Prophetic, Yet Unintelligible

A double pendulum system built in Max/MSP controlling file playback and delay time

Double Pendulum Chaos

All sounds created with a Gameboy running shi(f)twave and gradual decline through a korg monotron delay.

Droneboy

Untold Path

Track from New Video: Robot Jones - vimeo.com/247732021

Robot Jones OST: A Shop That Dreams (unmastered)

Rogelio Nobara ⟫ Two raped SG guitars and a tiny piano.

Dejad Que Los Niños Vengan A Mí

Recorded September 5, 2018 by Eric J Breitenbach
Mixed by Greg Valou

GV - Tanpura Guitar, delay & fuzz pedals
EJB - Drum kit, bells

New Age Doom: First Projection 1

Old rusty winch, recorded in an abandoned and desolate quarry on Dartmoor.50.583281,-3.753231

Desolate Quarry squeak

A heavy, multilayered drone tuned to 60 Hz. Made with modular synth (mostly Make Noise Shared System, with Mutable Rings and 4ms SMR) and pedals (WMD Geiger Counter, 4ms Noise Swash). This was created as a single live take with no overdubs. I will probably update this description soon with details of the patch and signal path.

The result was convolved with IRs recorded at the Pool of the Black Sun at the Manitoba Legislative in Winnipeg, CA. The IR's were created by Edouard Morin-Fournier who kindly made them available via Hainbach (see https://www.patreon.com/posts/impulse-of-pool-28297187). For more information, see https://en.wikipedia.org/wiki/Manitoba_Legislative_Building#Pool_of_the_Black_Star.

I did the convolution using my csound-convolver tool, available from https://github.com/DaveSeidel/music-tools/tree/master/csound-convolver.

Update: there's now a video version of this piece, a live recording of a different performance than the one here. Because it was made all in real time, it does not include the convolution post-processing, and instead uses Red Panda Context and Ekdahl Moisturizer for reverb. https://www.youtube.com/watch?v=KcgdOGC3cLA

Photo by Paul Armstrong, found at http://www.manitoba-eh.ca/legislative-virtual-tour.htm.

Struggle for the Black Star

Beyza yavuz

Void

Years ago I collaborated with a poet from North Carolina named Sophia Grayland.

Then Eccentric Manors ended, and the Melonville Continuum began, and things kinda disengaged.

I just found the work file from that project. It sounded like this.

Sophia Grayland: Voice, Words
Devon Saintsbury: GTR, FX
Kaden Harris: Wavedrum, KP3, Absynth, Noises

The Bladesville Tapes

Shade

From a parallel universe 2 doors down and across the street, in the seedy part of town.  The incidental music to industry and the hindbrain's follies.  

My pal Steve interviewed me about music 'n shit.  That's here: http://sjp.id.au/music-2/kaden-harris-interview/

Shade

Eccentric Genius

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