как сказал один комментатор в вк ,это кибериндиюк )) бл рил!!!!

neurofunk#2

Bassrush 4.0

Mind Rush

// artists

@chrissuofficial
facebook.com/chrissuofficial/

@mindscape
facebook.com/m1ndscape

// label
facebook.com/Eatbra1n
twitter.com/eatbra1n

// release date
Beatport Exclusive - 04.07.22;
Worldwide - 18.07.22

Born atop the forgotten ruins of a crumbling city, a new civilization had emerged from the ruin wrought by demonkind upon the landscape that lay beneath them. Lead by their prophets of a new and powerful faith, the people of this civilization had risen up against the demon kings, wielding the magic of their divine allies as weapons with which to exorcise their being once more from the land. This war though hard fought had born fruit, and with the slaying of the final demon the people had rejoiced, celebrating their victories with monumental constructions to mark the beginning of a new and golden era. Foremost of these was the great cathedral that lay at the heart of their new city, built both as a space of worship for the populace and as an eternal ward of imprisonment for the souls of demonkind which could not be slain, forever condemning them to an incorporeal existence under the watchful eye of the divine.

Ages had passed since then, and time had once again ground its steady edge against the minds of the people and upon the stones and timbers that had supported the great city for so long. Ritual had been forgotten, and structures of greater grandeur had been built as the city expanded, relegating it’s once monumental cathedral to neglect. Thus it was that the falling of only a single candle had lit an aged timber in it’s great hall, in so doing weakening the ancient wards that had kept the demonic spirits at bay. Ever vigilant in their ceaseless desire to escape, the demon kings fanned this flame with their focused ire, nurturing it from a single mote into a overwhelming conflagration that tore at the runic chains that had bound them for so long. Before long, the roaring of the flames was augmented by the howls of demonic spirits set free from a millennia of imprisonment, their visages taking form in the fire as manifestations of their burning rage. As the inferno bellowed ever higher, the city cowered in fear, for it was clear that the time of DIVERGENCE had come once more.

EATBRAIN unleashes the full fury of their horde with the fourth installment in their DIVERGENCE compilation series, a gargantuan 26 track compilation filled to the brim with new tracks from EATBRAIN mainstays and newcomers alike. Brought together by their affinities for EATBRAIN’s unrestrained neurofunk sound, the artists within deliver a tour de force of the label’s guiding philosophy with ferocious basslines and terrifying sonic atmospheres alike, delivering a mammoth series of tracks set to inspire the fervor of the label’s horde in the months to come.

Divergence IV

Chris.SU & MNDSCP - Creepy Monsters (Eatbrain LP013)

@emberdot

https://shizukalr.bandcamp.com/album/requiem

free on bandcamp

ember. - endless nights i spent thinking

Produced, mixed and mastered by Pleiadian Dream

Buy on Bandcamp

Veil Lifter

Links:

iTunes: https://itunes.apple.com/gb/album/slayer-beast-ep/id1063701185?ls=1

GooglePlay: https://play.google.com/store/music/album/Ceph_Slayer_Beast_EP?id=B7nys4wpo7ybowzvg74bdo5rioa

Ceph - Poltergeist

Bad Taste Recordings hits 2016 in severe kinetic style with a fresh pair of tracks launching the identity of MALUX, the new Neurofunk-focussed moniker of established bass producer SKOPE (Inspected, Technique Recordings). 
With “Turbine” and “Fonk” the agenda is clear-energetic, funk-fuelled DnB driven by detailed low-frequency design and a boisterous rave vibe.
TURBINE carries with it a stripped aesthetic, with a percussive pattern driven by the snare and wonky plucked synth work. This is heads-down, bassface material for ravers to get into step to.
FONK on the flip hits a cheeky upbeat tone, switching slickly between bass textures punctuated by staccato sonic fragments.
With support from scene titans such as Andy C, The Upbeats and radio play from Friction on BBC R1 and Crissy Criss on Kiss FM, Malux has immediately caught the attention of those who know.
Bad Taste hits the nail on the head again, introducing another name with a big destiny into the halls of Drum & Bass.

Release date:
- Beatport exclusive: 29th January 2016
- Worldwide: 12th February 2016
- Vinyl: 19th February 2016

www.facebook.com/maluxdnb
@maluxdnb
www.facebook.com/skopeuk
@skopeuk

For bookings and management: 
stuart@omnitemple.com
www.omnitemple.com

www.facebook.com/badtasterecordings
twitter.com/badtasterecs
www.youtube.com/user/badtasterecordings

Malux - Fonk (Bad Taste Recordings)

My Latest EP out now on shogun audio! Thanks so much for the feedback so far.

As always I read all the comments so Let me know what u think :)

Please support here:

https://pro.beatport.com/release/let-it-out-ep/1751706

Caution Ft. Linguistics

//artist
@teddykillerz
facebook.com/teddykillerz1/

//label
facebook.com/Eatbra1n
twitter.com/eatbrain_now

They had drifted through the depths of space for an eternity, a trio of titanic constructions forged upon the surface of a faraway planet. The vast expanse through which they floated was to be their final resting place, the only prison that could contain their colossal strength. Their towering forms were shaped in the image of the most feared predators of their homeworld, hulking chasis of metal with a visage of primal power. Though they appeared to sleep within the infinite blackness of space, an extensive network of sensors worked constantly within their cores, searching constantly for the signs of life that would allow their mechanical hosts to continue their prime directive. As they passed an yet another planetary system, their constant toil bore fruit, detecting life upon an otherwise barren orbital body. In an instant, the massive machines were revitalized by the signals that coursed within them. From their forms shone with a brilliant cyan hue, granting them the appearance of a falling star as they descended towards the surface below. 

The automatons stood silently upon landing, monolithic in their stature which dwarfed that of the colony below. Panicked rumors spread quickly throughout the colony’s inhabitants as all attempted to guess what had brought the titans to this world. As these rumors spread, so too did a sound, one new to the surface of this world. Beginning as a diminutive hum, its strength steadily increased until it began to shake the foundations of the settlement and the will of those within before ceasing in a single instant, allowing just enough respite to consider its function. Then burst forth the full fury of the trio, as from their eyes shot forth photon rays which sliced through the colony on a razor’s edge, cleaving its buildings in twain. In the low gravity present upon the planetoid the rubble created by their conquest hung in the air, oddly still in contrast to the ensuing chaos. The titans lumbered forwards through this maze of destruction, accompanying their lethal lightshow with the weight of their booming steps in pursuit of the masses who fled beneath them. A frantic scramble had begun amongst the colonists, as each rushed without care for any other towards the nearest planetary shuttles, only to see them atomized in turn by the rays which swept through the city. The titans let none escape their gaze as they pursued their programming with relentless efficiency, razing the once burgeoning colony to a mere layer of ash upon the surface of the planetoid.. As they targeted the final structure left standing, their sensors picked up an outbound signal transmitted from within. A single weak voice echoed a refrain they had heard before, a descriptive combination based upon their ursine appearance and murderous methodology. ‘They’re TEDDY KILLERZ” the voice shrieked into the transmitter, “and they can’t be stopped!”

The TEDDY KILLERZ make their return to the EATBRAIN with the release of the CHOPPING MACHINES EP, following the impactful release of their earlier HELLBLADE EP on the label. DROP IT struts out of the gate with a bombastic neurofunk beat, whilst the title track CHOPPING MACHINES slices samples and basses with a flurry of sharp edged cuts. JESTER darkens the atmosphere before launching into a similarly fast paced assault, whilst AFRIKA takes a roots based approach to its production. The closing track, STELLAR, is an electric slice of halftime that radiates futuristic energy. Representing a multifaceted approach towards a further expansion of their sound, CHOPPING MACHINES sees the TEDDY KILLERZ in true dynamic form.

//release date
Beatport Exc. 22.10.2018 
Worldwide 05.11.2018

Chopping Machines EP

Buy / Stream EP

Teddy Killerz - Drop It (Eatbrain068)

Neonlight & Receptor - Phrase Maker

//artist
@teddykillerz
facebook.com/teddykillerz1/

//label
facebook.com/Eatbra1n
twitter.com/eatbrain_now

They had drifted through the depths of space for an eternity, a trio of titanic constructions forged upon the surface of a faraway planet. The vast expanse through which they floated was to be their final resting place, the only prison that could contain their colossal strength. Their towering forms were shaped in the image of the most feared predators of their homeworld, hulking chasis of metal with a visage of primal power. Though they appeared to sleep within the infinite blackness of space, an extensive network of sensors worked constantly within their cores, searching constantly for the signs of life that would allow their mechanical hosts to continue their prime directive. As they passed an yet another planetary system, their constant toil bore fruit, detecting life upon an otherwise barren orbital body. In an instant, the massive machines were revitalized by the signals that coursed within them. From their forms shone with a brilliant cyan hue, granting them the appearance of a falling star as they descended towards the surface below.

The automatons stood silently upon landing, monolithic in their stature which dwarfed that of the colony below. Panicked rumors spread quickly throughout the colony’s inhabitants as all attempted to guess what had brought the titans to this world. As these rumors spread, so too did a sound, one new to the surface of this world. Beginning as a diminutive hum, its strength steadily increased until it began to shake the foundations of the settlement and the will of those within before ceasing in a single instant, allowing just enough respite to consider its function. Then burst forth the full fury of the trio, as from their eyes shot forth photon rays which sliced through the colony on a razor’s edge, cleaving its buildings in twain. In the low gravity present upon the planetoid the rubble created by their conquest hung in the air, oddly still in contrast to the ensuing chaos. The titans lumbered forwards through this maze of destruction, accompanying their lethal lightshow with the weight of their booming steps in pursuit of the masses who fled beneath them. A frantic scramble had begun amongst the colonists, as each rushed without care for any other towards the nearest planetary shuttles, only to see them atomized in turn by the rays which swept through the city. The titans let none escape their gaze as they pursued their programming with relentless efficiency, razing the once burgeoning colony to a mere layer of ash upon the surface of the planetoid.. As they targeted the final structure left standing, their sensors picked up an outbound signal transmitted from within. A single weak voice echoed a refrain they had heard before, a descriptive combination based upon their ursine appearance and murderous methodology. ‘They’re TEDDY KILLERZ” the voice shrieked into the transmitter, “and they can’t be stopped!”

The TEDDY KILLERZ make their return to the EATBRAIN with the release of the CHOPPING MACHINES EP, following the impactful release of their earlier HELLBLADE EP on the label. DROP IT struts out of the gate with a bombastic neurofunk beat, whilst the title track CHOPPING MACHINES slices samples and basses with a flurry of sharp edged cuts. JESTER darkens the atmosphere before launching into a similarly fast paced assault, whilst AFRIKA takes a roots based approach to its production. The closing track, STELLAR, is an electric slice of halftime that radiates futuristic energy. Representing a multifaceted approach towards a further expansion of their sound, CHOPPING MACHINES sees the TEDDY KILLERZ in true dynamic form.

//release date
Beatport Exc. 22.10.2018 
Worldwide 05.11.2018

Teddy Killerz - Chopping Machines (Eatbrain068)

Teddy Killerz - Jester (Eatbrain068)

Teddy Killerz - Afrika (Eatbrain068)

Bad Taste Recordings

• WebSite → www.badtasterecordings.com/
• SoundCloud → https://soundcloud.com/bad-taste-recordings
• Spotify → open.spotify.com/collection/playlists
• FaceBook → www.facebook.com/badtasterecordings/
• YouTube → www.youtube.com/user/badtasterecordings
• Instagram → www.instagram.com/bad_taste_recordings/
• MixCloud → www.mixcloud.com/BadTasteRecordings/

Pinger / Index

Pinger

Bad District - Pinger

Mizo - Horizon @ Rene LaVice, BBC Radio 1 Clip

//artist

@burroakmusic
facebook.com/burroakmusic

//label
facebook.com/Eatbra1n
twitter.com/eatbra1n

// release date
Beatport Excl. 17.02.20 & Worldwide - 02.03.20

“Hey Scruggs…”
“Yeah Sonny Jim?”
“You ever done seen a varmint like this one before?”

Spurs firmly entrenched in the dirt and hands hovering over the holsters of their six shooters, a pair of lone cattlemen stared with befuddlement at the being that stood before them. Rising from the cracked desert soil was an amalgamation that seemed to be composed of every plant able to hold on in that heat blasted wasteland, as though the earth itself had taken offense at the idea of a cattle drive through the largest desert on the continent. Its bones were of the great saguaro, riddled with millions of piercing needles, and across its flesh ran a layer of bindweed that flowered with the sickly off-white petals so known for strangling the crops in this western reach of the country. Perhaps most uncanny was what seemed to be the monster’s “face” which mimicked humanity with a pair of massive seedlike eyes and teeth of razor sharp yucca as it gazed menacingly at the insignificant forms that lay below.

In the face of this monstrosity stood Scruggs & Sonny Jim, sharing in the courage of a bond built on years of shared experience driving cattle across the great expanses of the continent. With wordless and fluid synchronization, the pair drew their revolvers and fired a pair of shots directly into the eyes of the great beast as they sprinted for their saddles. Though they knew the shots would not kill, for indeed they doubted if such a behemoth could even be slain, theirs was an action that might yet secure their escape. Driving their spurs into the flanks of their mounts, the two took off at breakneck pace away from the massive form that now emitted an otherworldly howl behind them. The ground shook with the weight of the monster’s lumbering movements, but the duo’s fine horses held true to their course, and behind them the nightmarish horror disappeared in a cloud of dust. Yet even as they rode on into the sunset, the pair was not alone. High above, they were trailed by a hawk that watched them keenly with the exacting precision of its predatory eyes. Though Scruggs & Sonny Jim had escaped for a time, the land was alive, and it was always watching.

BURR OAK hop in the saddle for their first full EATBRAIN EP, following a feature track on the label’s Divergence II compilation and a set of previous EP’s on the like minded Trendkill Records. A dynamic duo composed of The Clamps & Opsen, BURR OAK now drive the EATBRAIN horde onwards to new sonic horizons as they deliver their fully loaded HAWKEYE EP to the horde’s myriad ears.

Hawkeye

Hawkeye EP

Burr Oak - Rubber (Eatbrain097)

Dark. Deep. Unfiltered. Unrestrained. This is premier neurofunk drum & bass. This is Eatbrain.

Teddy Killerz - Chopping Machines (Eatbrain068)

EATBRAIN

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