@splash_pattern mix for Bad Habits on @lyl_radio. Comment for ID's

Bad Habits 08 w/ Splash Pattern (LYL Radio 19.03.21)

Celestial Trax returns with new work of tonal-textural explorations.
On 'Lifecodes' the producer born Joni Judén weaves together a dense quilt of sound, shimmering and surging as it unfolds in free-time. Judén invites the listener down a luminous, harmonically adventurous path, where sound takes creaturely dimensions. The songs blossom and wilt, at times floating in states of ambivalence, at others washing over the listener like waves, bathing them in heavy light.

'Lifecodes' was created in the small village of Pynnölä, Joutsa in central Finland, where Celestial Trax has been living and working since 2020.

✩○ º༺☆༻ º○✩

Music by Celestial Trax, recorded and mixed at TUO TUO
Album art and visual concept by Robert Ra linktr.ee/RobertRa



Buy album

Beyond

original soundtrack plus extra outtake stuff i made for 4spells (2024), a film by tom rogers - link here: www.youtube.com/watch?v=4HD6lmN_yXE

cover artwork by tom rogers (clip from 4spells)

bandcamp

all i wanna do (even slower)

TWINNIN! 2025*

Edited Arts is launching Static by mutate3k. This is the 3rd release for the audiovisual label. 

As an experimental platform for artists, Edited Arts also
coordinates events, films and radio shows.

Static is a collection of 6 tracks recorded during the fall and winter season of 2018/19. Ambient yet experimental. Patient and introspective - the soundtrack for slowing down.

Giving it’s name to the release, track 5 titled Static is a collaboration with PAN affiliate Kareem Lotfy. Additionally, the EP includes a remix from Moscow based Art Crime.

Static

mutate3k - Static (with Kareem Lotfy)

Dreamcycles - Future Lights and Archetypes

https://sitequeeste.bandcamp.com/album/future-lights-and-archetypes
Available 1 May 2020 exclusively on Bandcamp. Available 29 May 2020 on all digital platforms.

Dreamcycles, the moniker of Irish-Canadian artist Jennifer Moore, emerges from the ashen present to deliver her conceptual debut mini-album Future Lights and Archetypes. Operating at the node between technological reality and speculative fiction, Moore transforms ethereal bedroom pop and monolithic electronics into uncanny soundscapes to explore what she describes as the “landscape of a future global economy.”

Moore’s imagination conjures a new order of global governance which uses data to assess the competencies, characteristics, and productivity capacity of its citizens. Predictive analytics are used to shuttle humans around the globe in a tightly choreographed dance of space, labour and capital. Spanning a perspective both personal and systemic, the Dublin-based producer guides the listener through her sober invention, anchoring its alienating events around simple longings for home.

Across six tracks, present-day sonics are repurposed to create warped atmospherics. “If I wanted to see the world, I’d have to imagine it,” says a disembodied voice on opening track ‘Memory (Temporary Access)’. Pitter-patter footsteps, playing children, and whirring device noises swirl around the words: harsh, familiar, and ultimately unsettling. ‘Fonn Abhaile’ follows—its vaporous synths matched by breathy vocals—but ‘Abrasive Routes’ reveals the haunting potential of Moore’s psychoacoustic constructions. News report snippets detailing the Dublin financial district jostle with screeching high-definition cars. “It’s become the most extraordinary contrast to everything else here,” recites a roving correspondent, cataloguing inequalities suffused into the electronic artist’s home.

As the mini-album progresses, the emotional intensity rises. ‘Memory Laneways’ pairs an elegiac refrain with industrial kicks before ‘Playing with the Concrete’ offers a moment of brightness. “You look good when you’re smiling,” sings Moore over a distant sinogrime melody, followed by her closing, and most affecting track, ‘Final Goodbye.’ Meditations on belonging are swept along by circular, trance-like synths whose closing destination is bittersweet: euphoria tempered by the artist’s sombre backdrop.

Moore describes Future Lights and Archetypes as a “post-extraction artefact.” Through its diary entries, radio clippings, and fragmented songs, the mini-album resembles an object hewn from a fully-realised world, like an Ursula K. Le Guin novel refracted through machine learning. Keen listeners might also detect a flicker of Grouper’s place-based musings or even the crumbling electronics of Actress. But this release melds intimacy with pulsating stimuli, Moore’s gaze oriented firmly towards the human cost of an omniscient technological future.

Future Lights & Archetypes

Dreamcycles - Memory Laneways

@rositamoulin

à la va comme je te pousse ¨ 
oublier tous rêves ¨ 
les revivre chaque nuit ¨ 
partir rentrer revenir sortir ¨ 
se noyer de souvenirs ¨ 
au flow du courant ¨ 
se perdre ¨
en nageant doucement

Rose – à la va comme je te pousse ¨

Second track from 'Prozess'

https://faithful.bandcamp.com/album/prozess

https://3ternal-2ilence-1.net/

Prozess EP

Lysurge

Rosaceae & Ladonna - 04/12

Guesting Bad Habits this month is Århus trio constellation of @yearlingstoned94, @helloworldsss and Bysund bringing gems from their own archives, collected through a discord chat and brought together in an hourlong ride for the adventurous ears out there. Featuring upcoming releases from @petrola-80, @partnersaarhus and Plasmatic. Comment for ID's

Bad Habits 06 w/ Tristan, Yearling & Bysund (LYL Radio 22.01.21)

https://soundcloud.com/rosaceae_hh
https://soundcloud.com/tsvsvnami

mutate3k - Static (with Kareem Lotfy)

Edited Arts

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