Wayfinder

A Lot to Ask

Satan / Jacob Rose

Satan

Written by Alexandra Johnstone and Scott Watson
Produced and mixed by: Chris Coady 
Engineered by: Omar Yakar 
Mastered by Heba Kadry
Drums: Darrenpweiss 
Bass: Todd Dahlhoff
Guitar: John Anderson 
Keys: Michael Rosen

Tinsel for a Tear

Tinsel For A Tear

Rotten Bun for an Eggless Century

Rotten Bun

Palm Trees

Norm

Wasted On You

Hookey

Morning Rain

Doesn't Really Matter

Young Love

Heaven Is a Junkyard

Idaho Alien

Connected

Born and raised in London, Eaves Wilder began songwriting around the age of eight, harnessing an early obsession with ‘60s Motown records and the left-field pop of Lily Allen. She found similarities to The Sundays’ Harriet Wheeler’s voice in her own, and became comfortable with her lisp when she heard Grimes singing with hers. Eaves’ inspirations are endless, but this trio in particular illustrate the origins of her own sound. Pulling together the anger that drove the riot grrl genre, the walls of reverb from shoegaze, and delicate vocals, Eaves Wilder came into her own.
 
Signing to Secretly Canadian in 2021 – something she waited until she was 18 to do because she thought it would be uncool to have her mum sign her record deal for her – it’s been an accidental teen dream come true for Eaves, as she found an old school textbook with the words “top labels to sign to” scrawled over it, Secretly Group making the cut. “I'd been researching some of my favourite artists and I saw that Sharon Van Etten and Angel Olsen were here,” she notes.
 
Now she confesses her anger towards her former self and a desire to take up less space, and following her feminist revelation, now wants to write songs for girls like her teenage self. “I write songs imagining the person who's listening to them, which is always like a quite sad, lonely 14 year old girl. I want her, whoever she is, to listen and be like, that is exactly what I'm going through and this person understands, and I'm not alone.”

Morning Rain

Eaves Wilder

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