ky0mix1

Antipodean audio artist, @materialobject has seen his creative output embraced by worldwide audiences since his debut in 2008 as he quickly rose to prominence with a stream of impressive solo works, collaborations and remixes on European and American record labels.

Beyond his solo efforts, he has also collaborated with notable musical luminaries including the late Pete Namlook on his Fax + 49-69/450464 label as well as Uwe Schmidt aka @atom_tm and has since toured the planet taking his music to all manner of events from Berlin's infamous Berghain club to Japan's Labyrinth festival along with clubs, festivals and Ambient Yurts in every corner of the god’s grey earth.

In the year 2014 he co-founded his own audio imprint titled ‘No.’ with Atom™ through which both artists explored unheard areas within electronic music and released over 30 albums and EPs from artists from all over this planet.

The year 2023 sees the release of his breakthrough ‘Telepath’ project on Vienna's renowned @editionsmego label, navigating as yet uncharted sonic space and revealing a completely new sound for the artist as he fused Acoustic and Electronic tones to create an album of stunning depth and beauty.

With Patterns of Perception 110, Material Object weaves a richly emotive story that spans four dimensions. Revelling in its transportive nature, this mix traverses great distances to connect textures, emotions and colours that are both familiar and abstract. Channeling the bold creative thrust of 'Telepath', its warm instrumentation and angular electronic experimentation feels delicate, deep and natural. 
And yet underneath it all lies a profound sense of nostalgia, which Material Object carefully crafted by running the finished mix through additional filters and machines, instilling a feeling of hazy consciousness, and of fond, half-forgotten memories of childhood.


Links:
@materialobject
https://www.instagram.com/material_object/
https://materialobject.bandcamp.com/
https://twitter.com/materialobject
http://www.materialobject.com/

https://materialobject.bandcamp.com/album/telepath

Patterns of Perception 110 - Material Object

ky0mix2

A live recording of Steve Good opening the final day at The Labyrinth 2019. This was the Typhoon Hagabis year, an event that began and ended with storms, with a sunny respite in between. This set represented a moment of calm before the storms returned on that special weekend which we will never forget.

The Labyrinth 2019 - Steve Good

This is a recording of Hiyoshi's morning opening set on the final day of The Labyrinth 2024, on October 24, at Hodaigi Camp Ground.

The Labyrinth 2024 - Hiyoshi

A recording of Shhhhh playing on the final morning of The Labyrinth 2024, October 14th.

The Labyrinth 2024 - Shhhhh

A recording of So playing at The Labyrinth 2024 on Sunday afternoon, October 13.

The Labyrinth 2024 - So

TELEPATH at WOMB/TOKYO
Sat 25 January 2025

Shaman's Floor
HYSTERIA TEMPLE FOUNDATION (LIVE / FRANCE)
KYOMI（鏡民）
OCCA (ARCHIV)

Mastering
RYOSUKE TSUCHIYA

Artwork
YUMIYA SAIKI

TELEPATH - Sharman's Floor Opening Set

A recording of Sapphire Slows playing a dj/live hybrid set at The Labyrinth 2024 on Sunday morning, October 13.

The Labyrinth 2024 - Sapphire Slows (dj/live hybrid)

Full tracklist: https://bleep.com/bleep-mix-303-abul-mogard

With his latest solo album Quiet Pieces initiating his imprint Soft Echoes, Abul Mogard mixes composers and collaborators that have permeated his discography and inspirations. An impeccable sense of flow and continuity defines these selections, as Mogard says: "I imagined this mix as an atmosphere you could inhabit – a quiet weave of pieces I’m drawn to. It’s a sound collage of old and new music, where tracks meet and overlap gently, carrying you along in a flow while subtly shifting the scenery beneath your feet." From groaning ambience to trilling winds and warm washes of glitching noise comes a frisson of flutes on Stefano Pilia’s ‘CADUX / Plectere’ over an all consuming rumbling bass drone. Mogard highlights vocals in the midsection: the hissing of ‘Anticredos’, Meredith monk’s harmonic conterplay with arrays of pointillist vocal notes, Félicia Atkinson’s spoken word barely rising from its quietude, before brewing a dense buzzing electrical storm of swirling currents and gyres with the final few tracks, the rugged and visceral clockwork of Rafael Anton Irisarri mechanically crumbling as William Basinski’s piano notes eternally intone.

Bleep Mix #303 - Abul Mogard

My interpretation of / variation on Semuta music.

Part 2:

Haruomi Hosono - Trembling 1
Aleksi Perälä - UK74R1619120
K. Leimer - Aspects of Order
Solitaire - Altered States / Secret Illuminations (excerpt)
Michael Stearns - Invocation
Resina - In In
Henry Wolff, Nancy Hennings - Khumbu Ice-Fall
Dadavistic Orchestra - Petrichore
Robert Aiki Aubrey Lowe - Mille Voix
Steve Roach - Three Reptiles Wait at the Opening to the Underworld
Marco Shuttle - Thebe
Byron Metcalf - Raven Medicine
Skymn - Doctrine
Amandra - Legia Biala
+ Somei Satoh - Mantra (excerpt)
Nuel - Untitled
Nogawa kazune - Reflections
Vidna Obmana - Spatial Prophecy (Song of the Tribal)
Steve Roach - The Ritual Continues
Crossing Avenue - Mekong
An On Bast - Ailurophile
Kiki Hitomi - Gain and Lose
Ursula K. Le Guin & Todd Barton - A Music of the Eighth House
Robert Rich - Amrita (Water Of Life)

semuta music - part 2

music for vision quests.

https://giorgiodb.com

semuta music - part 2

ebbeing

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