Lucky EP

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Breaks ‘N’ Pieces turns in its fourteenth volume of killer breakbeat laced cuts, and this one is an absolute doozy from Roadkill co-founder and Manchester based producer 4TGang.

Following the releases of Sunset From The Garage, Needs and a killer remix of Subjoi, the emerging producer serves up six distinctive cuts that blend his liquid drum & bass influence with stripped back UKG tendencies and melodic textures. 

4TGANG
Soundcloud: https://soundcloud.com/leonfortgang
Instagram: https://www.instagram.com/leonfortgang/

Cheeky Music Group
Soundcloud: https://soundcloud.com/cheekymusicgroup

PREMIERE: 4TGANG - Where This Takes Me (Breaks N Pieces)

Whities 019

iii's Front

Artist - @slumberjunkie
Imprint - @technicalglitch
Release - 'The Left Field' EP [TG04]

A collection of wirey, metallic and acidic tracks exploring electronica ranging from downtempo to slamming breaks.

PREMIERE - Slumberjunkie 'Slow Down' [Technical Glitch]

Silkworm

bandcamp

Tropics - Scattering (Cameo Blush Remix)

Stream / Download: https://hypeddit.com/u8huhg

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Where I End

druzy@ (Scuba's Bassdrive Refix)

Stream / Download

druzy® (Scuba's Bassdrive Refix)

Bruises

no kick's were used for this experiment, it was  built around using sub bass samples I got from Kevin willow. The sample is from the Ministry side project, 1000 Homo dj's cover of the Black Sabbath song, supernaught ft Trent Reznor but it's actually them sampling a speech by Art Linkletter about the dangers of drugs and music.

copout and groove

Sais (Dub) - Floating Points

Overmono - Raft Living EP (Poly Kicks)

A. Daisy Chain
B1. The Mabe
B2. Raft Living

Poly Kicks

POLY008

https://polykicks.bandcamp.com/album/raft-living

Released 08/10/2018

Overmono - Daisy Chain / The Mabe / Raft Living

Gadigal Nura based Label & Community Arts Platform

Resident Visual Artist | Mix Series
Armen Avanesi (phases 090-099)
instagram.com/tasty.renders

Contact | 
info@eclecticsydney.com.au

PREMIERE - Slumberjunkie 'Slow Down' [Technical Glitch]

eclectic.

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James Barkshire

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