Name: A Glimpse into 2021 Releases – Mix by Sublime Frequencies by (EE)Radio
Duration: 58 min 50 s
Description: Hisham Mayet of Sublime Frequencies provides an exclusive selection from the label's upcoming 2021 releases.

wow! Iam mezmerised aleady, thank you for your work guys!

Inspired by Bronislaw Malinowski’s (1935) Coral Gardens and their Magic, this mixtape features lush forest soundscapes culled from vintage field recordings, excerpts from ethnographic films (Dead Birds, Kama Wasi, and Cannibal Tours), and the vibrant and haunting melodies of bamboo flutes, fugue-like singing, love songs, funeral music, insect electronica and more. Special thanks to B.G at the ishin-den-shin blog, Thomas Ladonne at MusicRepublic, and bolingo69 for sharing some of these records with us. 


PLAYLIST
Excerpt from Dead Birds (1964), Robert Gardner
Mo-Mo. Damaindeh-Bau. From the album Sacred Flute Music of New Guinea: Madang, Volume 1 (Rounder CD 5154, 1999). 
Forêt tropicale de moyenne altitu. Recorded by Remy Bruckert and Jean C Roche (Sittelle – 25505, 2007). 
Wagen Mbangu Ritual (Feast Of The Spirits)
Excerpts from Enga Traditional Music. Recorded by Frederic Duvelle (Institute of Papua New Guinea Studies, 1970s).
Uluna Jaws Harp Solo. From the album The Kaluli of Papua New Guinea. Recorded by Steven Feld (Musicaphon – BM 30 SL 2702, 1977). 
Excerpt from Kama Wosi: Music in the Trobriand Islands (Les McLaren, 1979). 
Hautes Terres (Les Bimis). From the album Papouasie Nouvelle-Guinée (Frémeaux & Associés, 2009).  
Excerpt from Nouvelle-Guinee. Recorded by J and B Villeminot (BAM)
Live Beetle Jew’s Harp, Mahisu (East-Sepik). Recorded by Robert MacLennan [Papua New Guinea, 1963]
Excerpts from James L. Anderson's Primitive Sounds: An Authentic Sound Picture of New Guinea (Kiwi Pacific Recordings 1971)
Luth et chant.-1. From Nouvelle-Guinee: Les papous chasseurs de têtes. Recorded by Jacques Villeminot (Presses de la Cité, 1978)
Manjinaui. From the album The Iatmul of Papua Niugini (Musicaphon – BM 30 SL 2701, 1982)
Two Transverse Flutes. From the album Papua Niugini: the Middle Sepik (Musicaphon – BM 30 SL 2700, 1983)
Excerpts from Les Dani de Nouvelle Guinée, Volume 1 (nordsud – CDNS 1101/2, 2001)
Excerpt from Cannibal Tours (Dennis O'rourke, 1988)
Taur (Ideologic Organ]. From the album Sacred Flute Music of New Guinea: Madang, Volume 1 (Rounder CD 5154, 1999). 
Excerpt from Cowboy and Maria in Town (Les McLaren and Annie Stiven, 1991)
PNG Traditional music_ Nebare kupah 7 - Moore Paias (Youtube)
Kaleluknye Limna, Munggona Tribe. From the album Music from The Mountainous Regions of Western New Guinea/Irian Jaya (1973). 
Concert Nocturne à Wau. Recorded by Remy Bruckert and Jean C Roche (Sittelle – 25505, 2007). 
From Afternoon to Afternoon Darkening. Recorded by Steven Feld. From the album Voices of the Rainforest (Folkways – HRT15009, 1991)
Ocarinas and Bamboo Flutes. From the album The Abelan of Papua Niugini (Musicaphon – BM 30 SL 2704, 1983)
Waudang Bo'Da Monam. From the album Sacred Flute Music of New Guinea: Madang, Volume 2 (Rounder CD 5154, 1999). 
Forêt tropicale de moyenne altitu. Recorded by Remy Bruckert and Jean C Roche (Sittelle – 25505, 2007). 
Flûtes (Chimbu). Recorded by Gaisseau, Pierre-Dominique (1959-60)
Orchestre funéraire (Yafar). Field recording by Bernard Juillerat (1976)
Rite totémique yangis (Yafar). Field recording by Bernard Juillerat (1976)
Concert Nocturne à Wau. Recorded by Remy Bruckert and Jean C Roche (Sittelle – 25505, 2007). 
Deux flûtes.-1. Recorded by Jacques Villeminot. From Papua New Guinea recordings (1960)
Deux joueurs de flûte - 3.-1. Recorded by Jacques Villeminot. From Papua New Guinea recordings (1960)

Aural Gardens & their Magic (PNG) (RIAFC 050)

Pre-Order
Release date: June 25, 2021

It might be easy to assume that the distinctly focused compositional voice unveiled on Rose Bolton's The Lost Clock is the product of its creator's rigorous, almost hermetic dedication to her own particular aesthetic universe. A quick survey of Bolton's artistic career, however, reveals that her carefully sculpted approach to abstract electronica has been forged through a longstanding engagement with a wide range of intertwining creative activities.

This album—coming out on Important Records' cassette imprint, Cassauna demonstrates both the Toronto-based composer's unique mastery of colour and her gift for breathing a tactile, organic quality into synthetic landscapes. Bolton's distinctive sensibility is akin to that of a painter—every hue has been carefully mixed so as to imbue its accompanying gesture with its own life and personality. This tangible dimensionality her electronic work assumes, however, can be traced back to the work Bolton has been doing since the 1990's. She has produced a large and varied catalogue of work that includes pieces for solo performers, chamber ensembles, orchestra, electronics, voice, and to accompany installations and films. A number of her works reside in several of these zones simultaneously, such as Song of Extinction, an ambitious collaboration between herself, filmmaker Marc de Guerre, poet Don McKay, and multiple live ensembles, that was mounted in an abandoned power station for Toronto's Luminato Festival.

This quasi-instrumental vitality isn't the only feature of The Lost Clock that reflects Bolton's diverse artistic practice. It can also be heard within the structural realm. Each of the collection's four tracks trace a patient unfolding and favour a certain roundness of timbre, even as finer details begin to fidget along the perimeter of the music. As with her writing for the concert hall, Bolton doesn't shy away from the evocative here, yet she doesn't pursue this poignancy through conventional, direct or quasi-narrative means. Her compositions lead the listener gradually through their impressionistic sonic scenery, but neither the path they take nor their ultimate destination are at all predictable. The ostensible gentleness each piece exudes dissolves as dissonances slowly insinuate themselves, obscure textures writhe just out of earshot, percussive lattice work materializes, or as the overall blend begins to exert a heavier weight. Her lucid-dream vision of form functions in tandem with her acute micro-level attentiveness to engender a vivid and elusive soundworld that resists classification.

Over more than two decades Rose Bolton has been garnering acclaim and enthusiasm from audiences and major collaborators alike. Last year, her brooding string quartet The Coming Of Sobs was nominated for Classical Composition of the Year at the JUNO Awards, following earlier accolades such as SOCAN Awards for Young Composers, and the Canadian Music Centre's Norman Burgess Fund. Her music has been commissioned by the likes of the CBC, stalwart experimental music festival the Sound Symposium, as well as key interpreters and ensembles such as percussionist David Schotzko, accordionist Joseph Petric the Esprit Orchestra, Continuum, Arraymusic, the Kitchener-Waterloo Symphony, and guitar quartet Instruments of Happiness (led by Tim Brady).

The Lost Clock

Rose Bolton - Unsettled Souls - from The Lost Clock - Pre-Order Now

Single from the new album by Zelienople frontman, Matt Christensen called "Constant Green" (June 18th, Miasmah / 300xColoured vinyl). 

As Matt himself describes: " I Had A Vision That I Could Move Anywhere" is  about how much fear does, or doesn't play in our limitations or unwillingness to do things. What is chemistry, genes and fate, and what is choice (if there is any)? In other words, this is a fantasy about free will."

Constant Green

Matt Christensen - I Had A Vision That I Could Move Anywhere

The Swedish composer Kajsa Lindgren explores the catalogue of LA-based label Recital Program along with tracks from her own newest release on the label, Momentary Harmony, as well as tracks of inspirational artist and more.

more infos and tracklist at www.lyl.live

Kajsa Lindgren (04/06/21)

Tracklist

01. Mi Cosa de Resistance - The man who forgot to much
02. América Analógica - Anochece
03. Rosales - Nest
04. Dudal - Van Harte Wederkerige Wensen
05. Stijn Hüwels + Tomoyoshi Date - 空に閃く光の粒子（Particles Of Light Flashing In The Morning Sky)
06. Ghost and Tape - Sprout
07. Kenji Kihara - End of Summer
08. Ishmael Cormack - Fern
09. Cat Tyson Hughes - Near Little Sea
10. Darren McClure - Scaffold
11. Ian Hawgood - Little Sister
12. Ai Yamamoto - Love You Tender

232. Sleepy Sunday Podcast (Elm Records)

Audioscenarion 027 [January 2022]

Again and again,
Looking for myself,
Again and again,
I forget to live 

Tracklist / Playlist:

00:00 Sachi Kobayashi - Weathervane [Stereoscenic Records]
https://stereoscenic.bandcamp.com/album/weathervane

02:41 Sachi Kobayashi - Eternity  [Stereoscenic Records]
https://stereoscenic.bandcamp.com/album/weathervane

06:10 Bahia Mansa - Oso Rojo [Aquietroom]
https://aquietroom.bandcamp.com/album/flood-relief

12:39 Music For Sleep - Circa Ogni Dubbio
https://mforsleep.bandcamp.com/track/circa-ogni-dubbio

17:18 DR - A#
https://drmusic.bandcamp.com/album/a-2

24:41 Halftribe - Shashlik
https://halftribe.bandcamp.com/album/shells

29:21 Sonic Bodhi - State Secrets
https://sonicbodhi.bandcamp.com/album/conspiracy-theories

34:45 Seramind - Zugvögel
https://seramind.bandcamp.com/album/lavendel

40:37 Shuta Hiraki - Lobar
https://soundcloud.com/obalto/lobar

47:17 Kodama 木 - Intertwining Threads
https://kodama3.bandcamp.com/album/returning-home

51:02 Otomi Chie + Hirotaka Shirotsubaki - Umi No Kakera
https://hshirptsubaki.bandcamp.com/album/chapter-10th-anniversary-edition

55:19 Halftribe - Shells
https://halftribe.bandcamp.com/album/shells

59:18 Boy In A Room - Sirius [Deep Electronics]
https://deepelectronicspodcast.bandcamp.com/album/de69-boy-in-a-room-eerie

63:25 Boy In A Room - Big Rip [Deep Electronics]
https://deepelectronicspodcast.bandcamp.com/album/de69-boy-in-a-room-eerie

68:42 Hirotaka Shirotsubaki - Byakuya
https://hshirptsubaki.bandcamp.com/album/chapter-10th-anniversary-edition

71:51 DR - D
https://drmusic.bandcamp.com/album/a-2

76:30 DR - In D Dur
https://drmusic.bandcamp.com/album/a-2

Cover design by https://www.instagram.com/NadjaGalina.ART/

Audioscenarion 027 [January 2022]

élan vital recordings is independent Macedonian music label releasing limited edition of handcrafted CDs and tapes from international artists focused on obscure aspects of sound, accompanied with carefully created artwork and video art. Each release will have limited CD or tape edition with hand numbered and stamped artwork. Sister label of post global recordings.

Curated and mixed by Toni Dimitrov.

https://elanvital.bandcamp.com

Photo by Dionis Afonichev (Dionisaf)
Artwork and cover design by Dionis Afonichev (Dionisaf)

01. Rhucle - Clear Ash (PANICDEMIA Compilation)
02. Sebby Kowal - Neon (Bright Spaces)
03. Keys for Eclipse - Drifting Nausea (Downpour) 
04. Carlo Giustini - L'abbaglio (L’abbaglio) 
05. Motorpig - Pale Visitor (Teaching A Fish To Fly)
06. Dionisaf - Walk on the Roof (Lost Rarities)
07. Grandbruit - Adaptation 1 (Adaptation)
08. WHΛLTHISИEY - Ghosts (Hearthisutra)
09. Krzysztof Kotlinski - The Boy In The Mirror (Black Rain)
10. Soloi Sounds - Translation (Another Perspective) 
11. Biloba Green - #123524 (Biloba Green)
12. 9VoltDisaster & Buja - Narcosis (Utopia Compilation) 
13. Hymns57 - Hireath (Torschlusspanik)

Élan Vital Mix

Support

Chitra Podcast #1 Élan Vital Mix

125000b

Pre-order: 10th March 2023
Release date: 16th March 2023
Format: CD, Digital

'Divide' is a wound, a gash in the earth, a chasm within which sound currents - previously flowing placidly to the surface - plummet. 
The effect is disruptive, it is like a clash of sounds or more precisely a collision of musical worlds. 
It is a dizzying fall into an abyss that tears two environments apart.
But this is precisely the place where the electric and acoustic sounds of Roberto Galati’s and Federico Mosconi's guitars tangle, in an impervious and not easy context, mostly unexpected. 
This place is a source of inspiration; the beginning of a new and transformed source.
Torn from their environment, the sounds mix. 
They are caught in the chasm and ruinously collide and split. 
But at some point they reassemble, the upheaval subsides and changes its appearance.
Blue is the colour of calm, of emotional serenity, of harmony and of a found balance. 
Blue is the hue that gives colour to the ocean, to steel and to cobalt. 
It evokes the Arctic, as well as a sea and space. 
It tastes electric and ultramarine. 
An assortment and a richness of shades are created in the chasm; making theirs way beyond its boundaries, they can spread freely. 
It is a stream of sounds that is not always reassuring; it is coarse yet polished. 
Its thousand rivulets propagate with a flow at once mild and unruly, ideally calm like the endless space and impetuous like the ocean.
'Divide' is a fracture that abruptly and furiously unites.

Copyright © 2023 ROHS! RECORDS, All Rights Reserved

Divide

previews. Galati|Mosconi - Divide | ROHS!

RIAFC 007 - Shortwave Radio Surfing
A mesmerizing mixtape of lo-fi shortwave radio transmissions arrived in our mailbox today from the Italian tape label Artetetra. And it’s a doozy! Produced exclusively for Radio is a Foreign Country, Italian scavengers of obscure exotica, Luigi Monteanni and Matteo Pennesi, explore the surreal world of shortwave radio.
 
“As a mix of functional signals and sounds, incomprehensible codes and intrusive skits, which rely entirely on the technical efficiency and power of the machine as a catalyst, not to mention the capacity and experience of the listener-user to tune into different frequencies, shortwave radio is a continuous adventure into undisclosed territories of sound that literally becomes, at any given moment, an unrevealed foreign country.

Historically, shortwave radios have been used mostly for communication, commercials, propaganda and illegal broadcasting, which is often related to political needs that require evading the normal laws of censorship and intellectual property. Unable to listen uninterrupted, one must hunt continuously for tunes, acrobatically zapping through jungles of white noise and wastelands of abandoned frequencies. Shortwave radio is therefore a kind of shadow box containing part of our sonorous heritage in the form of haunting and recurring uchronia, where different geographies, eras, and technologies fuse in a polymorphic structure of displaced signals and sounds – for example, Guglielmo Marconi and the Cape Verde islands, jungle from the 90s and Latin radio plays from the 70s. If there is anything that illustrates Artetetra's concept of Quinto Mondo, it is without a doubt shortwave radio.” 

But enough bs! Just dive right into this medianic lo-fi mix, carefully crafted by the Italian scavengers of calembouristic sonic paradises.

Shortwave Radio Surfing (RIAFC 007)

Hisham Mayet of Sublime Frequencies provides an exclusive selection from the label's upcoming 2021 releases.

A Glimpse into 2021 Releases – Mix by Sublime Frequencies

EastEast Radio is an online radio station that presents an alternative to conventional content, giving listeners access to curated sounds with a global scope.

A Glimpse into 2021 Releases – Mix by Sublime Frequencies

(EE)Radio

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