Name: Vibez Manifest by MŌRoccŌ
Duration: 2 min 2 s
Description: Licks, Licks, Licks that stick in the THICK!!!

This is a song from the album "Turn my Teeth up" from the very Short lived Band of "Baby Elephant" Prince Paul , Newkirk and funk legend Bernie Worrell of Parliament Funkadelic . Unfortunately we never got a chance to Launch this album or the band properly but the album is definitely a lost Gem .. I really love how Bernie Plays and it was an Honor to Produce someone who I admired almost all of my life . If you don't Know who Bernie Worrell is learn your music and google him . The infamous sound behind Parliament / Funkadelic !!! please share Prince Paul's unreleased series !

Plainfield " Original mix " 2007  Baby Elephant featuring Bernie Worrell

Buy it here: https://orcd.co/brianjacksoninstrumentals

Legendary American musician Brian Jackson announces his first solo album in over 20 years, ‘This Is Brian Jackson’, produced by Phenomenal Handclap Band founder Daniel Collás and released on BBE Music.

Brian Jackson earned mythic status among music fans thanks to his pioneering work with Gil Scott-Heron in the 70’s, where his flute and electric piano performances on ‘Pieces of a Man’ and ‘Winter In America’ virtually defined the sound of an era. From the 80s onwards he went on to record with Kool & The Gang, Will Downing (whose debut album he produced), Roy Ayers and Gwen Guthrie among many others, and while many veteran musicians tend to stick with the sounds they know best at some point in their careers, Jackson remains an unusually adventurous, vital and broad-minded artist to this day.

When the Phenomenal Handclap Band’s Daniel Collás first met Brian Jackson at a performance in New York, right off the bat he said “I think I could produce you”. “I wasn’t sure why he thought that,” says Jackson “but I considered it a challenge to find out. Turns out that he was right.”

Early on in their friendship, Brian mentioned that he’d embarked on a solo project right around the time he recorded ‘Bridges’ with Gil Scott-Heron in 1976. There were even some unfinished demos, but the album had never materialised. Daniel leapt on the idea, asking “what would a Brian Jackson album sound like if the 21st century Brian were to complete that 1976 album today?” Completed in a series of twice weekly sessions over 11 months in Daniel’s Williamsburg studio, ‘This Is Brian Jackson’ provides the answer.
“We sketched out musical ideas, drank way too much coffee, consumed way too many tacos and sampled perhaps a few too many exotic whiskeys while talking about things that were important to both of us personally. The lyrics for the songs are a result of those conversations” says Jackson.

Contributors to the album range from Jackson’s guitarist, bassist and longtime friend Binky Brice (Billy Ocean, Evelyn Champagne King, Roy Ayers), Collás’s occasional writing partner Morgan Phalen, Latin Grammy-winning flautist Domenica Fossati, drummers Moussa Fadera and Caito Sanchez, and Phenomenal Handclap Bandmates Juliet Swango and Monika Heidemann.

And the music? Vintage, soul-stirring Brian Jackson, with the great man’s warm vocals, distinctive flute and lyrical keys taking centre stage. The songwriting feels timeless, the arrangement effortless, the production human and analogue. From golden-era soul-funk opener ‘All Talk’, through soaring Afrobeat-inspired dreamscape ‘Mami Wata’ to compact groover ‘Little Orphan Boy’ which closes the album, ‘This Is Brian Jackson’ is simply some of the veteran artist’s best work yet, subtly and lovingly framed by Daniel Collás.

Brian Jackson - All Talk (Instrumental)

Melody By Mister BoO
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Mister BoO is a lo-fi scene artist who loves the fusion this genre can create. He blends soft melodies with hip-hop percussion, adding a touch of distortion to craft his unique sound.


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Melody [ FREE HIP HOP LOFI BEAT ]

Mystic Moods Orchestra - Cosmic Sea

Vignettes

Solitary Refinement

For promotional purposes only. No copyright infringement intended.

I am happy to remove if necessary.

To buy - https://www.discogs.com/King-Britt-Presents-Sylk-130-When-The-Funk-Hits-The-Fan/master/86822

When the Funk Hits The Fan

Sylk 130 - City (5-6 Theme)(1998)

The Jazzual Suspects is a labor of love of musician/producer Charlie Tate, a man responsible for well-known Om-Records stalwarts King Kooba and Colossus. With the debut long player from TJS, the love of the old school golden era of funky breaks, jazz and soul influenced hip-hop is obvious. 

“In some respects, Mark Farina’s Mushroom Jazz series was the catalyst for this project” says Charlie. TJS have had at least one track featured on every MJ release since volume 5. 

So sit back.. make yourself comfortable.. and get a load of this.. 
17 cuts inspired by bebop jazz, funk and rare groove...you’ll not be disappointed!

The Jazzual Suspects

Buy or Stream

The Jazzual Suspects - Infacto

UNKLE "Ape Shall Never Kill Ape" (Twin Tower Mix) Ft. Nigo & Scratch Perverts

Licks, Licks, Licks that stick in the THICK!!!

Vibez Manifest

MAHDI , DUSTY AND DAMAGE WISH YOU A MARVELOUS YEAR!
SEE YA IN 2013!

DJ DAMAGE : JAZZLIB MEDLEY

Legally blind from birth, Brazilian keyboard player, composer and bandleader Manfredo Fest learnt to read music in braille and began studying classical music at a young age. By 17 he had fallen in love with jazz (particularly the music of fellow blind pianist George Shearing) before becoming swept up in Rio’s emergent bossa nova movement in the sixties. Moving to the States in 1967 where he would go on to work with fellow countryman Sergio Mendes, Fest recorded and self-released Brazilian Dorian Dream in 1976, enlisting Thomas Kini (bass), Alejo Poveda (drums, percussion) and Roberta Davis (vocals).

Like a turbo-powered, intergalactic elevator ride, Brazilian Dorian Dream builds on the principle of the modal diatonic scales of the Dorian mode, with influences of Brazilian rhythms, North American jazz and funk, and music of the European baroque and romantic era. The coming together of these intergenerational and intercontinental styles coupled with Fest’s visionary use of the Fender Rhodes, Clavinet, Arp and Moog synthesizers (plus a whole load of effects units), makes for an album light years ahead of its time. 

The miraculous wordless vocals of American jazz singer Roberta Davis are nailed so tightly alongside Manfredo’s keys and mind-bending synths that it sounds almost alien. On the album's liner notes, Fest preaches Davis’ ability highlighting how hard it is to sing such precise intervals so accurately. One of the tracks on which the vocals shine brightest is space funk stepper “Jungle Cat”, which features hard funky drums, freaky synth lines and expert Rhodes comping. The track builds up and up before releasing into the unmistakable scat melody in the chorus.

A few years after releasing Brazilian Dorian Dream, Fest recorded and released his Manifestations album in 1979, featuring ‘Jungle Kitten'’: a new dancefloor focused variation on “Jungle Cat”. At around 140 BPM ‘Jungle Kitten’ was possibly deemed too fast for statside dance floors, which explains why it never got a US 12” release. But the track became something of an underground hit at jazz dance clubs and all-dayers across the UK in the 80s and as a result it has probably become Fest’s most well known track since.

Manfredo passed away in Florida in 1999, and his music never quite reached the audiences it deserved. Due to the independent nature and limited run of the original release, Brazilian Dorian Dream has to this day remained almost impossible to find on vinyl. Far Out Recordings is proud to make this masterpiece available to new audiences with a remastered vinyl, CD and digital reissue in 2020.

Jungle Cat

Dj/BeatMaker/Turntablist/Father/Husband/Discerning Spirit/Truth Speaker

Vibez Manifest

MŌRoccŌ

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