For few month, few people, some makers, enjoyed to warmly welcome astonishing sound experiences in their basement : The Barigaldi. 
Best sound system quality, smiley on every faces and warm conditions, they offered awesome memories. 
Here are few tunes spread while they were packing for the next adventures.

Froos TMR - Last Garibaldi Party

Tracklist:
1. Oli XL - Clumsy (Retangled by Heoliene)
2. Intuicija - Photo of Triple Exposure
3. Penelope's Fiance - The Pride Before The Fall
4. Fatshaudi - Collect Yourself
5. Muslimgauze - Ramallah
6. ava* - Return to Shore
7. MAYa & Tolga Baklacioglu - Ask Me
8. Moin - Elsie
9. Nico - Janitor of Lunacy

For Those We Trust 17/07/22

READ > https://inverted-audio.com/premiere-mads-kinnerup-string/

For a label dubbing itself @No-Technique , as this one indeed does, they certainly undersell the musical talents they release: Danish musician @MadsKinnerup demonstrates ample ability — and certainly instrumental technique by the spadeful — on 'Interpolation'.

Interpolation

Mads Kinnerup - String [No Technique]

RT759 - Local Group - Electro(nic) Mix

Kalte Pizza [O Tannenbaum 15 Year Anniversary]

Gnawa tape selection together with Retro Cassetta (@retro_cassetta ), exploring sounds from tradition to fusion.

https://radioflouka.com/residents/sono-mayrit

Abderrahmane Paco (Edition Sonya Disque)

Sono Mayrit : Gnawa with Retro Cassetta - 16/02/2023

https://www.nts.live/shows/the-windmills-of-your-mind/episodes/the-windmills-of-your-mind-9th-march-2023

The Windmills of Your Mind w/ Taylor Rowley 090323

British musician Jo Johnson’s debut solo album for Further Records, Weaving, betokens an exciting presence in the world of minimalist composition. 

“Ancestral Footsteps” opens the LP with cascades of cyclical harp-like sounds, an homage to one of Johnson’s primary inspirations: Alice Coltrane. Channelling rigorous new age and mesmerizing Riley-esque/Reichian minimalism, the piece accrues heft and intensity, with occasional bursts of synthetic, tribal clapping until it fades out with cinematic flourish. The title track gradually alters simple guitar and keyboard phrases, along with a chiming motif that multiplies in a hall of mirrors. The disorientating arpeggios form moiré patterns against colossal bass notes. The mood lightens considerably with “Words Came After Music,” whose sweeping strings and drones could take you to whatever your idea of heaven is. Interestingly, the title of the piece is inspired by an anthropological theory Johnson stumbled across that musical ability predates language in humans. With its sombre, undulating synths and lustrous highs and lows, “In the Shadow of The Workhouse” plumbs profound emotional depths. Epic closer “Silver Threads” starts as an almost silent retreat in the vein of Laurie Spiegel's Appalachian Grove or Eno and Budd's The Pearl with the faint hum and buzz of telegraph wires, until four minutes in a stoic pulse and suspenseful chiming motif arise, buttressed by glowing synth sighs and the LP's only percussive thumps (think Incunabula era Autechre). 

While inspired by the "serious music" of Arvo Pärt, Wim Mertens and others, Johnson’s mandalas of tone mantras offer a playful, DIY sense of adventure, as you might expect from the former guitarist for incendiary punk group Huggy Bear and a long-term co-organizer of London’s Bleep43 techno club night and label. Weaving condenses Johnson's long love affair with free jazz, minimalism and electronic music and this unique ambient composition is invested with powerful emotional resonance.

In the Shadow of the Workhouse

Composed, recorded, produced and mixed by Zuleika AvTes.

Mastered by Lawrence English at Negative Space.

From the album ‘Vels d’Èter’ (2023).

Skullrose Fire

Echo of Species 13 - Felicity Mangan

@felicity-mangan
_ _ _

This episode - ‘Marsh’aphonics - features selected tracks by Pauline Oliveros, Knud Viktor, Olli Aarni, Vlad Dobrovolski, Heidrun Schramm, Native Instrument (@native-instrument), Marja Ahti (@marjaahti), Andrew Pekler (@pekler), Lag Os (@lag-os), HMOT (@hmotology) and Tomoko Sauvage(@tomokosauvage).

_ _ _

Felicity Mangan's words:
"Wetlands such as small ponds, marshlands, swamps and lakes provide habitats for many of the
world's existing, new and endangered aquatic and terrestrial species.
During the recent lockdown situation l have taken long bike rides inside of the Berlin borders
discovering many tracks along canals, rivers and wetlands inhibiting an amazing biodiversity of
lush flora and fauna during the spring season. I also recently discovered that the name Berlin
roots from previous West Slavic inhabitants berl-/birl- "swamp".
Inspired by these local biotopic explorations I have created a mix featuring my own music that is
influenced and populated by wetland species while including many other artists I have
discovered who have created music inspired by aquatic phenomena or the voices of species
that habitat these wet landscapes."
_ _ _

To know more about Felicity Mangan:
Felicity Mangan is an Australian sound artist and composer based in Berlin, Germany since 2008. In different situations such as solo performance, collaborative projects with other musicians or installation, Felicity plays her found native Australian wildlife archive and other field recordings, either through a stereophonic system or often via hand-made speakers made with piezo transducers and found objects – exploring the timbre and forms of found and self-recorded animal voices while mimicking biophonic patterns to create minimal quasi-bioacoustic environments. 

Felicity has recently played in collaborative projects Native Instrument (Shelter Press, Entr’acte) presenting electro-acoustic bug beats with vocalist Stine Janvin Joh and Plants and Animalia with Christina Ehrl Shirley – grafting live and pre-recorded drones produced by remnants of plant biochemistry together with modified animal voices. Felicity has also released a solo publication on Longform Editions titled Stereo’frog’ic, a play on the word stereophonic –  presenting a sound piece, crafted from found recordings of frogs, insects and other ‘vocal’ animals wavering about in a stereo field. Felicity has presented projects in many different settings from galleries, gardens, clubs and festivals throughout Europe. Including National Gallery Denmark, Technosphärenklänge CTM/HKW and Sonic Act Academy 2020.

You can support the artist here: 
www.felicitymangan.org

🌳1x tree has been planted to balance the carbon footprint of this upload (Project Povo da Floresta).

Echo of Species 13 - Felicity Mangan

Echo of Species ~ The ecological collapse through artists' eyes. From a wide spectrum of classical, ambient, psychedelic & electronic music styles.
__________________

The contemporary environmental issues we face - pollution, global warming, extinction of species, etc. - are insufficiently expressed and conceptualised in the musical world, despite the fact that many artists have strong ecological convictions. Echo of Species is a place where they will take turns, each contributing a chapter to this deep listening story, by grasping climate urgency and proposing their artistic vision, without boundaries. A podcast series where each episode features an artist's unique selection of music interlaced with spoken words about the ecological collapse, from speeches, archives or recordings. The musical atmosphere can broadly be defined as experimental, from a wide spectrum of classical, ambient, psychedelic & electronic music styles. The artists help to craft the line-up and participate in the curation process. Like a relay race, they will pass the baton of conscience onto the next composer, thereby adding an element of unknown to the collection. The musician takes on the role of a trans-disciplinary agent of change, touching upon the feelings and emotions of the listener. Our aim is to ease the emotional bond between ourselves and nature. Through the eyes of these artists and their aesthetic response to the irreversible sixth mass extinction, we aspire to drive the catalyst that may prick our collective consciousness. Let's dive into this creative emulation and question ourselves. The clock is ticking.

1 episode published = 1 tree planted 🌳 (Project Povos da Floresta)

Echo of Species 13 - Felicity Mangan

Echo of Species

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