cunctator by echoes .... leytonstone (people-eaters re-imagining)

Uses a recording from my project Moss Piglets (https://soundcloud.com/mosspigletsleeds). I was practicing for our Sun Ra Tribute set. We were called The Moss Piglets Invisible Arkestar for this performance, and dressed up accordingly. We even had an angry manager arranged, which on reflection had little to do with Sun Ra or his transcendental magical wonderful work. This was our version of 'Love in Outer Space'.

Plts15 Brea La Habra (v.ii)

Ought - "Beautiful Blue Sky"
from 'Sun Coming Down'

available 18 September 2015 on Constellation:
cstrecords.com/cst115

Sun Coming Down

Ought • "Beautiful Blue Sky"

Daphni - Vikram

LOW 028: Various Artists - ‘Reign Of Error’ 
Label: Low Res Records
Format: 4 × File, MP3, 320 kbps, WAV, FLAC 
Country: US 
Released: July 8, 2015 
Genre: Electronic 
Style: Glitch, IDM, Techno, Industrial, Bass, Breakcore
Released: 08 July 2015 
Credits: Photography by David Westphal, Makeup by Alondra Excene

Buy on BANDCAMP

Rabitrup - Sharmanka

This is a recording of a recent electrical storm which occurred earlier this month. 

The idea is for you to utilise these sounds and make them into your own track (any length) for a forthcoming compilation on my label, aetheric records. Please then send the WAV to me via SC. Only rule is "Do what thou wilt ...".

The compilation is going to be a tribute (of sorts to the White Noise album).

Deadline for submission is the last day of August 2015. 

an electrical storm

MIDI mashup of The Eagles "Hotel California" and Dragonforce's "Through Fire and Flames".

Sequenced and mixed in Ableton Live, mastered using iZotope Ozone.

Hotel California Vs. Through Fire and Flames

Taken from E B U's debut album 'Hinge' -
... Available to preorder now:
ltd edition vinyl: rwdfwd.com
digital: nocorner.bandcamp.com

"Celebrating otherness, E B U casts a universe of her own both sonically and visually. Defying any one genre, she refers to her distinct sound as 'Swamp Pop'. Unnatural sounds and pitches exhale in melodic chants, ominous basslines resound and eerie loops fixate in this macabre ensemble. You are captive in her world. Moments of haunting clarity keep you wondering where she will take you next whilst strange narratives unfold. Her chameleonic visual display is charged with emotion, keeping you suspended in a state of flux as she orbits through the spectrum. Stimulated by human behaviour and existence she questions the very nature of being, and invites the audience to explore through her cathartic performance."

To our ears, her sound captures elements of the radiophonic qualities by electronic pioneers such as Delia Derbyshire, through to unlikely melody and harmony akin to that of Ryuchi Sakamoto or Laurie Anderson. 

It's an explorations of strange places with a weird & wonderful sphere, sonically capturing the colourful intensity of Alejandro Jodorowsky's Holy Mountain, or perhaps sounding like a much more out-there, much more convincingly extra-terrestrial Space lady... These are just vague comparisons though... Essentially, her sound is a total world of it's own. 

Hinge, E B U's debut album, is an outer body experience that will conjure up memories you never had before, images you can't quite place but somehow relate to, and a sense of sweet disorientation as you slip into a whirlpool of shapeshifting melody, harmony and frequency.

<< support here >>

E B U - Homeland

This is the first Echoes...Leytonstone album/demo/thing. It is called "?" and it features three tracks. There are mildly varying volume levels - the last track is a lot louder than the previous ones - all three have been recorded with relatively low fidelity with the dirtiest and cheapest microphone on the Earth's surface, this is intentional. The track names are a bit silly and entirely useless and irrelevant - 002 references Hendrix, 003 references Sartre and 001 references The Hobocentipede©.

The album "art" is a warped image of myself and my little brother when we were younglings. The album was recorded, arranged, post-edited, laughed at and entirely conceived in my bedroom in Leytonstone, East London, on the morning of Thursday 27th June 2013, between the hours of midnight and 6am. The official first outsider listener was the Pinecone Chile Codlington, during the stages of final adjustments to the final track; no negative criticism was given and so the album was 100% certified as Pinecone Friendly.

WARNING: Inaccessible to those allergic to distortion.

LO-FI TILL I DIE: DIY TILL I LO-FI: 
DRONE FOR BREAKFAST:
DRONE RULES EVERYTHING AROUND ME: DREAM ! GET THE HONEY! SWALLOWSWALLOWGILLSY'ALL

echoes throughout the caverns of leytonstone
^^^ he11st(((0)))ne '94 ^^^

2013 : further new material on its way, appearing in collaborations and splits : 2013

downloads disabled due to excessive file-sizes, if you would like any of this demo please do let me know...

Onwards, Homeless Messiah

Echoes .... Leytonstone

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