dunyon

[GLUM2]
Setting course into further unexplored territory, a form of no-man’s-land between the smattering dancefloors of 2020 and a dark echo of a post-rock informed 1980s.

All Tracks written & produced by ishi____vu. All tracks Mastered by Matt Colton. Artwork by Collin Fletcher. Photography by ishi____vu.

www.instagram.com/glum_trigger/
www.instagram.com/ishi____vu/
@ishivu

Buy & Stream

ishi vu – Ephemeral Garbage

Frank F Nagy - Apollo (Darth Spaceman)

"Eject" by Container from "LP" due out March 2015.

"Eject" by Container

Ayln - Never say never say never

Sleep D administer an nervous, erratic rhythmic experiment, originally written to soundtrack screenings of David Lynch's surrealist masterpiece, 'Eraserhead'.

'Erased' is out now on Altered States Tapes.

Digital: http://bit.ly/2NFxcdh
Tape: bit.ly/2LAq1px

@sleepd
@altered-states-tapes

Erased

Premiere: Sleep D – Head Flip [Altered States Tapes]

Title track taken from the ME/WE 12" by ST/NE (aka Stine Janvin) out November 23rd.

Order here - https://lauraliesin.bandcamp.com/album/me-we

Order

ST/NE - 'ME/WE'

Forthcoming on Alien Jams

pre-order here- https://alienjams.bandcamp.com/album/new

YAWS- Reflekt (Alien Jams 009)

Ausschuss humanises and deconstructs club sounds on a compilation also featuring Object Blue, Ben Vince and Flora Yin -Wong.

'Cipher' is out February 22nd on C.A.N.V.A.S..

Pre-order: bit.ly/2TxryNK

@ausschuss
@c-a-n-v-a-s

Premiere: Ausschuss – Frontier Control [C.A.N.V.A.S.]

Taken from Potter Natalizia Zen - Magari LP/Download out 04/09/2020

Master synthesists Colin Potter (NWW), Alessio Natalizia (Not Waving), and Guido Zen (Vactrol Park, Brain Machine) reprise their supergroup for Ecstatic with a seductively serpentine follow-up to their superb debut from a couple of years ago. 

PNZ’s pulsing, twanging, expansive ‘Magari’ was recorded between 2018-2020 in the slipstream of ’Shut Your Eyes On The Way Out’, which is surely one of the strongest new kosmiche-related albums of recent years. Where that album refreshed classic styles of European synth music for modern ears, ‘Magari’ - meaning “I Wish” in Italian - adapts their style to the unique Afro-Latin lilt of Brazilian music with central use of the Berimbau; a single-stringed percussion instrument commonly associated with the elegant martial art/dance of Capoeira, which the band’s Guido Zen brought home from his travels in South America. Combined with their juicy, almost fleshly arps and Guitar pedal-generated computer voice, the results are wonderfully wide-eyed, embracing bouts of motorik rhythm beside vertiginous noise wormholes and mystic tone poems that speak to a cumulative experience spanning decades spent hunting for life between the wires. 

Like their first LP, much of the recording took place remotely or in pairs, and rarely with all three present, before the parts were mixed down at Colin’s studio in Leytonstone. In its journey between the intricate meters and perpendicular vectors of ‘Too Much Traffic’, and their mesh of curdled tones with their phone recordings of a manic preacher in Camberwell on ‘Saved’, they variously recall Craig Leon’s alien invocations of Dogon folk tales as much as the heady dissonance of Alessandro Cortini; producing outstanding pieces of tangibly haptic substance in ‘Sergio’ and infectiously tip-of-tongue Berimbau twang on ‘Gennaio’, and for good measure, something like Phil Collins gently losing the plot after healthy dose of Ayahuasca in ‘Fill’, while ‘Ancora’ sounds like Basic Channel scoring Herzog’s Aguirre

Potter Natalizia Zen - Gennaio [ELP054]

ECSTATIC

Related tracks