I like the retro vibe it has, almost feel like a 80's song

Very Adeodat Warfield sounding!  I really dig it!

Never been that into chill/dream/gaze-stuff. But your production feels really elaborated and interesting.

Sweet stuff! Could need a little more work on mixing the vocals. Otherwise brilliant!

this sounds pretty great. Im loving all those synths

the atmosphere on this is nice, thick and fuzzy

http://www.tokyodawn.net/vindahl-serendipity

Vindahl - Head Over Heels feat. Coco

We All Feel Lost Sometimes

Follow In Her Wake

Temperature Rising

All Of Me For All Of You Extended Dance Mix Djloops (1985)

Arca - Rakata (speed up)

►  Listen to "People Move On" and pre-order Jess's new album CARE/TAKING https://tenderlovingempire.com/produc...

Propelled by the relentless forward motion of a defiantly-strummed electric guitar, “People Move On” does indeed move: always further towards its destination of exultant, off-kilter pop-rock. But rather than a straight guitar-rock song, Jess Cornelius’s take on the genre is characteristically unpredictable — buoyed by frenetic piano stabs, layers of tightly dramatic vocal harmonies, alto saxophone, a sing-along-in-in-the-car chorus, and an unusual, ever-evolving song structure that freewheels into a lush acapella breakdown. Co-produced with Mikal Cronin and recorded at Ty’ Segall’s Harmonizer studios in Topanga Canyon, “People Move On” is the first single off Jess Cornelius’s ambitious new album, CARE/TAKING.

► Follow Jess Cornelius:
Website: jesscornelius.com/
Instagram: instagram.com/jesscorneliusgram/
Facebook: facebook.com/jesscorneliusmusic/
X: twitter.com/jess_cornelius_
Bandcamp: jesscornelius.bandcamp.com/
Soundcloud: soundcloud.com/user-470200658

Produced by Mikal Cronin and Jess Cornelius
Performed by Jess Cornelius, Mikal Cronin and Steven Urgo.
Engineered by Mikal Cronin, Daniel McNeil and Jess Cornelius.
Written by Jess Cornelius

Lyrics:
I used to be a different person
Go out in the evening
Had a lot to say
But all of that is changed
I gave away
Pieces of my body
And my brain
I’ll get it back some day
 
I used to think that I was different
Something in the movement
In my mind
But I was far from right
I was just the same
Full of hope and promise
Never coming true
I wanted more from you
 
But I know
That if I could do it all again
I’d do it just the same
‘Cause people are always forgetting the words to their song
And people move on
People move on
 
Please don’t tell me what you’re thinking
I don’t need to know it
You’ve said too much
That cannot be unheard
Now it’s a worm
Planted in my shadow
Growing by the day
I wish it didn’t work that way
 
But I know
That if I could do it all again
I’d do it just the same
‘Cause both of us have forgotten the words to our song
And people move on
People move on
 
And this, this is for my girl
It’s about her daddy
He is a good man
I loved him all I can
But love is a strange thing
For you it’s never waning
You are the big light.

CARE/TAKING

Jess Cornelius - People Move On

MSS-0124: Charlie's Tune

end of beginning

dearlord

k0d4m4 - chamomille SPED UP

Clara la San - so close

Merch now available at suburbandeathmarch.dizzyjam.com !!!

Check out this awesome interview I did! rockmommy.com/2023/01/jason-buckley-emerges-from-quarantine-sounds-with-dark-experimental-record/

Jabroni is a pro wrestling term. The official Oxford Dictionary definition is “a foolish or contemptible person.” It’s been said to have been originated by the Iron Sheik and popularized by The Rock, but I would guess that it is older than that, from wrestling’s old carny roots. Either way, it fits in with my self-deprecating vibes and the ridiculous luchador mask that I got for $15 at the Laney Flea Market in Oakland and wear for my ridiculous TikTok promos as the wrestling heel BassFace.

This is not specifically a concept album, but if it were, the concept would be “shit is fucked up and bullshit.” This album is inspired by mass shootings and crushing inflation and oligarchs ruining everything and the rise and normalization of outright fascism and bigotry that is literally killing people and how my generation has failed in protecting my kid’s generation from my parents’ generation. That said, I tried to end the album on a hopeful note, which may or may not have happened completely by accident.

Musically, I tried a few new things. I got a new cheap synth toy (Korg Volca Keys) for my birthday this year, as well as a few new effects pedals (Eddie Rifkind’s Karen Basic Speaker Manager, EmergyFX Gristle Throbber, Keytars Holy War) and tried some new production techniques like running iPad drums through muffs and delays, and splitting my bass signal to keep more thump while overlaying it with insanity, and using some great tube emulation plugins to provide warmth and/or grit.

What’s next for Suburban Death March? I don’t know! While my personal need to create music is strong, releasing it to a lackluster response has grown a bit tiresome. The few folks who like it, REALLY like it though, and I appreciate each and every one of you more than you can ever know. I am currently working with a live semi-acoustic covers trio, still kicking around the idea of a live improvisational ambient psychedelic trio, and there are online collaborations in the works. Stay tuned! 
credits
released February 28, 2024

Suburban Death March is Jason Buckley.

Everything you hear on this album was performed by him with the exception of the spoken intro on Supernova by Bugsy Buckley, and some royalty free samples by Christoph Ghosthack.

BUY / STREAM

Suburban Death March - Burn It Down

Conceived with my good pal Thomas Jacobs, he contributed to the lyrics/melody and assisted with the instrumentation through his wise guidance, thanks friend blessed be your name

No Sleep

she plays boogie woogie piano 8 hours a day just doesnt let anyone know
eddy.dillon@gmail.com

Follow In Her Wake

Eddy Dillon

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