Ignoro que lugar 
E este 
Onde me atopo 
Cos meus ósos 
E os silencios 
Das palabras
Detesto esa voz 
Que ven tan alta
Coa que persegues 
Da miña morte detalles. 
So teño para ti 
Xestos primarios. 

Despedazada,
Outros xa van gastados
Un día tiven desexos 
E cumprínos,
Na roda da fortuna 
xoguei con talla,
Se xa só teño 
Necesidades, 
¿Que dis ti 
Entre esas frases? 
É doutro de quen falas
Non teño desexos

Despedazada,
Outros xa van gastados.
Un día tiven desexos 
E cumprínos,
Na roda da fortuna 
Xoguei con talla,
Se xa só teño 
Necesidades, 
¿Que dis ti 
Entre esas frases? 
É doutro de quen falas
Non teño desexos

Todo para nada e pronto.
O resto da miña vida
Todo para nada e pronto.
O que me resta.
Todo para nada e pronto
O que me resta
Sei que non teño desexos.
O resto da miña vida
Vou vestido e canso
De bracear
Paso
E deixome baixar

English translation:

I don't know what place
is this one
Where I am
With my bones
And the silences
of the words
I hate that voice
That looks so high
She pursue 
Details of my death 
I only have for you
Primary gestures.

Broken,
Others are already worn out
One day I had wishes
And we fulfilled,
On the wheel of fortune
I played with luck,
If I already only have
Needs,
What do you say?
Between those sentences?
It’s from someone else you’re talking about
I have no wishes

Broken,
Others are already worn out.
One day I had wishes
And we fulfilled,
On the wheel of fortune
I played with luck,
If I already only have
Needs,
What do you say?
Between those sentences?
It’s from someone else you’re talking about
I have no wishes

All for nothing is soon.
The rest of my life
All for nothing is soon.
What I have left.
All for nothing and soon
What I have left
I know I have no desires.
The rest of my life
I get dressed and tired
To brace
I adandon myself
And let me down

Despedazada (A tribute to Xela Arias)

Tev Nav


Produced and mixed by Martin Bowes (Attrition).

www.attrition.co.uk/thecage/thecage.htm

www.facebook.com/thecagestudios



Rise Of A Future Generator

written, produced, and mixed by hooligirl
mastered using ozone 9

cover art is a screenshot from the 2014 trailer for 'omori'

cds at https://elasticstage.com/hooligirl19/releases/headspace-album

memories

the clouds look like unusual creatures, animals, and dinosaurs. the sky looked beautiful that day.

A fast, club-driven techno-house track built on hard, physical drums and a deep contrabass groove. Orchestral textures and restrained ethnic elements add tension and character without breaking the rhythm. Designed as a DJ-focused tool with a steady pulse, dark energy, and a hypnotic flow for late-night dancefloors.

IPA Dance

first of a series of experimental tracks combining  a home made instrument constructed of springs rubber bands and various metallic resonant devices processed through a Koma Elektronik field kit with some digital effects processed back through my DAW( Reason) for further effects /time stretching etc.

Hidden

A track from "Haunted Houses" album. Released by Laverna label. Digital copy is available for free download here: http://www.laverna.net/releases/Lav85.html

Composed, recorded and mixed by Alessandro Barbanera (march - july 2020)
Mastered by Francis M. Gri

"Haunted Houses" is a collection of seven tracks in slow, melancholy, dreamlike, nocturnal mood. It's a work made of waiting, of grainy sounds and silences full of rustles. It's a work talking about isolation, either in a physical and mental space; which talks about full spaces and empty or restricted spaces, of presences and absences, of memory and hope, of distances, of houses and rooms. Rooms innervated with restlessness and waiting (the opening track "Sleepless"). Houses where memories crowd, layered memories that coexist with the present (the title-track "Haunted Houses" is a short electroacoustic study on perception: indistinct, evanescent sounds, old pianos in the distance, confused and ectoplasmic voices, furniture that moves from the floor above, sighs...). And then there are presences such as those of literary characters, which can come to life in the mind while reading ("The death of Joe Christmas" is inspired by the restless and controversial character narrated by William Faulkner in "Light in August"). 
Even absences find space in the album, manifesting themselves in their impalpable distance (the piece "In Absence"), as memories of a past that has no place in the present. Then the rooms can become places overloaded with pain (the track "Torture Room"), where this suffering and effort can take an expiatory, spiritual, meditative form. And after all this inner torment, even isolation can turn into an opportunity for reflection, "redemption" and sincere change: the final tracks "Pure" and "Endless" try to capture this renewed spirit, following a strongly emotional path. “Endless” closes the circle, but it can also reopen it. 

"Haunted Houses" was made with guitars, contact microphones, an old cassette recorder, field recordings, dusty and grainy lo-fi sounds, found objects, recordings of streets at night, sounds of a carpentry workshop, slowed sounds, manipulation of loops of classical music taken from the radio. Every detail, every sound has been carved and polished day after day, chiseled and positioned with care and devotion, in a work of "sound craftsmanship".

Haunted Houses

In Absence

stam11

First Flight

First Flight (Preview)

https://whitelight-whiteheat.com/new-music/synth/wl-wh-track-of-the-day-kandinsky-noir-miss-hauntology/

Mixing & Mastering: Joshua A. Pfeiffer

Miss Hauntology

Edge of Decipher:  An electro-industrial, electronic and IDM project inspired by science fiction and the future present, by Z.H. Syle

https://machinaadnoctem.bandcamp.com

Rise Of A Future Generator

Edge of Decipher

Recent comments

Kodaira

AEVIN

Related tracks