@savage_assassin55: and games *sorry for the late reply

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Lost Skies
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Credits:

Piano written & recorded by Sophie Kazandjian | http://soundcloud.com/sophie-kazandjian
Orchestral Accompaniment written & recorded by Máistrí | http://soundcloud.com/maistri

Mastered by Máistrí

© 2011 Sophie Kazandjian / Máistrí All Rights Reserved.

Lost Skies - (Sophie Kazandjian - Máistrí - Collaboration)

Flowmotions

Enjoy this beautiful Organ Transcription from a Sacred Cantata - from the "Schübler Chorales" - of Johann Sebastian Bach, played by me! 😑❤️🎵

For donations: www.paypal.com/paypalme/carlocozzula

Bach J. S. - Choral "Ach bleib bei uns, Herr Jesu Christ" Bwv649 (organ)

No. 1 for symphony orchestra

Morning Mood (Norwegian: Morgenstemning; German: Morgenstimmung), sometimes abbreviated to Morning,[1] is a composition belonging to Edvard Grieg's Peer Gynt, Op. 23, written in 1875 as incidental music to Henrik Ibsen's play of the same name, and was also included as the first of four movements in Peer Gynt Suite No. 1, Op. 46. Along with In the Hall of the Mountain King, Morning Mood is one of Grieg's best known works and is often used in films, television commercials, and shows (most notably cartoons): see Grieg's music in popular culture.
From Wikipedia, the free encyclopedia

05 Peer Gynt, Suite nº 1 Amanhecer nas Montanhas

Cracking Shadows

Inside

01- Piano Concerto No. 2 in G Minor, Op. 22 - Saint-Saens

Piano Concerto No. 1 in E minor

Video and Free music sheets: https://www.youtube.com/watch?v=kjl4ZApXfWM
Artwork/photo from: http://pixgood.com/snow-girl-photography.html

Buy this song

Violet Snow Piano improvisation by Miranda Shvangiradze (Free music sheets)

The piano score is available for purchase - contact the composer for information! 

About the composition:
This first Fantasie, as suggested by its title, was composed as a response to a number of sleepless nights. The thematic material is found throughout, expressed as an "idée fixe" with an evolving emotional framework. This idée fixe represents the uncontrollable obsessions of the subconscious as they cycle through a fitful, sleepless night. 

The piece moves through a vast range of emotional extremes as the initial expression of melancholy builds and evolves towards increasingly emotional declamations. The traditional Fantasy Form determines that the structure of the piece must be relatively free, so the work is given structure through the symmetry of the large sections. Furthermore, the cohesion of this piece is achieved through balanced phrasing, and the recurring presence of the original thematic material, which is represented not only in many keys, but also in differing registers, in melodic inversion and with thematic variation. The core of the work is where the composition construction is most complex: constantly juggling multiple layers of melodic ideas superimposed upon one another. As new melodic material emerges it encourages a dispute between animated passion and emotions of a more whimsical or reposed state. The coda suggest a delirious, exhausted conclusion to the seemingly endless night, with the last hints of the idée fixe overcome by hallucination and finally yielding to a fanciful flight into dreams. 


Fantasie #1 "Nuit Sans Sommeil" (Night Without Sleep) _

a piece for two guitars, dedicated to my father

05 Peer Gynt, Suite nº 1 Amanhecer nas Montanhas

edisongonsilva

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