Ortlieb Morgenstern is written and performed by Neugeborene Nachtmusik, Berlin 2021. Unreleased, part of a serie of ambient, folk and free spirited music pieces.

Ortlieb Morgenstern

Play Terry Riley In C

In C: , Pt. 1

Gavin Russom 
'Telemetry / The Beneficent, The Merciful' 
Entropy Trax 
1st December 2014 
Format: 12" 
Cat. #: ETX002

• Mastered by Rashad Becker at Dubplates & Mastering
• Limited to 300 copies
• Screen-printed paper sleeve

Gavin Russom returns to Ecstatic sister label Entropy Trax for the fledgling label's second release. Building on the brooding atmosphere of 'The Purge / Enthroned' with a pair of throbbing, synth-powered & acid-infused cuts, the 'Telemetry/The Benificent, The Merciful' 12" draws together sonic touchstones found in Russom's many projects - Black Metoric Star, The Crystal Ark, and his work with Delia Gonzalez - melding them into two singular productions that pump and drive like the sequenced machines that power them.

Gavin Russom on 'Telemetry': "This came out of some deep digging into the abilities of one of my self-designed analog processors. I was demonstrating to someone how a second layer of filtering can turn a simple 16 step sequence into an evolving line which seems to never quite repeat the same way, sequences that don't strictly repeat but rather seem to have a life of their own that expands as their more rudimentary parts lock into repetitive motion... I built a track around it by building up layers around the central sequence that grow in impact as the track unfolds."

"The title 'Telemetry' sums up a nice connection between the machine and the body, as often it is used to track or monitor living creatures from distance. It also functions like a metaphor for what happens in a club as a DJ or musician uses the technological medium to bridge the distance between his own inner rhythms and those of the others, at a distance on the dance floor. Or at least that's how it works for me."

Gavin Russom on 'The Beneficent, The Merciful': "Although I think of all music as prayer this may be one of the most overtly prayerful tracks I've ever made. The title comes from the asmāʾ allāh al-ḥusnā or 99 names of Allah and is a phrase that opens many Islamic prayers. My mother, although not Arabic nor Muslim, was raised in the Middle East, and I grew up in an atmosphere of much celebration of Arabic and Islamic culture through food, music, art and spirituality."

"This prompted me to study Islam and its traditions deeply for some time and I found them to be incredibly beautiful, deep and poetic. There is nothing overtly Islamic or Arabic about the music, except perhaps some unconscious inspiration from Islamic devotional music that I love. I chose the title to recognize the depth of spiritual devotion and love present in these traditions and how it has inspired me. Total devotion to the divine is what I seek in my own life, and what I seek to express through my music."

Tracklist: 
A. Telemetry 
B. The Beneficent, The Merciful

BUY!

Gavin Russom - Telemetry

Ode 2 Ostgut Ton

Es verdad, de aquí venimos, de aquí somos.
Se nos fue un pedazo muy grande de inspiración.
Una y mil tardes y noches de nuestros ochentas
y para el resto de nuestra vida.
Descanse en paz Steve Strange.

MOON OVER MOSCOW  (VISAGE Cover)

itunes: http://smarturl.it/mothit
Ninjashop: http://smarturl.it/mothnj
Bandcamp: http://smarturl.it/mothbc

Shelter LP  is now available on:

iTunes - http://smarturl.it/moireshelterit
Ninjashop - http://smarturl.it/moireshelter
Amazon: http://smarturl.it/shelteraz

Theme

MOIRÉ - THEME

OUT MAY 25th!!! 

Newcomer Mosey drops a beautiful debut for Future Times!! The three tracks on the EP have an intangible, melancholy lift to them, primed for fans of lovers rock techno and 16-Bit new wave. "Tuff Times" is a perfect nu-romantic piece of dance music, a simple straight line of emotional resonance that makes you wanna look up at the lights and zone. With a sound bank somewhere between PPU garage love, Sega Genesis, and glossy-eyed techno, the entire EP comes correct for the sweethearts. "TC Midi Labs", the B-Side opener, is an awesome Sakamoto-style display of abstracted synthetic flourish, perfect between two songs for the DJ knuckleheads out there, and even more perfect for home zoners. B2 cut "Live A Little" closes it out, sounding like Section 25 distilled to a simple, elegant essence.

Mosey - Tuff Times EP - PREVIEW - FT027

Werkdiscs: http://found.ee/discdesires
iTunes: http://found.ee/discdesires-it
Bandcamp: http://found.ee/discdesires-bc
Spotify: http://found.ee/discdesires-sp

Taken from the album 'Discreet Desires', released 4th September 2015 via Werkdiscs / Ninja Tune.

http://werkdiscs.com
http://ninjatune.net

Helena Hauff - L'Homme Mort

04 - Lush 3 [Live at Axis, Boston]

for all you 80's fans, here is a fun little drum-n-bass bootleg we did.......Message for download

Tones On Tail - Go! (HavocNdeeD BootleG)

Ghostly International’s Berlin-dwelling South African deep house producer Portable aka Bodycode, and the Dutch head of Intacto Records, Shinedoe – were selected by Olof Dreijer…”I just really like their music – a very nice mix of melodic and moving dance music. I’ve been spinning their music over the last few years and most often it brings a smile to people’s faces and makes people dance a little more.”

Bodycode has injected some Berlin deep-house warmth, stretching the track to 12 minutes, while Shinedoe has turned the original’s sparse instrumentation into a layered, big-room tech-house track.

Gavin Russom - Telemetry

ECSTATIC

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