deep/trippy/dubby

Traumprinz - Believe

Some kind of up and down yes (asusu remix)

Edits of the Matom Album. 

Out now on Vinyl Only on Planet E Communications 

Juno: http://www.juno.co.uk/products/matom-love-mistakes-stereo/541042-01/

Phonica: http://www.phonicarecords.com/product/matom-love-mistakes-planet-e/123784

Germany: http://www.deejay.de/Matom-Love_Mistakes__152243

Some records are birthed through countless months or even years of studio hard yaka; drafts, followed by re-drafts, an eternal process of searching for that money shot musical moment.  Then there are albums that simply pour out of the collective minds of its creators – more of a stream of consciousness and musical expressions that strategic beat creation. 

For best friends and long time collaborators Matt Edwards (aka Radio Slave) and Thomas Gandey (aka Cagedbaby and producer). Matom began as a one off project to create an hour of music to celebrate the iconic Hansa recording studios in Berlin, a space that’s seen everyone from David Bowie and Iggy Pop to Tangerine Dream and Brian Eno.  

Says Edwards “The initial music was loosely based around the recording of David Bowie’s ‘Low’ and the works of Iggy Pop and I wanted to create these soundscapes that would allow Thomas to improvise and we managed to come up with seven songs in two days.”

From this auspicious beginning the project continued to pick up pace and the pair soon performed in Warsaw alongside revered Kosmiche figurehead Manuel Gottsching and a few months later at the Name festival in Lille, France. 

Splitting time between Gandey’s home and studio outside Bordeaux and Edward’s studio in Kreuzberg, Berlin, the pair continued to create. The duo adopted a free-flow approach to production, with Gandey talking warmly about creating sounds for the Matom Project.  They’d cook together, eat fine food, and then sit down to work on the music together. 

Gandey describes Edwards as the “master of minimal”, building up the soundscapes and beats before Thomas filled out the compositions with various keyboards form his collection including a Fender Rhodes, Moog Voyager, Clavia Nords, Roland Drum Machines and live percussion and finally another collaborator Paul Sandrone would improvise on guitar at the final stages of production. 

The entire essence of Matom’s sounds is based around live takes and recorded snippets of conversations and ambiences from their tours, with no MIDI or samples so when they joined the line up for the Pyramids of Mars label showcase at Berghain’s Kantine it was a seamless transition from studio to stage.  Their last gig was once again for the Red Bull Music Academy in Miami WMC 2014 to perform the finished album for the people who first inspired and supported the project. 

And so Matom’s ‘Love Mistakes’ is signed sealed and delivered, a work Gandey describes as “a culmination of our combined skills and reflecting its contrasting environments, a dualism between the cosmic serenity of the vineyards in his south of France retreat and the gritty urban cityscapes of Berlin’s bohemia.” 

A brief track by Track breakdown by Matom’s Thomas Gandey

1.	Crossroads – The album opens with Crossroads, which sets the scene, a beatless dystopian ambient soundscape featuring Rhodes.

2.	Experiment 1 Variation 3 – As the name suggest we had a lot of tracks to choose from, this one based around one of the original improvised Piano sessions we recorded in Bordeaux.  Cuban Piano backs a driving drum, and one of the most fun to play live.
  
3.	Hansa – Named after the primary inspiration for the project. This is a paradise travelogue, written on Rhodes, a percussive playground.

4.	Warsaw – Named and written for our 2nd live performance, very much inspired by Berlin and cruising along the rivers. 

5.	Zazu – Another meditative ambient work, inspired by early Concrete musique and tribal percussion and mostly reversed, modular synthesis and sequencers back the Rhodes.

6.	Piano 2 Variation 4 – Piece for Solo Piano using live looping, building and diminishing, an ideal club tool 

7.	Experiment 7 Variation 2 – Middle Eastern Piano heavily delayed with string swells.

8.	Love Mistakes – The title track of the album, electronic pads, Rhodes and broken groove. 




Matom - Warsaw - Soundcloud Preview

Marketing Music last musical transmission for 2014 is a stunning split artist release by Brwn Shoes and Cheapit. The release opens with Brwn Shoes, a French born, London formed and Valencia based producer. Inspired by repetitive aspects of Zuckerzeit, he delivers the hypnotic and ethereal Clocks. Otherworldly sounding instant classic. The second track of the release comes from Cheapit AKA Marc Antoine Bianco, better known as one half of Parisian duo Villanova who have released original music and remixes through labels such as Cocoon, My Favorite Robot and No.19 Music. His Mafe is like a soundtrack for our dark s/m basement. Enjoy!


Clocks

long roads 132

"Broken Code" ist ein akustischer Abstieg in eine dystopische Cyberpunk-Landschaft. Das Album ist ein unerbittlicher Strom aus pulsierenden Sub-Bässen, fragmentierten Synth-Texturen und kargen, mechanischen Rhythmen. Eine wiederkehrende, glitchige Frauenstimme flüstert und stottert als korruptes Datensignal Schlüsselphrasen, die die Themen von Identität und Fehlfunktion in einer zerfallenden digitalen Welt erkunden. Jeder Track ist ein kaputtes Segment, das durch die unheilvolle Geräuschkulisse von Gewitter und statischem Rauschen verbunden wird. Ein Soundtrack für den "Geist in der Maschine", der sich von den Überresten einer verlorenen Realität ernährt.

Digital Dust

The long awaited album 'Waterfalls' by Atlantech will be released worldwide 12th September 2025

Check out more terrific music from Atlantech here at Soundcloud & via the links below:-

Apple Music: https://music.apple.com/us/artist/atlantech/1736830788

Amazon: https://music.amazon.co.uk/artists/B0CYLB98NP/atlantech?marketplaceId=A1F83G8C2ARO7P&musicTerritory=GB&ref=dm_sh_7meesmm21kVaPP9kbUWNETRkv

Spotify: https://open.spotify.com/artist/4H7JUb15gi8iynjsI07s5I?si=e88BrkFqRIKITIXBcqYttA

Deezer: https://dzr.page.link/DCi4LuXsjML35fWv7

YouTube: https://music.youtube.com/channel/UCsXjdA_rG1V6l1dSEZGh7cg

Your valued support is gratefully appreciated
Thanks, Clive & Cris (Atlantech)
Spyda Music Productions


Waterfalls

Victoria Falls

Atlantech - Victoria Falls

Efdemin - Lohn & Brot (Original Mix)

David Hasert & Miyagi - Weltaufgang

Cat.-No.: CPT 503-1
Format: 12" / Digital
LC 02518
Release Date: 1. September 2017

Tracklisting:

Side A:
„Golden Hour“ (6:07)

Side B:
„Portamento“ (6:53)

Info:
This 2-Tracker by one of Munich’s finest electronic music producer talents Lukas Bohlender is truly mind blowing. Two powerful and emotive deep house joints, padded with layers of elegant synths and crafty percussions. State of the art!

A couple of years ago – around 2009/2010 - when we hosted our Black Label Sessions parties at Munich club Harry Klein we’ve regularly spotted a guy on the dancefloor – dancing and grinning – well he always seemed to enjoy himself hanging out at our parties – this guy was Lukas Bohlender. It didn’t take too long and a little chat has been held beside the DJ booth - exchanging thoughts about this and that and of course about the music or the DJ who was playing. So sooner or later the seed for our relation has been planted. When Lukas sent us his tune „Club Chateau“ in the autumn of 2012 he primarily wanted to hear our opinion but we were simply blown away and signed the track for the Various Artists threetracker Black Label #94 which has been released in spring 2013. Lukas tune went into the boxes and playlists from Agoria to Tiesto (no joke!) and marked a first success. The year after we hooked up Lukas in order to remix Robinn’s „The Game Is Now Over“ feat. Nathaniel Pearn (aka Natural Self) on the vocals – and again he did a great job delivering a beautiful remix. So we were quite curious and excited when Lukas knocked on our door earlier last year and played us two tracks he just finished – „The Sublime“ and „Curly Bun“ – and he truly took our hearts by storm again. Backed up by a floor frienly remix by Beanfield and Thomas Herb – The Sublime EP has been released in autumn 2016 on Compost Black Label.

Links:
https://soundcloud.com/lukas-bohlender 
https://www.facebook.com/bohlender.lukas

Golden Hour EP - Compost Black Label #140

Portamento

Lukas Bohlender - Portamento

Efdemin   There Will Be Singing

OUT ON 04/05/18 >> https://bit.ly/2HoUh5t
@squiremusic | @timboletti | @mollonobass | @zovsky

The earth is trembling, the legs are shaking. Exotic birds and strange synthetic entities are chirping from the twilit underbrush. The healing sound of flutes from a world long forgotten reverberates through the vast space between our ears. SQUIRE takes us on three inebriating adventures that leave us with a slight aftertaste of jungle medicine. Understated drama and subliminal elegance are the main forces of his modern take on the ancient formula of repetitive hypnotism. Additionally, every single track was remixed by another artist which provides a mind-bending broadside of atmospheric variation: From the ecstatic creaks of Timboletti to the playful bounce of Mollono.Bass and Marc Vogler to the melodic bang of Stephan Zovsky.

Turning Points

Buy on Beatport

Squire - Grassroots (Stephan Zovsky Remix)

permvac 186-3 Benjamin Fröhlich "Saturnia" album teaser out now feat. remixes by Kiwi and Margot

Efdemin There Will Be Singing

eddieeeeeeeee

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