Download possible!? Would be great. Thank you guys.

Mysig musik

"Here’s a mix of breezy, sun-kissed, balearic (??), summer chillers recorded for the fine (wine) people at Bar Part Time. Just shy of one hour, vinyl only (!!!), a handful of records pulled in the Sunshine State on a dig with DJ Ray. Pairs nicely with an orange wine or a literal orange 🍊 enjoy." - @deejaygeedee

B.P.T. Radio 031: Gee Dee

A survey of some of my favorite songs from Japan, mostly 80s, many "classics," and some obscure gems to boot. xo, JAZ

My Favorite Songs from Japan

@evieweily

https://undertheapricottree.net/evie/

"This was a really fun mix to make and moves through a heap of different sounds and tempos that I don’t usually go to when I’m playing out. It’s the kind of selection that I love listening to when I’m just at home - lots of soft rock and 80s synth pop!"

Apricot 47: Evie

"I put some love and energy into this crackly vinyl mix for the Best Place in Town!! It starts out more mellow and introspective and goes into bouncier synth-pop-rap, and ending with one of my favorite Thai rap pop songs. Love you guys" - @aniphoebe

B.P.T. Radio 071: Ani Phoebe

13052023 restaurant recording by @palosantodiscos

cornerstore during service • #11 • PALO SANTO DISCOS

Highlighting our favorite LA DJ's for The Lot Radio pop up in LA at AIAIAI.

https://www.instagram.com/suzannekraft

Suzanne Kraft @ The Lot Radio in LA x AIAIAI 10-25-2024

Nixxon - Yesterday's Tomorrow Mix

STROOM Radio w Jamie Tiller [Live - 24/03/2017]

PUBLIC POSSESSION "THE EARL'S PLEASURES" MIXTAPE

Ahead of Outro Tempo II close friend John Gómez (@johngomezldn) contributes to the MFM Mix Series with this wonderfully soothing second episode titled Spring Awakening (photo credit: @marionavilaros). Q&A here below.

www.musicfrommemory.com

MFM: Hey John! So, before we talk about the present and future let's briefly flash back. How do you look back on the first Outro Tempo compilation? It seems that it has opened up quite a lot of ears and doors, do you think it had the same impact in Europe as it did in Brazil?

JG: It had different sorts of impacts, in the sense that in Europe Outro Tempo was very much an introduction to a world of music most of us didn’t know about, but in Brazil it offered an alternative take on its own musical history. It generated a lot of interest in that period – I mean, you can see how many reissues of music with a similar sound have come out in the past two years. I was amazed at how much it resonated in Brazil: I still get emails, occasionally from quite prominent musicians and journalists, thanking me for my work promoting Brazilian music. I never could have expected that kind of response and, to answer your first question, on a personal level Outro Tempo generated a lot of good will for me in Brazil. 

MFM: Outro Tempo II the full compilation will be out in May but first there's the Single Promocional teaser EP, containing 2 exclusive tracks. How did you decide these 2 tracks had to be on it? Do they connect both the compilations in one way or another?

JG: Yes, naturally they connect, as two of the members from Bruhahá Babélico were in another group that features on the compilation and were part of the São Paulo scene. The idea for the EP came from being blown away by the incredible Babélico II when I first heard it. It was actually a 26 minute jam that was recorded directly to cassette and it would have been difficult to release in its original form. I edited the music in a way that was true to the original, but as it was taken from cassette it had very different sonic qualities to the rest of the music on the compilation. I felt this would interrupt the overall flow of the comp, so I thought it would be a nice idea to release it independently as a teaser EP. It’s totally bonkers and I’m thrilled that people seem as excited by the track as I am! 

MFM: Would you say Outro Tempo II is the logical or natural follow up to its predecessor, does it really continue where the first left off?

JG: Initially I didn’t really want to do a follow up. I thought there was no point in just compiling the tunes that didn’t make it on to the first. But eventually I distanced myself enough from the compilation to see another narrative emerging in Brazilian music of the time. There are points of intersection but it feels like an evolution from the first, moving in a different direction towards the experimental soul of Brazil’s gigantic cities and the relationship developed with new influences from outside. 

MFM: So, thanks for contributing to our new mix series! When we first asked, you said about maybe doing a more 'chilled' mix. Did you have a specific purpose in mind with that? 

JG: I just wanted to record something less functional and self-promoting than the hundreds of dance mixes that are uploaded each week. Last year I did an RA mix and a Beats In Space but it feels like ages since I’ve simply put together some nice songs. I like saving my dancefloor tunes for the dancefloor as I think they lose some of their magic or impact if they’ve been heard many times before. This is definitely not geared towards the dancefloor: it is deep music for listening and features outsider folk from North Carolina and the Basque country, fusion from Mexico and Argentina, cosmic sounds from Martinique and Nigeria, and hypnotic rhythms from Brazil, with a little nod to Outro Tempo II.

MFM Mix 002: John Gómez

Ivan Smagghe is taking over next hour! Not sure if there is much left to say about Monsieur Smagghe that hasn't been written in a FB event for the last decade or so (describing a career in electronic music spanning over 25 years)... Ivan has always been one of the biggest inspirations on MT with his innovativeness and his approach to the dancefloor and its always the best of pleasures to have him on board....

Ivan Smagghe [Malka Tuti Day]

MR. TOPHAT

Born in Sweden in 1990, Rudolf Nordström—better known as Mr. Tophat—has long been a defining force in Stockholm’s electronic music underground. A producer, DJ, and sonic architect, his deep passion for dance music has driven him to create hypnotic, genre-blurring productions that transcend traditional club sounds.

With a history of curating unique musical experiences, Mr. Tophat co-founded the revered Karlovak label with Art Alfie in 2011, a platform for house music built for nights that defy endings. He also helms Junk Yard Connections, established in 2008, a label known for its strictly limited, no repress approach—making each release a sought-after collector’s item.

His solo work has garnered critical acclaim, with both of his solo albums receiving Grammy nominations, a testament to his ability to push the boundaries of electronic music while maintaining a deeply personal and innovative sound. Following the release of "This Is Pop" (PIAS x Twilight Enterprise), he continues to explore new sonic territories, with upcoming music on Karlovak and a highly anticipated new album with Axel Boman, blending dancefloor euphoria with avant-garde textures.

His collaborations span both the mainstream and the underground, having worked with Robyn, Kleerup, XOV, Lune, and Jelly Crystal, among others. He has been spotlighted by major global media outlets, including MTV, New York Times, Entertainment Weekly, Billboard, and Pitchfork, further cementing his status as a forward-thinking artist with a broad cultural impact.

On stage, Mr. Tophat continues to appear at some of the world’s most intriguing venues and festivals—sometimes in grandiose settings, other times in shadowy, elusive late-night sanctuaries. Whether behind the decks or orchestrating immersive live performances, he remains an unpredictable and compelling force in electronic music.

Booking:
hugo@bigwednesday.se

PUBLIC POSSESSION "THE EARL'S PLEASURES" MIXTAPE

EAST ROOM

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