thank you kindly; this is a teaser for a new EP soon released 💚

from Tasking Anima

Nalpes 1 lyrics:

(here in so many ways)
the birds and the beads of 
the burns and the bleeds of
(startle; stargone)
and if cans kill
and if cans kill 
in a random November
or sometimes in December
then the grand opening of
the universe begins
turns and stands
oh the great month of December
remember it is just us
and if cans kill
and if cans kill
we couldn't be here in so many ways
-HaQ/ebc
#EPM #ElectronicPsychicMedia #ebcom3

Tasking Anima

Nalpas 1 (here in so many ways)

Nalpas 1

Nalpas 1 (here In So Many Ways)

MXB-210 (edit)

failed in a fire feat ration

where  is she. 
when is she
don't you know...?
how can we take the numbers
one
two
three
three
boxes
for
Noori.

 brighter
and
brighter

as
she does

Noori go
not there
[a bad idea]
Noori do not hear me.
that river runs
doesn't eve nor Adam.

-💚💚💚HaQ

3 red boxes for Noori [5.]

I Planned For An Hour...  But Man Proposes, God disposes...

king of the double standard
Shaman of hypocrisy
Hacking into my accounts
swearing you're in love with me
I ain't sorry for nothing
conversation isn't sex
been faithful to a cheating man
who put my ass under his hex

Accusations I find laughable
damned excuses all played out
I guess you're sleeping with somebody
I hope your mama's got some clout
I hope your libido's been downgraded
to non existent circumstance
as you study your own reflection
let the liar take his stance

spitting fire with your loose lips
inciting conspiracy
stick together, cover your tracks
leave the accolades to me
I don't need your childish drama
nothing worth having comes for free
drown your sorrow in Jack Daniel's
but don't come crawling back to me

tried to tell you you were slipping
 ignored it all repeatedly
now you've lost a damn good woman
and  I still have my sanity
no spare time for melodrama
no patience for hypocrisy 
worry about your own damn karma
it means nothing more to me

say goodbye

king of the double standard
Shaman of hypocrisy
hearts on fire with the scandal
Someone would dare to set you free
never believed you really loved me
you just needed company
now we are locked together
in a haunting memory

say goodbye
goodbye, baby
say goodbye to me
nothing lasts forever
but love will set you free

say goodbye
baby say goodbye
nothing last forever
Even when we try


Shaman Of Hypocrisy

Everything Is Leaking.Aug23

Kiss.Aug12

Almost completely unknown in the west, Masahiro Sugaya has been composing and producing music since the 1980s in an exceptionally wide range of fields and practices. From arrangements for musical acts like the acoustic guitar duo Gontiti to acousmatic diffusion at spaces like Paris’s Groupe de Recherches Musicales (GRM), Sugaya's reach is almost exhaustive in its breadth, but it was in the 80s bubble-era kankyō ongaku scene that he first found his musical voice. Horizon, Volume 1 presents a window into these works, culled from Sugaya’s early scores for experimental Tokyo theatre group Pappa Tarahumura. 

As a teenager, Sugaya would visit the avant garde hub of record/book shop Art Vivant run by Satoshi Ashikawa of Sound Process, guided by Ashikawa’s recommendations into the worlds of experimental composition, jazz and ethnographic music. It was there he also met musician Yoshio Ojima—the two would become close friends and contemporaries, working within a circle of Tokyo musicians that also included Midori Takada, Hiroshi Yoshimura and Satsuki Shibano. Ojima, an early adopter of new musical technology, would introduce Sugaya to the possibilities of composing with computers, synthesizers and samplers, which would become a trademark in Sugaya's early works. Surprisingly, the sound sources on Horizon are entirely digital, showcasing Sugaya’s ability to organically recreate complex musicianship approaches via keyboard using hyper-realistic samples. Much like Ojima and Yoshimura’s work, the results eschew electronic music’s usual coldness for something more warm and inviting, the feeling of a human in deep conversation with technology.

Flourishing within the boom of experimental theatre subsidized by corporations during the bubble economy, Pappa Tarahumura forged a unique dream-like style that merged performance art, modern dance and fantastical installation-like stage sets. Sugaya fashioned multiple soundtracks for their productions in collaboration with director Hiroshi Koike, the first two of which, The Pocket Of Fever (熱の風景) and Music From Alejo (アレッホ - 風を讃えるために), he self-released in 1987 on cassette, handing them out at Tarahumara performances. The third, The Long Living Things (Zoo Of The Sea) (海の動物園) followed in 1988 as a CD on Yukio Kojima’s ALM records. Aside from his brief inclusion on Light in the Attic’s Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990 (compiled by Empire of Signs’ Spencer Doran), Horizon presents this work outside of Japan for the first time.

Available exclusively via Light in the Attic: https://lita.fanlink.to/Sugaya

International Press Contact: Gamall / Backspin Promotions - g@backspinpromo.com

Horizon Vol. 1

Masahiro Sugaya - "Future Green" (Horizon, Vol. 1)

rough draft for review
haq- vox, synth
Edward Ka-spel- synth

honey come

from Honey Comes Electric 
Solerno's song. this is Solerno as the form of *Denigen*. he/it is desperate, trying to help, destroy?, Lena. he is lost himself.

apart of a concept album that follows Lena. a continuation of Honey Comes Electric.
•°begin with ^Begeronda (she turns her head) - video available on YouTube
•°°then ^thrown rocks (on empty dreams)^
°°\≈denigen is a later track amongst the 13 part series- sub title- *Solerno's Suffering*. 

out in the wild°°°°°° evidently so look for final version in a bit and kindly share that version instead or however one likes. 
deeply humbled for those who have been sharing this version; time for the official album version.
with a thank you to very special guest: musical cult icon; excellent musician and lyricist; genuinely kind; diverse in styles; true to his word; and sanity holder, Mr. Edward Ka-Spel co-founder of the Legendary Pink Dots, The Tear Garden (*supergroup with Skinny Puppy), and his own massive discography of solo work. 40 years and still going strong and ever relevant. 


HAQ- vox, synths, composition
special guest Edward Ka-Spel- Vox, synths, percussion

denigen

For those who see light in the dark and darkness in the noor. 
sado
^I abandon myself to the fever of dreams, in search for new laws.^ -A Artaud 
maso
afraidoflght
#EPM #ElectronicPsychicMedia #ebcom3
Perhaps it rests comfortably in your ears at times...not so much #maso...[please note that select tracks proceeds go to an indicated charity eg. *the cobalt mines* goes to amnesty international to help stop child slavery- receipts available; every bit helps]

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Nalpas 1 (here In So Many Ways)

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