Name: BJ Nilsen & Stilluppsteypa: 'Góða Nótt 2 (excerpt)' (eMEGO 156) by Editions Mego in Dark Enlightenment (Low)
Duration: 5 min 42 s
Description: Taken from the album 'Góða Nótt' released as LP and Download

Dark Enlightenment (Low)

END - 40 Days Of Silence - Jacob Kirkegaard - Soundtrack -VON019

04 - The Fog Has Set In

The Way Of Time takes loose inspiration from Elizabeth Madox Roberts’ novel The Time Of Man, sampling Joan Lorring’s voice from the 1951 radio play adaptation of the novel.
Biosphere’s signature ambient loops, soothing arctic synths and melodies combine with Lorring’s sweet, wistful and deep-south wonderings to create a record that is both deeply human and searching.

https://ad93.lnk.to/TheWayOfTime

released June 20, 2025 via AD 93

Artwork and design by Lucas Dupuy and Pavel Milyakov
Vinyl mastering by Stefan Betke

Biosphere - The Way Of Time

A seeped continuum of electronic dialects & modal gestures into a genre-fluid layers. secret getii bends styles into one another as molten elements: ambient, deconstructed club, microtonal fragments and noise dissolve together into an endless exploratory.

secret getii [domingo castillo flores] is a sound artist creating textural, sonically eclectic works, released by Inner Most and appendix.files among other.

Amulet 062: secret getii

Mix from @user-719326406 and @yakayaka

originally aired September 5th, 2025 on Radio Nopal
https://www.radionopal.com/#/inner-most

Tag Voice: Hellène Héctor

𝓈𝓊𝓅𝓅𝓁𝓎 𝓊𝓃𝓁𝒾𝓂𝒾𝓉𝑒𝒹
Amosphère - Teleportation
Darrell DeVore - Sound Magic - Music Grows
Color Plus - Glory
Tryphème - Eudaimonia
Eden Aurelius - Slow Moving Bodies
Albert Giménez - Conte Xinés
Loren Connors - Mother & Son
Gabriela Areal and Luciano Vitale - pases cortos
C.D. Noé - Tidal
Gi Gi - About Time (Entro)
Ugnė Uma - Kriauklė
Nishcom Music Service - Mudra
Kristin Oppenheimer - She was Long Gone
Graham Lambkin & Jason Lescalleet - Listen, the Snow is Falling

𝒴𝒶𝓀𝒶
mu tate - wanting less
Princess Ketamine - Spirits Reunion
ANIMA - STAR PATROL
lovecrushr - like metal
Amer Clore - Echoes of your scent
veerything - lemonade
yaka - unreleased
Heart Shaped DJ - Me or everyone else
Corell - Escape Resist
? - ?

Seeds for next year 🍂 with supply unlimited and Yaka

Living Room n°88 ~ @user-195275547

q. pls introduce yourself…
Hello, we are forest.exe (Sven and Silvan). We run a label that focuses on ambient, avant-garde and experimental music. It is called Jurassic Ambient Records. The name is inspired by the Jura forests in Switzerland, where we live and grew up. We create our own mixes and also release guest mixes as well as music from friends and anyone interested. We started about four years ago. Over time, we gradually moved away from technoid sounds and club culture, and began experimenting and mixing together within the genres of ambient, experimental and drone, where we felt more at home. For us, it is essential to connect music with the wellbeing in nature, which is also the origin of everything.

q. is there a story behind the mix?
This time we created the mix with Ableton in Sven’s home studio, nestled near the Jurassic forest — not, as we usually do, in a rehearsal room with a Pioneer setup. It was a warm and luminous day at the very beginning of summer. Surrounded by nature, we let the atmosphere guide us, working spontaneously and intuitively. Instead of CDJs, we wanted to explore a new approach, giving ourselves more time and space to shape the flow. This allowed us to engage more deeply with each track and to sculpt the transitions with greater precision.
The result is a mix that feels reduced and calming, almost dreamlike, yet still carries a quiet strength. It mirrors the uncertainties and concerns we feel about the world, and the question of how we might navigate through them. We dedicated an entire day to the process, with pauses, a few beers, and long conversations about the value of music and the character we wanted this mix to embody.

q. what’s the best way to enjoy your mix?
Step into the forest, put on your headphones, leave the world behind and sink into natural, calming sounds. You might wander along the paths and lose yourself in the embrace of nature, or sit quietly on a tree stump, listening to the mix while observing the subtle life unfolding around you. This is, in essence, what our name forest.exe is meant to evoke.

q. describe a favourite object in your living room...
Silvan: My favourite object in my living room is a handmade ceramic piece with an organic, natural design. I discovered it in Krakow last year during my visit to the Unsound Festival.
Sven: Hehe… epic indeed. My favorite object in my living room is a triptych of three Japanese woodblock prints. In the first, several farmers brandishing katanas burst forth with fierce cries. In the second, a lone farmer leaps dramatically over a waterfall, sword in hand. And in the third, a bear flees from the oncoming attackers. The imagery is raw and powerful, yet strangely inspiring. I don’t know the artist or when the pieces were created — but stumbling upon them in an antique shop felt like a stroke of fortune, as if they had been waiting there for me.

q. are you working on any projects right now (music or not music)?
We are both working on new music, though it often takes a lot of time — which can be challenging, since we both work more or less full-time as social workers, and Sven also has children. Still, we meet regularly to create ambient mixes, discuss musical developments, and continue shaping our vision for the label. Through it, we keep releasing new mixes as well as music (EPs) from ourselves and from other artists.
What we love is that this project has been with us for quite some time, and we can move at our own pace — deciding how much energy to put in, or when to slow things down. That way, it never becomes stressful, because we are not chasing success, but rather sharing our musical principles and offering others a fresh listening experience. We are also searching for a spot in the forest where we can record outdoor mixes, letting nature inspire our music even more directly.

Living Room n°88 ~ forest.exe

poing festival 2025 *opening

info + tracklist: https://radio.syg.ma/episodes/walking-for-two-w-seamless
https://soundcloud.com/seamless_music

walking for two

walking for two w/ seamless

info: https://radio.syg.ma/episodes/a-ghost-in-the-deckshell-2-drummykutz
https://github.com/pauline-devs/A_Ghost_In_The_Deckshell_2

Ghost in the Deckshell

A Ghost in the Deckshell 2 – drummykutz

Crust – Fixed Impulse

INDEX:Records alum vase (aka Downstairs People; games) and label-head Conna Haraway team up as ‘Department’ to deliver a two-track mini-epic of sprawling brooding soundscapes and future-facing rhythms, via finely chiseled abstract outbursts and widescreen cinematic depth of field. (Additional live instrumentation comes courtesy of Glasgow-based staev, and INDEX:Rec affiliate MCRD supplies intuition suggestions.)

Starting off as a proper serene slice of beatless musing, 'Cogent' slowly hatches into a rhythmic shape-shifter combining the immersive power of elastic sound membranes with the incisiveness of post-industrial breaks, leaning towards IDM-oid fractals and signature UK bass menace.

All in vaporous piano chords (cue: staev), heavily dubbed-out layers and FX-coated emotion, 'Recovery' beckons us onto the path of soulful elation with its poignant melange of brittle stabs and skittish drum patterns gone astray. Dark and solar at once, the track blends cavernous entrancement with verbed-out RnB samples and percussive trenchant on a steely, broken techno tip.

Ethereal like a mirage yet daunting as the four elements boiling up a storm, Department's debut two-tracker is an elusive piece of sewn-together sketches exuding the sheer magnitude of a master painting in sound.
credits

A1 Cogent (7:16)
AA1 Recovery (10:09)

releases November 28, 2025

Written, Produced & Mixed by vase & Conna Haraway
Final Composition & Arrangement by vase
Drum Programming by usiq
Live Instrumentation and Additional Production by Alex Keogan
Intuition Suggestions by MCRD
Recorded in the Scottish Highlands, September 2025

Mastered by Ike Zwanikken
Cut by Pitchcraft Mastering
Artwork by Conna Haraway
Words by Baptiste Girou

pre-order 12"

Department – Department (previews) [INDEX:021]

You Only Live Ice

V/A - mono no aware もののあわれ

Format: 2xLP / Digital
Label: PAN
Cat.No: PAN 77
Release Date: 17 March 2017

http://p-a-n.org/

purchase:
site: http://bit.ly/2mQN5AO
bandcamp: http://bit.ly/2n9ToSm

mono no aware (もののあわれ) is the first compilation to be released on PAN, collating unreleased ambient tracks from both new and existing PAN artists.

Featuring Jeff Witscher, Helm, TCF, Yves Tumor, M.E.S.H., Pan Daijing, HVAD, Kareem Lotfy, ADR, Mya Gomez, Sky H1, James K, Oli XL, Bill Kouligas, Flora Yin-Wong, Malibu, and AYYA, the compilation moves through more traditional notions of what is called ’ambient’, to incorporating wider variations that fall under the term.

“Mono no aware”, ‘the pathos of things’, also translates as “an empathy toward things", or "a sensitivity to ephemera”. A term for the awareness of impermanence, or the transience of things. A meditation on mortality and life's transience, ephemerality heightens the appreciation of beauty and sensitivity to their passing. In investigating the passing of time, the boundaries between memory and hallucination become blurred; between fiction and reality. The movement of time transforms into an eternal present.

The album is mastered and cut by Rashad Becker at D&M, featuring photography by Molly Matalon and design by Bill Kouligas. A limited version of 100 copies will be released as a special art edition in collaboration with Mount Analog for the LA Art Book Fair 2017, before going on general release.

mono no aware

7. Flora Yin-Wong - Lugere (PAN 77)

10. Jeff Witscher - ok, American Medium (PAN 77)

MURCOF + PHILIPPE PETIT: 1st chapter
(LP + CD + Digital / Rev. Lab. - Aagoo)

Release date: September 2013

www.aagoo.com
www.revlaboratories.com

Fernando Corona
Hailing from Tijuana, on the Mexico/US border, and now a Barcelona resident, Fernando Corona rose to attention as part of Mexican collective Nortec, mostly for his work as Terrestre, but it is with another project, Murcof, that he has made an extremely strong impact. Merging micro-beats with samples of contemporary classical music, his work, often crystallised into sweeping haunting pieces, bridges the gap between Arvo Pärt or Henryk Górecki and part of the electronic scene of today. He is credited with being one of the main influences of the likes of Erik Skodvin and of many of the artists who have appeared on Miasmah in recent years.
www.murcof.com

Philippe Petit
This self-styled musical activist began his career as a journalist and DJ in his native Marseille, and went on to form Pandemonium Rdz., a label with which he explored the outer reaches of experimental rock, before turning his interest to electronic music by setting up BiP_HOp Records at the beginning of the noughties. Since 2009, his focus has shifted once again, this time on his own music, a refined blend which can incorporate elements of experimental rock rock or classical music and can take the form of complex electronic, electro-acousticism, experimentation or turntablism. Although Petit occasionally works alone, it is in the collaborative space where he truly thrives, casting his sonic world against that of the likes of Eugene S. Robinson, Lydia Lunch, Pietro Riparbelli, Bella Emerson, Cosey Fanni Tutti, Asva & loads more... 
www.philippepetit.info

The album
The meeting of such unconventional musicians was always going to result in a pretty incredible piece of work, but confronting such strong identities and getting them to work together was not a given. For the past three years, Philippe Petit and Fernando Corona have regularly played live together, undoubtedly refining their collaboration with each new performance and finding the right balance between their respective sound worlds. The result is this album which equally finds its roots in Murcof’s modern classical influences and Petit’s coarse post modernist soundscaping.
The album may barely reach the forty minute mark, but in the space of three tracks, Corona and Petit create a magnificent soundtrack which teems with haunting choral chants, lush string work and unsettling atmospherics. This album is rooted in ancient myths and legends, borrowing from Greek mythology for "The Call Of Circé", daughter of Helios and powerful enchantress, and winged divine horse "Pegasus", or from Nordic tales of giant squid-like sea monsters on "The Summoning Of The Kraken". This very much characterises the epic proportions of this album, echoing in parts the amplitude of Murcof’s "Cosmos" (Leaf, 2007), and in others Petit’s equally ambitious "Off To Titan" (Karlrecords 2010), but they temper this with much more delicate moments, for which they assemble incredibly detailed and refined atmospheric passages.
Clocking at just over twenty minutes, the opening piece "The Call Of Circé" is articulated around a series of sequences which range from stern, doom-like guitar stabs and harsh percussive noises to eerie choral laments and theatrical vocal flourishes. The haunting melodies and ambiences of the first half are slowly broken apart by the recurring thuds of metallic percussions. When these recede, the mood has become darker, grittier, more oppressive, and remains as such for much of the remainder.
"Pegasus" recalls some of the more baroque treatment Murcof experimented with on his commissioned work for Les Grandes Eaux Nocturnes de Versailles, especially through his use of the viola de gamba as a primary sound source, but this sound source becomes corrupted as the track progresses, perhaps subject to Philippe Petit’s radical decay processing, until only a few distorted strands of grating bowed strings remain.
With the last track, Corona and Petit opt for an overall softer, warmer atmosphere, but there is a lingering feeling of impending danger lurking below the surface of the whole piece. This is marked by the use of sparse percussions, magnified vinyl crackles and processed guitars and textures which, assembled in various combinations, weight heavily on the otherwise almost pastoral nature of the composition.
Philippe Petit knows how to find collaborators with whom he can go beyond his own sonic universe and make them venture into unfamiliar territories, and he is an expert in making these collaborations gel perfectly. And this is one hell of a collaboration: two artists, each with this visionary approach, working together to create a truly magnificent piece.
WRITTEN BY Bruno Lasnier / January 2013 (www.themilkfactory.co.uk/st/)

MURCOF & PHILIPPE PETIT : The call of Circé

Taken from the album 'Góða Nótt' released as LP and Download

BJ Nilsen & Stilluppsteypa: 'Góða Nótt 2 (excerpt)' (eMEGO 156)

Independent record company based in Vienna.
For Spectrum Spools go here: https://soundcloud.com/spectrumspools

BJ Nilsen & Stilluppsteypa: 'Góða Nótt 2 (excerpt)' (eMEGO 156)

Editions Mego

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