Name: Psalm 50 [51] in Aramaic by MSIC_sound
Duration: 4 min 36 s
Description: Psalm 50 [51] in Aramaic

It is impossible to listen to this soulful ukrainian orthodox carol and truly understand the words without crying. This song describes the Birth of Jesus, with the Mother of God singing him a lullaby about his heavy but redeeming fate. She sings to him that he will grow up and go into the world, to teach people about the mystical Kingdom of God. She tells him he will save the world from death, but not before He, her newly born Son, would himself die on Golgotha.

To give birth to your own God, and then sing to Him about His inevitable death, and glorious resurrection. No mother wants to outlive her son, but its an entirely separate strange and awesome thing to understand that not only will your son die, but He will also save the human race and rise from the dead.

Lyrics: Traditional Chant "In The Dark Night"
Vocals, Arrangement & Production: Patrick Lenk

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Chant of the Deep

In The Dark Night

The Jesus Prayer, also known as The Prayer, is a short formulaic prayer esteemed and advocated especially within the Eastern churches: "Lord Jesus Christ, Son of God, have mercy on me, a sinner." The prayer has been widely taught and discussed throughout the history of the Orthodox Church. The ancient and original form did not include the words "a sinner", which were added later. It is often repeated continually as a part of personal ascetic practice, its use being an integral part of the eremitic tradition of prayer known as hesychasm. The prayer is particularly esteemed by the spiritual fathers of this tradition as a method of cleaning and opening up the mind and after this the heart (kardia) and bringing about firstly the Prayer of the Mind or more correctly the Noetic Prayer (Νοερά Προσευχή) and after this the Prayer of the Heart (Καρδιακή Προσευχή). The Prayer of the Heart is considered to be the Unceasing Prayer that the Apostle Paul advocates in the New Testament. Theophan the Recluse regarded the Jesus Prayer stronger than all other prayers by virtue of the power of the Holy Name of Jesus. Though identified more with Eastern Christianity, the prayer is found in Western Christianity in the catechism of Catholic Church. It also is used in conjunction with the recent innovation of Anglican Prayer Beads.

Lyrics: Traditional Chant "Jesus Prayer"
Vocals, Arrangement & Production: Patrick Lenk

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Jesus Prayer (Ukrainian)

Byzantine Serbian
Hymn from Resurrection Matins
amateur recording using tascam dr-07 mk II
too much acoustic chapel
source material, no effects, no post-production

Orthodox Serbian Byzantine chant It is Resurrection Day hymn (live)

Wo Schatten fallen

Georgian orthodox chant

Ψάλλει ἡ χορωδία Ρωμέϊκο Σύνολο με διευθυντή (δομέστικο) τον Πρωτοψάλτη (χανεντέ) Γιώργο Μπιλάλη.
Orthodox Divine Liturgy-Allelouia Hymn Mode 1
Chanted by "Romeiko Ensemble" 
Θεία Λειτουργία - Αλληλούια ηχος α' 
Sfânta Liturghie- Aliluia
 
Γιώργος Μπιλάλης

The Divine Liturgy of St. John Chrysostom—Mode I represents the complete service in Greek performed by a deacon, a priest and right and left cantors; including all seven chanting elements using compositions from masters of the late Byzantine, Post-Byzantine and the modern Greek.

Θεία Λειτουργία, Ἀλληλούια, ἦχος α΄

Psalm 50

Psalm 50 Aramaic -Archimandrite Seraphim

Psalm 33

Holy Mount Athos - Byzantine Hymns - Psalms

Byzantine Hymns - Psalms

Music: From the Office of Sung Matins - Antiphon 7: Choral stichologia (selected verses of Ps. 109-11, "Palaion")
Artists: Cappella Romana, Alexander Lingas, director
Album: Lost Voices of Hagia Sophia: Medieval Byzantine Chant
Label: Cappella Romana (CR-420)
Available November 15, 2019 on Blu-Ray/CD and digital audio
Learn more and pre-order at https://cappellaromana.org/lostvoices

Lost Voices of Hagia Sophia is the first vocal album in the world to be recorded entirely in live virtual acoustics. It brings together art history, music history, performance, and technology to re-create medieval sacred sound in the cathedral of Hagia Sophia as an aural virtual reality.

With a stunning reverberation time of over 11 seconds, the acoustics of Hagia Sophia were measured and analyzed, and auralized in real-time on Cappella Romana’s performance by the Icons of Sound team at Stanford University (iconsofsound.stanford.edu).

Lost Voices of Hagia Sophia presents more than 75 minutes of medieval Byzantine chant for the Feast of the Holy Cross in Constantinople, one of the greatest celebrations in the yearly cycle of worship at Hagia Sophia. This deluxe package (CD and Blu-rayTM) contains standard- and high-resolution stereo and surround-sound formats including Dolby Atmos™, as well as a bonus track and a 24-minute documentary film.

Enrich your experience of the music with in-depth essays, musical examples, and illustrations about the project in a 40-page booklet, which also presents all original Greek texts with translations in English. For a thousand years, Hagia Sophia was the largest enclosed space in the world. Let Lost Voices of Hagia Sophia transport you back in time to medieval sound and ritual in this monumental sixth-century cathedral.

Recorded at CCRMA, Stanford University. Stereo version mixed & mastered at Perfect Record, St. Paul, Minn. Surround-sound version mixed & mastered at Skywalker Sound, a Lucasfilm Ltd. Company, Marin County, California.

Psalm 50 [51] in Aramaic

MSIC_sound

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