what I really like about your tracks is the feeling of barely controlled chaos and this one doesn't disappoint.  Runs out of steam a little towards the end, but still really solid. Great stuff.

It took several listens for me to make any sense of this track, but now i appreciate the experimental variations and progression within it!

I like the industrial vibe but could benefit maybe from sections that have more contrast.

Yeah worth staying with I think, some sort of order emerging from the chaos. And great sounds.

very interesting track. To me the only thing that feels off is lack of width in the main bass synth making it very one dimensional

a lot going on but it somehow holds together -- which is hard to do.  Nice.

Were've ya been??!? Glad to see a new track!

Treetops

interval

Reflection

the christine jorgensen story

Journey

mad monster party

Stand by Me

That's Why You Go Away

An entry for the KVR One Synth Challenge #179 - Any One Synth.

The unreliable narrative of Spaceman D. Bassman continues...

As the sun falls gently towards the horizon, a lone figure casually lounges in a deck chair, the fiery sky reflected in his visor. In his hands he holds a large glass of his favourite cocktail, Sex on the Beach.

Lieutenant Spaceman D. Bassman had been through a lot lately. After almost 23 months marooned on an alien planet populated by those weird musical bees, his oxygen, water and food supplies were at dangerously low levels. Things were so desperate that he'd taken to supplementing his diet with several particularly fat and juicy bees with each meal. They tasted disgusting, but he loved them nonetheless.

After months of despair and having given up any hope of being rescued, somewhat miraculously, the Corp finally located his emergency beacon and saved him from an inevitable and very likely nasty, bee-poisoning related death. He was lucky, and thankful to be alive.

With his gums still raw and nippy from the bee stings, Bassman, now safely back on Terra, took a long swig from his glass, settled back in the chair, and put another cassette in his Cosmosblaster.

While the sun continued it's decent across sky, the heavy throb of psychedelic space dub and beesong filled the air once more. Bassman sighed a long sigh of relief and wiped a tear from his eye; He really loved those weird musical alien bees.

Fin.

Reaper 7
u-he Hive (x17)

Track FX: Pro-C2 (x4), Pro-Q3 (x14), MAutopan (x1)

Send FX: PSP Springbox, ValhallaDelay, ValhallaVintageVerb (x2)

Stereo Bus FX: Teote, Satin, Pro-Q3, Pro-L2, TDR Prism, Youlean Loudness Meter

OSC179 - Any One Synth

Hex on the Beach

Eauson KvR The Speed Of Science

KVR Audio OSC #179.  This is my first entry into the monthly contest.  DAW: REAPER/Windows 10 with stock plugins and free IR's.  Synthesizer: Cherry Audio DCO-106.  24 tracks, 14 MIDI, 10 buss/FX sends, 106 BPM.

Learning To Dance

A Force Field - in a Horse Field!

Entry for OSC #179.

21 instances of Native Instruments FM8 - All designed from scratch.
DAW: Reaper

Lots of FX on-board the FM8 (inc all the reverb).
DD Filter, Utility, Autopan, Compressor
Reaper: JS Channel Time Delay, ReaEQ, ReaXComp
Khs Gain
Limiter No6
SPAN
Youlead Loudness Meter

The Brudenell Chown Gate

One Instance of Bazille with automation

As Bazille is very flexable with four oscillators, white and pink noise generators , four filters and whatnot, I was able to make a patch which generates drums, hats, bass and synth chords by pressing just one button on the midi keyboard. The track was done using lots of automation and the wheels on my keyboard.

Bazille Single Instance

Immanencer presents:  A Sawdust Sandwich

or

"Fun With Saws Without Risking Any Fingers"

Created entirely using the JP6K synthesizer for the January 2024 KVR One Synth Challenge number 179, this track marks a tribute to the mighty supersaw oscillator that debuted within the Roland JP8000 synth in 1996.

The JP6K synth (by Adam Szabo) is based on just the supersaw oscillator from the JP8000/8080. This oscillator is free-running, mono, can morph between saw and supersaw waveforms, and includes a noise oscillator. There's a filter (HP/LP/BP, 12 or 24dB/oct), and on-board effects are limited to a delay, bass knob, and treble knob.

Eauson KvR The Speed Of Science

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