Name: LaterTonight by Eddie Shook in Folklore of the Core
Duration: 4 min 32 s
Description: This must be from the 70s. Copy of a song written by Shane Love Appling.

Loving that 70's recording sound.  So gorgeous.

Vocal & guitar at one with each other, a beautiful song.

my fine fellow/soundN mellow/cool folk/Eddie Shook/ nice work

Beautiful performance, inflections are so well coordinated, great job

Folklore of the Core

A sunday acoustic song I wrote and recorded today.

Maybe

Jacarandas are blooming. The storm bird has arrived. Must be coming into summer...

Jacaranda Time

Tonight, at all the bars

Could it be that we are in the afterlife?
Only lies and malice hold reality together.
A town where it never rains and 
a town that no longer needs rain.

Tonight, at all the closed-down bars.
The ghosts may curse the future.

Another name for the network is chaos.
Entropy is on the verge of runaway.
A view we've never seen before and 
a view we don't need to see anymore.

Tonight, at all the closed-down bars.
The ghosts may mourn themselves.

We're queuing up in front of the closed door.
Unfortunately, no one knows why.
Could it be that we are in the afterlife?
None of the people on the street were breathing.

Tonight, at all the closed-down bars.
The ghosts may curse the future.

Tonight, at all the closed-down bars.
The ghosts may mourn themselves.

Tonight, at all the bars

TRESALIS - Collab with Jonas and Yannic Kramer(Heartles Human Harvest)
Composer: Jonas Kramer and Tresalis
Jonas: Guitar
Yannic: Drums
TRESALIS: Synthesizer


Image: pixabay.com (CC0 Creative Commons)

No return / Collab with Jonas and Yannic Kramer (Heartless Human Harvest)

A prayer calling longing and knowing in the midst of so much pain in the world

When Will We See The Light Shining

“Shadows of Me” started as a raw sketch, just voice and chords, written in a moment where I felt the weight of judgment, putting on a mask, and then breaking down into the truth: all I really want is for someone to care.

Right now it’s simple, but the vision is to build it into something bigger: long vocal holds, harmonies that push and pull, and instrumental layers that mirror the arc — fragile at the start, defiant in the middle, and desperate by the end.

It’s a song about hiding behind “I don’t care,” and the release that comes when you finally admit, “please just care.”

Thanks for listening to this early version and being part of where it’s headed.

Take me home, 
find a way
Take me out 
Hear me call into the eve

You might see
The shadows of me
Fly through the air
I act like I care

There are pieces of me
Falling to the ground
See if I care
Oh don’t you dare
Don’t, oh don’t you, don’t you care

There are pieces of me
Falling to the ground
See if I care 
Oh don’t you dare
Don’t, oh don’t you, don’t you care
Please just care

Shadows of Me

In Another Life

MY DEAR
AS TIME WILL GENTLY MOVE
I WANT TO SAVE THIS MOOD
WITH YOU
CAN’T BUY
WHAT TIME HAS SAVED FOR US
I DEAR THE SMILE YOU GAVE

AND ONE FOR THE BROKEN HEARTS
ONE FOR ALL THE DOUBT’S
TRY TO ENSURE THAT THIS ONE’S FOR YOU MY LOVE
ONE FOR ALL THE LIGHTS
YOU ARISED FROM THE SKY
TRY TO ENSURE
THAT THIS ONES FOR YOU MY

AND ONE FOR THE BROKEN HEARTS
ONE FOR ALL THE DOUBT’S
TRY TO ENSURE THAT THIS ONE’S FOR YOU MY LOVE
ONE FOR ALL THE LIGHTS
YOU ARISED FROM THE SKY
TRY TO ENSURE
THAT THIS ONES FOR YOU MY

Guitar and Vocals: Sascha Bücher
Bass: Philipp Löfflat
Drums: Nicholas Alan Taylor


Music written by: Sascha Bücher, Philipp Löfflat and Nicholas Alan Taylor
Lyrics: Sascha Bücher

Portrait of an inner Landscape

Gently (L.A. Reprise)

This must be from the 70s. Copy of a song written by Shane Love Appling.

Album

LaterTonight

I am a frozen statue, watching seasons come and go, feeling changes, doing nothing, forever...
Last movement of the rock symphony, where I pay tribute to, and play, my mom's spanish guitar.
Main theme (bass E1-A1...E1-A1-E2...), appears all along the album, and also main themes of other 3 movements sound here as refrains (Vienen y van / Hora tras hora) which are thus sung over 4 different musics ;) E-Ruizzo project is finished, what's to come?... below translated lyrics.

SE NOTA (PRIMAVERA EN EL POLO)  /  ONE CAN FEEL IT (SPRING AT THE POLE)

Se nota… después de seis meses  /  One can feel it… after six months
el sol amanece y se nota…  /  the sun dawns and one can feel it …

En el despertar del zorro ártico,  /  In the awakening of the arctic fox,
en el fluir de los glaciares se nota.  /  in the flow of the glaciers one can feel it.
En el nacimiento de icebergs,  /  At the birth of icebergs,
en los acantilados poblados de aves.  /  on the cliffs populated by birds.

Vienen y van, no me hacen caso,  /  They come and go, they don’t listen to me,
soy sitio de paso.  /  I’m a transit point.
Hora tras hora, los meses pasan,  /  Hour after hour, months pass through,
un sitio de paso soy.  /  I’m a transit point.

Se nota… como cada mañana,  /  One can feel it… as every morning,
que la primavera ha llegado al Polo.  /  that spring has come to the Pole.

Se nota…  /  One can feel it…

En la migración del narval,  /  In the migration of narwhal,
en el aliento del viento,  /  in the breath of the wind,
en las nubes que huyen de él, se nota.  /  in the clouds that run away from it, one can feel it.

En el canto de las sirenas,  /  In the singing of mermaids,
en las inflorescencias de hielo,  /  in the inflorescences of ice,
en el paso del noroeste se nota.  /  in the Northwest Passage one can feel it.

Vienen y van, no me hacen caso,  /  They come and go, they don’t listen to me,
soy para todos un sitio de paso,  /  I am a transit point for all of them,
(soy) una estatua de hielo (soy),  /  (I am) an ice statue (I am),
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).

Vienen y van…  /  They come and go…

¡¡¡ La frecuencia diaria del proceso estacional  /  The daily frequency of the seasonal process
me permite hacer estudios estadísticos !!!  /  allows me to do statistical studies !!!
Ja ja ja ja ja ja jaaaa !!!  /  Ha ha ha ha ha ha haaaa !!!

Vienen y van…  /  They come and go…

Hora tras hora, los meses pasan,  /  Hour after hour, months pass through, 
nuevos migrantes, nunca se cansan,  /  new migrants, they never get tired,
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).

Hora tras hora…  /  Hour after hour…

Se nota…  /  One can feel it…

ER37 PA04 RUIZZO ©1996 ®2020

Now all 44 songs I wrote with mom's guitar in my university years have been arranged and posted, 
after 8 years of E-Ruizzo project, which I'm about to finish. I plan to stay here, commenting as 
usual, and post future and still not scheduled songs from another profile. That's all, no alarm!

Maybe you played this version before? https://soundcloud.com/esemanolain-ruizzo/se-nota-piano-version

Se nota (Primavera en el Polo)

Searching for a clean sound. One of the first models of solid bodies that Gibson  ever made. The tone speaks for itself. An R8 for those that are curious

A New Way

amazon

Wave motion （Inari's Crossroads）

Listen to St. Clement while watching Lance Mountain skateboard in the 1984 skateboarding film, The Bones Brigade Video Show here: https://www.facebook.com/couchkingpresents/videos/715433375670753/

I had been really wanting to make new music with Calebass. I have been making a lot of songs that lean more heavily toward hip hop the last couple years and felt like heading back toward the direction of my earlier years on SoundCloud. Luckily Calebass was willing and ready and the music flowed easily and steadily. Jon did an amazing job adding an element of jazz with his bass and Janine really awakened the psychedelic spirit and Age of Aquarius with her vocals. It was extra bonus to have both Sinfields participate in this song making this a real SC family affair. Lyrically, I was inspired by the children’s book, Ox-Cart Man, which I love, and all the felt mouse toys I recently made for my cat at my daughter’s request. 

Thanks for all your years of listening everyone!

This is dedicated to the joys of making things at home.

Calebass: Guitars and Song Image / Art
https://soundcloud.com/calebass
Jon Lock: Bass
https://soundcloud.com/jon-lock-5
Janine Levinson: Vocals
https://soundcloud.com/janinelevinson 
Alex Collett Sinfield: Saxaphone
https://soundcloud.com/alex_collett_sinfield 
the Couch King: Lyrics, Vocals, and Production
musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield
The Chaos Cookhouse: Studio
https://chaoscookhouse.bandcamp.com

Lyrics:

Felt
Of natural fibers  
Pelt 
Nature’s the provider  

Sheep and goats and muskoxen
Wool and cashmere qiviut 
Nothing that’s a toxin only
Simply as god giveth
Dyes of plants and insects 
Cochineal that’s rich and intense
I light up the incense 
As you gather up our projects
Single felting needle
Scissors from the cupboard
We are crafting peoples
Churning our own butters

Lalalalalalala
Lalalala
Lalalalalalala
Lalalala

Saint Clement fleeing from his city
Felted wool upon his blistered piggies

Accidentally felted 
From moisture and friction 
It took the shape of
Socks 
Accidentally felted 
From the moisture and friction 
It took the shape of
Socks

I dry skins in my oven 
Till the thin fur turns 
Orange summon 
Urnamman as smoke drifts to heaven
Waking up the legends battling 
Over bragging rights to the origins 
The color of carrot  
Felt hoods dyed and blocked 
To make hats 
I inhale the vapors  
And see the stories come to life 
As a small white cat adhered to a board 
Acts out the dreams of a young child bored 
In a mad scene 
Of scientists looking for a vaccine 
To score points for the lord of carotene 
Off with his head

Calebass, Jon Lock, Janine Levinson, Alex and Russell Sinfield & the Couch King - St. Clement

Tree | RosesAreBlue

K G G - It's Coming Remix

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LaterTonight

Eddie Shook

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