classical

shiv in his own voice..awsumm..just feel the pain in the voice of batalvi ji...such a great poet

Shiv kumar batalvi original ki puchde o haal fakiraan da

کوئی ملن بہانہ سوچ لئں انج بچھڑ کے مرنا ٹھیک نئیں - مولوی احمد حسن اختر قوال

Koi milan bahana soch laeen - Molvi Ahmed Hassan Akhtar Bheranwale

Jo na mil sake wohi bewafa, Ye badi ajeeb si baat hain
Jo chala gaya mujhe chodkar, Wohi aaj tak mere saath hain
Jo na mil sake......

Jo kisi nazar se ata huyi, Wohi roshni hain khayaal me
Wo na aa sake rahun muntzar, Ye khalish kahan thi wisaal me
Meri justju ko khabar nahin, Na woh din rahe na wo raat hain
Jo chala gaya mujhe chodkar, Wohi aaj tak mere saath hain

Kare pyaar lab pe gila na ho, Ye kisi kisi ka naseeb hain
Ye karam hain uska jafaa nahin, Wo juda bhi reh ke kareeb hain
Wohi aankh hain mere rubaroo, Usi haath me mera haath hain
Jo chala gaya mujhe chodkar, Wohi aaj tak mere saath hain

Mera naam tak jo na le saka, Jo mujhe qaraar na de saka
Jise ikhtiyaar to tha magar, Mujhe apna pyaar na de saka
Wohi shakhsh meri talaash hain, Wohi dard meri hayaat hain
Jo chala gaya mujhe chodkar, wohi aaj tak mere saath hain

Jo na mil sake wohi bewafa, Ye badi ajeeb si baat hain
Jo chala gaya mujhe chodkar, wohi aaj tak mere saath hain
Jo na mil sake....

Jo na mil sake wohi bewafa~ Malika - e-Taranum "NOOR JAHAN"

Naa Ganwao/Faiz - Iqbal Bano

from 'Acoustic' [CD|LP|DIGITAL]
Denovali Records · den202
available in June on all formats at [http://denovali.com/theeyeoftime]

THE EYE OF TIME is the Solo-Project of French musician Marc Euvrie. Euvrie's musical development is deeply connected with the French DIY punk and hardcore scene, though he has been classically trained as well. He started to play piano being 9 years old, composed his first pieces with 15 and studied cello at the conservatoire after finishing school. Euvrie used to play in several bands before, being influenced by CLAUDE DEBUSSY, PHILIP GLASS, ERIC CHOPIN, J.S. BACH, MICHAEL NYMAN just as by GODSPEED YOU BLACK EMPEROR, A SILVER MT. ZION or PORTISHEAD, he began to translate his personal reflection of our complex world into music, which initiated THE EYE OF TIME. A self titled debut record, released in Spring 2012, evolved first.

For his debut Marc Euvrie's critical writing exposed a dark look on the present, past and future: Linked to machines and samples, revealing an unnatural direction of the human being's existence. His upcoming release ACOUSTIC is a consequent change of focus. Looking for the motor, the personal needs to survive, he found himself experimenting with only Cello and Piano. Apparently these classical instruments turned out to be a relevant strong signal to go back to the roots with something more natural and simple to start from. Though both records seem to go in opposite directions in terms of sound and concept, a strong underlying layer stays inevitable: The Eye of Time's compositions imply a call to fight for the things we love.

ACOUSTIC might be understood as a counterbalance to The Eye of Time's debut. Where the previous record disclosed the coldness of our time, destructing everything that is meant to be our deep nature and presenting the despair of our situation, Acoustic embarks on a little glimpse of hope: Finding some strength to keep fighting for the nature of things and their vital qualities. Marc Euvrie composed six songs for six different locations and points in time, reaching way back to ancient centuries as well as taking a glance into our near future of a yet unknown place. A very personal travel through time and space, between the beauty of nature (Cisjordania, Norway) and the beauty of hope, which allows humans to dream their dreams (Spain, Poland). Marc Euvries own feelings and thoughts about his life evoke mostly in the last two tracks, where he found a form to intensify what keeps him alive.

Acoustic

The Eye of Time - Exarchia, Athens, Greece, September 2008 - Februar 2009

Mahiya Tere Dekhan Lai Chuk Charkha by Molvi Haider Hassan (SUFI POETRY)

Toon Pavein Jaan Na Jaan Ve Vehrhe Aa Varh Mere - TheLegend.NFAK

Shaikh Ji Baith Kar Maikashon Mein, Tark-e-Mai Ka Irada Na Karna - TheLegend.NFAK

Tujhko Aata Hai Har Ek Dukh Ka Madawa Karna - TheLegend.NFAK

Saher Qareeb Hai Taaron Ka Haal Kya Ho Ga - TheLegend.NFAK

From the updated version of The Score (Part One). The Score features over an hour of soundtrack themes from the gentle opening through to full and epic hollywood.

Download at Bandcamp: dexterbritain.bandcamp.com/

www.dexterbritain.co.uk
www.facebook.com/thedexterbritain
www.twitter.com/dexterbritain

To license this music for your project please contact The Music Bed, or see dexterbritain.co.uk for information.

Unremarkable

Made this song for my grandfather who recently passed away.



Archangel

Nusrat Fateh Ali Khan - Yeh Jo Halka Halka Saroor Hai Full Qawwali

Nusrat Fateh Ali Khan Feat Fasle Gul

Gar Yaqeen Danam Ke Bar Man Aashiqi
Jis ne daikha, Mar hi Gaya

Teri Chashm e Siah Mein Hai Jadoo

Ghair ka Dhoka Mujh ko na Dey
Tujh Mein Main, Aur Mujh Mein Tu

Gar Yaqeen Danam Ke Bar Man Aashiqi
Az Jamal e Yaar Desh Hairanad Kunam

Hamein Bhi Jalwa Gah e Naz par Lae Kar Chalo Moosa

Masjid dha de, Mander dha de, Dha de jo kuch Dhana
Par kisi da dil na Dhaveen, Rab dillan wich Rehnda.
Facebook:Abida Parveen Lovers
http://www.facebook.com/AbidaParveenLoversfans

Gar Yakeen-Abida Parveen Lovers(Fan)

  Abida Parveen - Jab Se Tu Ne Mujhe
jab se tu ne mujhe deewana bana rakha hai

sang har shakhs ne haathon pr utha rakha hai

jab se tu ne---

us ke dil par bhi kadi ushq main uzree hogee

naam jis ne bhi mohabbat ka saza rakha hai

jab se tu ne----

pathharon aaj mere sar pr baraste kyon ho

main ne tum ko bhi kabhi apna khuda rakha hai

jab se tu ne----

pee ja ayyam ki talkhi ko bhi hans kar naasir

ghum ko sahne mein bhi qudrat ne maza rakha hai

jab se tu ne ----
Facebook:http://www.facebook.com/AbidaParveenLoversfans

Jab se tou ne-Abida Parveen Lovers

Nusrat Fateh Ali Khan Remix Song - Mere Mehboob-Remix 01

Nusrat Fateh Ali Khan Remix Song - Mere Mehboob - Remix 01

Raqs-e-Bismil (Dance of the Wounded) 
Singer : Abida Parveen 
Composer : Muzzafar Ali 
  
Songs :
1       Ishq Mein Tere
2       Jalwa Ba Qadra
3       Ji Chahe
4       Mujhe Bekhudi
5       Roshan Jamaal - E - Yaar
6       Yaar Ko Hamne Ja Baja Dekha
7       Zahid Ne

▶Yaar Ko Hamne Ja Baja Dekha

Poet:Makhdoom Mohiuddin 
Ye Kaun Aata Hai Tanhaiyon Mein Jaam Liye by Abida Parveen
Abida Parveen has lent her beautiful voice to the song Ye Kaun Aata Hai Tanhaiyon Mein Jaam Liye. The song appeared in the album Paigham-e-mohabbat by the noted versatile personality of art and culture Muzaffar Ali. The lyrics has come out of the pen of Makhdoom Mohiuddin. The song is in the form of ghazal and Abida Parveen sings it with such an ease that despite the complex urdu lyrics it gets you intoxicated. 
ye Kaun Aata Hai Tanhaiyon Mein Jaam Liye
Dilon Mein Chaandni Raaton Ka Ehtemaam Liye
Chatak Rahi Hai Kisi Yaad Ki Kali Dil Mein
Nazar Mein Raqs-E-Bahaaran Ki Subha Shaam Liye
Mahek Mahek Ke Jagati Rahi Naseem-E-Saher
Labon Pe Yaar-E-Masiha Nafas Ka Naam Liye
Kisi Khayal Ki Khushboo Kisi Badan Ki Mahek
Dar-E-Qafas Pe Khadi Hai Saba Payaam Liye
Bajaa Raha Thha Kahin Door Koi Shehnai
Utha Hoon Aankhon Mein Ik Khwaab-E-Na Tamaam Liye

Ye Kaun Aata Hai-Abida Parveen Lovers

Paas rahtaa hai duur rahtaa hai
Koi dil main zaruur rahtaa hai

Near and far, somebody lives
somebody do lives in my heart.

Jab se dekhaa hai unkii ankhon ko
halkaa halkaa suruur rahtaa hai

From the time I have seen her eyes
I remain mildly intoxicated.

Aise rehte hain vo mere dil main
Jaise zulmat main nuur rahtaa hai

My beloved lives in my heart, like
light lives in darkness.

ab Adam kaa vo haal hai har waqt
mast rahtaa hai chuur rahtaa hai

Adam is of such a disposition that at every step
he remains intoxicated and ecstatic.

ye jo halkaa halkaa suruur hai
ye terii nazar kaa qusuur hai
ke sharaab piina sikha diyaa

This mild intoxication
is because of your eyes,
that taught me drinking.


classical

Ebrar Axmeg