dunn (keyboard), Ralph Johnson (percussion) and Philip Bailey (vocals, formerly of Friends & Love). Maurice became disillusioned with Warner Brothers, which had signed the group primarily as a jazz act. Maurice, in contrast, was more interested in combining elements of jazz, rock, and soul into an evolving form of fusion, a truly universal sound.

A performance at New York’s Rockefeller Center introduced EWF to Clive Davis, then President of Columbia Records. Davis loved what he saw and bought their contract from Warner Bros. With Columbia Records, debuting with the 1972 album Last Days And Time, the group slowly began to build a reputation for innovative recordings and exciting, live shows, complete with feats of magic (floating pianos, spinning drum kits, vanishing artists) engineered by Doug Henning and his then-unknown assistant David Copperfield. Their first gold album, Head To The Sky, peaked at number 27 pop in the summer of 1973, yielding a smooth tangy cover of “Evil” and the title track single. The first platinum EWF album, Open Our Eyes, whose title track was a remake of the classic originally recorded by Savoy Records group the Gospel Clefs, included “Mighty Mighty” (number four R&B) and “Kalimba Story” (number six R&B).

Maurice once again shared a label roster with Ramsey Lewis, whose Columbia debut Sun Goddess, was issued in December 1974. The radio-aired title track was released as a single under the name Ramsey Lewis and Earth, Wind & Fire. It went to number 20 R&B in early 1975. The Sun Goddess album went gold, hitting number 12 pop in early 1975. Maurice had also played on Lewis’ other high-charting album, Wade In The Water; the title track single peaked at number three R&B in the summer of 1966.

The inspiration for “Shining Star” (one of EW&F’s most beloved singles) was gleaned from thoughts Maurice had during a walk under the star-filled skies that surrounded the mountains around Caribou Ranch, CO a popular recording site and retreat during the ’70s. The track was originally included in the ‘That’s The Way Of The World’ movie that starred Harvey Keitel and was produced by Sig Shore (Superfly). “Shining Star” glittered at number one R&B for two weeks and hit number one pop in early 1975. It was included on their 1975 multi-platinum album That’s The Way Of The World that held the number one pop spot for three weeks in Spring 1975 and earned them their first Grammy Award. The title track single made it to number five R&B in summer of 1975. It also yielded the classic ballad “Reasons,” an extremely popular radio-aired album track.

The multi-platinum album Gratitude held the number one pop album spot for three weeks in late 1975. On the album was “Singasong” (gold, number one R&B for two weeks, number five pop), the Skip Scarborough ballad “Can’t Hide Love” (number 11 R&B), and the popular radio-aired album tracks “Celebrate,” “Gratitude,” and the live version of “Reasons.” In 1976, Maurice decided he wanted to record a spiritual album. The multi-platinum album Spirit parked at number two pop for two weeks in fall of 1976 and boasted the gold, number one R&B single “Getaway” and “Saturday Nite.” Spirit is remembered as one of EWF’s best albums and sadly for also being the last project of Producer Charles Stepney. He died May 17, 1976, in Chicago, IL, at the age of 45. Charles was a former Chess Records arranger/producer/session musician/multi-instrumentalist/songwriter and Maurice’s main collaborator on his EWF projects. The multi-platinum album All ‘N All peaked at number three pop in late 1977, won three Grammy’s, and had arrangements by Chicago soul mainstay Tom Tom Washington and Eumir Deodato. The singles were “Serpentine Fire” (number one R&B for seven weeks) and “Fantasy.” The group’s horn section, the legendary Phenix Horns (Don Myrick on saxophone, Louis Satterfield on trombone, Rahmlee Michael Davis and Michael Harris on trumpets) became an integral part of the Earth, Wind & Fire sound.

During this time, Maurice produced several artists such as The Emotions (1976′s Flowers and 1977′s Rejoice which included the number one R&B/pop hit “Best Of My Love”) and Deniece Williams (1976′s This Is Niecy which included the Top Ten R&B hit “Free”). In the late seventies, in association with Columbia Records, Maurice also launched a record label, ARC.

The multi-platinum greatest-hits set The Best Of Earth, Wind & Fire, Vol. I included a cover of the Beatles’ “Got To Get You Into My Life” went to number one R&B and number nine pop in Summer 1978. The group performed the song in the 1978 Bee Gees/Peter Frampton movie ‘Sgt. Pepper’s Lonely Hearts Club Band’. Another single, “September,” made it to number one R&B, number eight pop in early 1978. On the flip side was the enchanting popular radio-aired album track “Love’s Holiday” from All ‘N All.

Their live performances were stellar as well. Sellout crowds were spellbound by the band’s bombastic performances. Their performances blasted a cosmic wave of peace, love and other happy vibrations to audiences using a combination of eye-popping costumes, lights, pyrotechnics and plain old good music. Sometimes they even threw in magic illusions. Earth, Wind & Fire’s message was one of universal harmony, in both musical and cultural senses. “We live in a negative society,” Maurice told Newsweek. “Most people can’t see beauty and love. I see our music as medicine.”

The multi-platinum album I Am hit number three pop in Summer 1979 on the strength of the million-selling single “Boogie Wonderland” with The Emotions (number two R&B for four weeks, number six pop) and the phenomenal gold ballad “After The Love Has Gone,” written by David Foster, Jay Graydon and Bill Champlin that stayed at number two R&B/pop for two weeks. Their Faces album peaked at number ten pop in late 1980 and was boosted to gold by the singles “Let Me Talk” (number eight R&B), “You” (number ten R&B), and “And Love Goes On.”

The million-selling funked-up “Let’s Groove,” co-written by The Emotions’ Wanda Vaughn and her husband Wayne Vaughn, was the track that re-energized EWF’s career, parking at number one R&B for eight weeks and number three pop, causing their Raise! album to go platinum (hitting number five pop in late 1981). Their next gold album Powerlight made it to number 12 pop in spring 1983 and included the Top Ten R&B single and Grammy-nominated “Fall In Love With Me.” Their 1983 Electric Universe album stalled at number 40 pop, breaking the band’s string of gold, platinum and multi-platinum albums.

In 1983, Maurice decided he and the band needed a break. During this hiatus, Maurice recorded his self-titled solo album Maurice White and produced various artists including Neal Diamond, Barbra Streisand and Jennifer Holliday. Reuniting with the band in 1987, EWF released the album Touch The World and scored yet another number one R&B single, “System of Survival” and embarked on a corresponding nine-month world tour. This was followed by the 1988 release The Best Of Earth, Wind & Fire Vol. II.

In 1990 the group released the album Heritage. Two years later, Earth, Wind & Fire released The Eternal Dance; a 55-track boxed set retrospective of the band’s entire history. The appearance of such a project after a prolonged period of relative inactivity signaled to many listeners that the band was calling it quits but that did not turn out to be case. In 1993, EWF released the album, Millennium that included the Grammy-nominated “Sunday Morning” and “Spend The Night.”

Earth, Wind & Fire kept recording and in 1996 released Avatar and Greatest Hits Live; followed by 1997′s In The Name Of Love; 2002′s That’s The Way Of The World: Alive In ’75; Live In Rio which was recorded during their 1979 “I Am World Tour;” 2003′s The Promise, which included the Grammy-nominated “Hold Me” and 2005′s Illumination, which included the Grammy-nominated “Show Me The Way.”

In 2000, the nine-piece ’70s edition of Earth, Wind & Fire reunited for one night only in honor of their induction into The Rock And Roll Hall Of Fame. In 2001, Eagle Rock Entertainment released the documentary ‘Earth, Wind & Fire: Shining Stars’, which contains rarely seen historic video footage along with in-depth interviews with the band members.

Even though Maurice is no longer a part of the touring group, he remains the band’s heart and soul from behind the scenes as composer and producer. Maurice reflects, “I wanted to create a library of music that would stand the test of time. ‘Cosmic Consciousness’ is the key component of our work. Expanding awareness and uplifting spirits is so important in this day. People are looking for more. I hope our music can give them some encouragement and peace.”

Devotion

Earth, Wind & Fire

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