Possible tracks for future soundtrack reworks. I am keeping the tracks they are from secret. One is not represented. The last track is a not noise track from the same album as 5.

White noise from MASF OSC03 into a Deluxe Bass Big Muff Pi.

Starts off with white noise, then turning pedal on. Blend starts fully to left, and is turned to right. Then turning up tone knob and turning down sustain, then turning down tone and turning up sustain. Put blend back to fully left, then turn on crossover. LPF knob starts at about 10 o'clock, and is swept through, along with playing with HPF a little bit. Then the blend is turned to the right, with knobs being generally fiddled. Turning back blend to left, and then just leaving the LPF in place for a while before turning it some more. Then playing with blend and other knobs again. I wasn't taking the best notes during this, if you can't tell.

White Noise Into DBBM

Pedal chain was MASF OSC02 > Digitech Drop > Korg Miku Stomp > DOD Boneshaker > ZOOM MS-100BT running reverse delay > mod delay > delay > pitch delay > parallel reverb. Excerpt of a longer recording, but it doesn't really change throughout.

First Miku Stomp noise demo

Second demo of the Korg Miku Stomp I made. This track has lots of changes throughout. The exact chain varied as I turned pedals on and off, but they included a microphone going into an Electro Harmonix Linear Power Booster > MASF Possessed, which then split into one channel that went into the Digitech Drop > Korg Miku Stomp > ZOOM MS-100BT, running mostly pitch delay > parallel reverb, but a mod delay was included at one point. Other pedals used in the other split path include, at various times, Montreal Assembly Count to 5 (on mode 1), DOD Boneshaker, Bookworm Effects Pancake Trilobite 2xFuzz (the first distortion used), Digitech Grunge, and Digitech Death Metal.

Second Miku Stomp noise demo

Edit: I just realized, unfortunately something got fucked up and I only saved this much of what was 10 minutes worth of good stuff. I'll leave this up for now and try to redo the full thing. It won't be exactly what I originally recorded, but it should be good and similar.

Again, I didn't keep exact notes on when I did what, just kind of did what felt right. Basis was Electro Harmonix Random Tone Generator into Digitech Drop (which served as the source of sounds for the Miku Stomp to use) into the Korg Miku Stomp. After that, at first you hear the Strymon BigSky on Shimmer mode, including the infinite function, then eventually turning on the Digitech Luxe, using the ZOOM MS-100BT's Mirage Chorus and Ice Delay (model off Strymon Timeline) and parallel reverb, a Z.Vex Effects Super Ringtone, and an EHX SuperEgo in Auto mode. I turn things on and off, I use the freeze function on the BigSky, I mix the dry signal in and out from the SuperEgo, I adjust knobs, all kinds of stuff. Maybe one day I'll do a video demo, but today is not that day.

For clarity, here is the layout of the effects chain:

Random Tone Generator > Drop > Miku Stomp > SuperEgo (split output, one straight into the MS-100BT, the other into the Super Ringtone and then into the MS-100BT), MS 100-BT running mirage chorus > ice delay > parallel reverb, then into Strymon Big Sky on Shimmer.

Echolaliac