Like this. Takes a minute to get the head around it but yeah, diggin' the blues on this

siiiiiiiiiiiiiiii  sto ballando con le mie scarpette rosse !!!!!!!!!!!!!

Respect: https://www.youtube.com/watch?v=91IoABcxQH0

Bluesable/fusion

It's Your Voodoo Working - Charles Sheffield (U9LiFT E9IT)

Inspired by the film and covered forthwith, Man Of Constant Sorrow has proved to be our most popular re-vision to date. 

Even Mrs Wiff said "You better not fiddle about too much with that one... you'll get lynched!" So no fiddling.. Just a minor digital tickle :D

Original Recording Date: 13/01/2002
Original Release Date: 10/02/2004

Elliot Ireland - Recording Engineer, 
Ian Britt - Acoustic Guitar
Alex Rizzo - Keyboards & Programming,

(In constant sorrow through his days)

I am a man of constant sorrow 
I've seen trouble all my day. 
I bid farewell to old Kentucky 
The place where I was born and raised. 
(The place where he was born and raised)

For six long years I've been in trouble 
No pleasures here on earth I found 
For in this world I'm bound to ramble 
I have no friends to help me now. 

[chorus] He has no friends to help him now 

It's fare thee well my old lover 
I never expect to see you again 
For I'm bound to ride that northern railroad 
Perhaps I'll die upon this train. 

[chorus] Perhaps he'll die upon this train. 

You can bury me in some deep valley 
For many years where I may lay 
Then you may learn to love another 
While I am sleeping in my grave. 

[chorus] While he is sleeping in his grave. 

Maybe your friends think I'm just a stranger 
My face you'll never see no more. 
But there is one promise that is given 
I'll meet you on God's golden shore. 

[chorus] He'll meet you on God's golden shore.

From the album "Greatest Wiffs" ***OUT NOW***

Soundcloud 
soundcloud.com/skeewiff/sets/skeewiff-greatest-wiffs

BUY Digital
Juno - bit.ly/1k5IeTf

BUY on CD
Jalapeno shop - bit.ly/1e0ZmZy
Amazon - amzn.to/1gyOH9t 
Juno - bit.ly/1cO9FhT

Skeewiff - Man Of Constant Sorrow

Dont Cry To Me

And we close the BigFreeHappy™ with a timeless reminder from 1943, to live each day to the fullest. Featuring the late, great Sister Ernestine Washington. Spread a little happy today :)

(The more observant amongst you will note that this track is a complete and shameless rip off of the final track from our Electro Swing & Gospel Breaks album - Well done for spotting this, but we won't be suing ourselves, so no need to inform the authorities. We really don't mind being ripped off by ourselves... its a  special kind of narcissistic flattery.)

We hope you've enjoyed our BigFreeHappy™ as much as we did making it... and that isn't just some marketing shpeel.. This album really has been one long grin-fest. We hope that comes across, and that a little rubs off on y'all.

So, we would like to leave you with the immortal words of Pharrel Williams: 
"Because I'm..." OW! Batman? WTF? For Christ's sake We were just quoting him.. OW!!!! OK, Ok we'll shut up...

"Skeewiff’s Big Free Happy

Everyone needs this album in their lives. In their cars, on their iPods, in their boudoirs, inside the gym, outside with Jim…anywhere you play this sexy sexy fun times will ensue. Bigger than Hip Hop, freer than Willy. Happier than Bert after Ernie took him into a bear hug and roared a proclamation to the world that he ‘wished he knew how to quit him!’ before getting down to some serious fuzzy-felt back door nuzzling. Skeewiff writes the Soundtrack to 'The Muppets do Fear and Loathing in Las Vegas' before Disney even start thinking about it. Listen to this album with joy in your heart, the sun on your face and a mental image of Kermit in a pith helmet, shooing away mescaline induced imaginary bats whilst keeping his car on the road, balancing his cigarette holder in one corner of his fierce jaw whilst trying to get the end of a straw inside Miss Piggy. Skeewiff are summer luvin’ geniuses and like Kermit, this album blows up!

Big Free Happy is more than an album, it's a promise. Go get some x" - Fat Harry

More BigFreeHappy™- https://soundcloud.com/skeewiff/sets/skeewiffs-big-free-happy

BigFreeHappy™

Skeewiff & Sister Ernestine Washington - Each Day

https://www.youtube.com/watch?v=Fic2EyVQoAM

Double time beat groove by The Allman Brothers iconic slide guitarist Derek Trucks. This blues tune was originally written by the great Buddy Guy and first released by O.V. Wright in 1974.

This retreat is done with respect to the original by RocknRolla Soundsystem

Bandcamp

Derek Trucks - Blind, Crippled and Crazy (RocknRolla Soundsytem Edit)

wiser-walk

Quality soul

Do What She Told You | Marco Benevento

The magnificent http://soundcloud.com/deadhorsebeats challenged skeewiff to a musical duel.  "Perhaps we should both flip this track from the Soul stirrers?"

No-one calls me chicken.. :) So we did! 

Both tracks turned out pretty awesome. Glad we did. Check out Deadhorsebeats' flip on the attached video. He actually put it all together in an american diner whilst on the road! You can smell the grease :) Awesome.

https://soundcloud.com/deadhorsebeats/knees-skeewiff
http://www.youtube.com/watch?v=U4Dz2FZVxxU&feature=youtu.be

Big up to the ever excellent deadhorsebeats, and a special thanks to Elliot & Chris Neil who added the ivories in record time.

Spread the Love.

Vocals - The Soul Stirrers
Piano - Chris Neill
Keyboards & Programming - Alex Rizzo


Skeewiff & The Soul Stirrers- I Want To Rest (Skeewiff's died & gone to heaven re-wiff)

Rewok of the Dynamics-whole lotta love for an Audio/Video show at a harley conest
Guitare: manuel Bichon
Production and scratch : Raymon lazer
Video:
http://www.youtube.com/watch?v=Om5eXJ1eSnA
Grab your FREE copy by  liking our FB page:
https://www.facebook.com/pages/Raymon-Lazer-page/347135932028579?ref=hl


the Dynamics-whole lotta love-Raymon Lazer&Manuel Daze rework "live"

Hound Dog Taylor was born in Natchez, Mississippi in 1915 (although some sources say 1917). He originally played piano, but began playing guitar when he was 20. He moved to Chicago in 1942.
 
He became a full-time musician around 1957 but remained unknown outside of the Chicago area where he played small clubs in the black neighborhoods and also at the open-air Maxwell Street Market. He was known for his electrified slide guitar playing roughly styled after that of Elmore James, his cheap Japanese Teisco guitars, and his raucous boogie beats. He was also famed among guitar players for having six fingers on his left hand.
 
After hearing Taylor with his band, the HouseRockers (Brewer Phillips on second guitar and Ted Harvey on drums) in 1970 at Florence's Lounge on Chicago's South Side, Bruce Iglauer - at the time a shipping clerk for Delmark Records - tried to get him signed by his employer.Having no success getting Delmark to sign Taylor, Iglauer formed a small record label with a $2500 inheritance and recorded Taylor's debut album, Hound Dog Taylor and the HouseRockers, on his fledgling Alligator Records in 1971. It was the first release on Alligator, now a major blues label. It was recorded in a studio in just two nights. Iglauer began managing and booking the band, which toured nationwide and performed with Muddy Waters and Big Mama Thornton.The band became particularly popular in the Boston area, where Taylor inspired a young protégé named George Thorogood. A live album Live At Joe's Place documented a Boston appearance from 1972.
 
Their second release, Natural Boogie, was recorded in late 1973, and led to greater acclaim and touring. In 1975, Taylor and his band toured Australia and New Zealand with Freddie King and Sonny Terry and Brownie McGhee. His third Alligator album, Beware of the Dog, was recorded live in 1974 but was only released after his death. More posthumous releases occurred as well, including Genuine Houserocking Music and Release the Hound, on the Alligator label as well as some bootleg live recordings.
 
Taylor died of lung cancer in 1975, and was buried in Restvale Cemetery in Alsip, Illinois.
 
Taylor was posthumously inducted into the Blues Hall of Fame in 1984.


Hound Dog Taylor- She's Gone (Jack Frost Edit)

Albert King - Blues Power (The Blues Collection Vol.26) - The Very Thought Of You

Earl Hooker & Junior Wells (The Blues Collection Vol.33) - Blue Guitar

Carey Bell was born in Macon, Mississippi in 1936. As a child, Bell was intrigued by the music of Louis Jordan. Bell wanted a saxophone in order to be like his hero Jordan; however, Bell's family could not afford a saxophone so he had to settle for the harmonica, colloquially known as a "Mississippi saxophone." Soon Bell was attracted by the blues harmonica greats: DeFord Bailey, Big Walter Horton, Marion "Little Walter" Jacobs, and Sonny Boy Williamson I and II. Bell taught himself to play. By the time he was eight, he was quite proficient on the instrument. When he was thirteen, Bell joined his pianist godfather Lovie Lee's blues band.

In September 1956, Lovie Lee convinced Bell to go with him to Chicago. Not long after arriving, Bell went to the Club Zanzibar, where Little Walter was appearing. Bell met Walter and later learned some harp playing from him and his main Chicago teacher, Big Walter Horton.To help further his chances of employment as a musician, Bell learned how to play the electric bass (from Hound Dog Taylor).

In 1969, Delmark Records in Chicago released Bell's debut LP, Carey Bell's Blues Harp. Bell played with Muddy Waters in late 1970 and 1971 and later with Willie Dixon's Chicago Blues All-Stars. In 1972, Bell teamed up with Big Walter in the studio and released Big Walter Horton with Carey Bell for Alligator Records. A year later Bell released a solo project entitled Last Night for ABC Bluesway. Bell continued to play with Dixon as well as with his own groups, and in 1978, Bell was featured on the Grammy-nominated album Living Chicago Blues on Alligator. Also, in the 1970s, Bell appeared on two Bob Riedy Blues Band recordings.
 
During the 1980s Bell continued to record for various labels and to tour. In 1990, Bell teamed up with fellow harpists Junior Wells, James Cotton and Billy Branch to record Harp Attack!. A modern Blues classic, Harp Attack! became one of Alligator Records's best selling albums.


Carey Bell- Hard Working Woman (CPC Edit)

I'm A Man (Steve Winwood / James Miller). Cover do clássico do Spencer Davis Group.

Am I Wrong/Keb Mo/(Re-Wiff)

DJ Ecklectic Mick

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