Name: COH 'BECHA-KPACHA (Matmos Crunchtime Mix)' (eMEGO 197X) by Editions Mego
Duration: 4 min 29 s
Description: Taken from the album 'TO BEAT OR NOT TO BEAT' released as 2LP

doneness glad I got to see both COH and Matmos

Taken from the album 'TO BEAT OR NOT TO BEAT' released as 2LP

COH 'BECHA-KPACHA (Matmos Crunchtime Mix)' (eMEGO 197X)

Black Zone Myth Chant - Mane Thecel Phares (GRVTS003)

A1 - Belshazzar
A2 - In The Arms Of The Parcae
A3 - Orbit Slut
A4 - Two Stars, No Cross
B1 - He Evil
B2 - First Contact
B3 - Pass Over Into Nothing
B4 - If God Is Not Here



Buy at Boomkat

Black Zone Myth Chant - He Evil

dedicated to those in love with life, with the immense mystery of the soul....⚘🔥⭐🍷

TU PE' MME ❤.mp3

Taken from V/A - "A Voyeuristic Renewal" 

featuring: 
Cremation Lily
False Moniker
JFK
Kleistwahr

Cassette edition coming soon via Strange Rules.
www.strangerules.com

Cremation Lily - Viewed From Below

A vivid aural voyage with clever panning, bouncing chords & whirling lead lines. Taken from the collaborative album between @gigi-masin-official & @tempelhof on @hell-yeah and @cascine. 

Read more & buy: http://www.stampthewax.com/2016/05/25/premiere-gigi-masin-tempelhof-labyrinth/
Listen on Youtube: http://bit.ly/gigi-tempelhof-labyrinth

Listen on Youtube

Gigi Masin & Tempelhof - Labyrinth (STW Premiere)

Èlg - Vu du dôme (GRVTS012)

A1 La véritable genèse
A2 Panorama
A3 Ce sérum monstre
A4 Au bûcher
A5 Soeurs de crin
A6 Hourra
B1 Intermission
B2 Feu au club
B3 Maisondieu
B4 Un filtre en or
B5 Nouvelle lune
B6 Salvador

Vu du dôme

Èlg - Panorama

Futur

From the Cold Shoulder EP

@cs-kreme

TTT074

@conrad-standish + @saywhen618

TTT SHOP

CS + Kreme – Eyes On Ceiling

Michele Mercure - "An Accident Waiting To Happen"

Taken from the archival compilation, Beside Herself, out on RVNG / Freedom To Spend November 9, 2018

https://smarturl.it/rervng12

©2018 RVNG Intl. // www.igetrvng.com

Michele Mercure - An Accident Waiting To Happen

Plafond 6 — Cucina Povera & Haron (LP)

Vinyl/digital: bakk.bandcamp.com/album/plafond-6
Vinyl/distribution (Clone): https://clone.nl/item59834.html

A	Cucina Povera & Haron — Riffittelyä (21:43)
B1	Haron — Maandag, Spiegeldag (6:47)
B2	Cucina Povera — Ajatus (9:26)

Plafond enters its second decade with Cucina Povera and Haron fusing the folkloric and futurist. Maria Rossi and Haron Aumaj (real names) honour musical cinematism on ‘Riffittelyä’, which slowly unfolds during a twenty-two minute trail of exploration, angst and redemption. Meddling voices pinch through an aural mist, Kubrickesque strings impend and cathedral organs relevate. Most striking is the compatibility of Rossi’s tangibility and Aumaj’s computerisation, seamlessly forming a renewed dynamic, as granular as it is loose in texture.

During this unique first collaboration it can be quickly forgotten both artists have highly distinctive styles. We are reminded of these singularities on the other half of the record, featuring two solo works, both rich yet contrasting in their colour and emotion. On ‘Maandag, Spiegeldag’, Aumaj sketches in orange chromatics, a featherweight composition that feels far away from the greyscale fragility that Rossi portrays on ‘Ajatus’. Showcasing two minimalist artists catapulted by their stunning debut albums, this sixth Plafond keeps the listener in constant awe, pointing us to the endless potential of spontaneity.

Comes in Pantone printed outer sleeve with deep red and yellow topped with a silk screened black and a soft pink inner sleeve, wrapped in a dreamy blue Obi-strip printed with white and black, by the BAKK Fuzz Factory.

Music: Maria Rossi @cucinapovera / Haron Aumaj @wivah
Mastering: Wouter Brandenburg
Design: Mike Kokken and Ruben Verkuylen
Words: Luke Cohlen @lukecohlen

BAKKPlafond6 | Cucina Povera & Haron (LP)

Mats Erlandsson – Minnesmärke - LP
Release date - Nov 6th 2020
Catalogue nr. - HG2008
Format - Vinyl / digital

hallowground.bandcamp.com

Tracklist:
1. Vilja 	(19:08)
2. Slakt	(22.03)

Credits:
Hilary Jeffery - Trombone, Tuba
Gaianeh Pilossian - Violin
Yair Elazar Glotman - Double Bass
Mats Erlandsson - Everything Else
Mastering by Andreas Lupo Lubich
Artwork by Marijn Degenaar

///
Mats Erlandsson makes his debut on the Swiss label Hallow Ground with »Minnesmärke,« at once a nuanced sonic exploration of the industrial and political history of his native Sweden and a deeply personal album. One of the key figures of the Stockholm drone scene, the prolific composer worked with The Kilimanjaro Darkjazz Ensemble’s Hillary Jeffery, violinist and long-time friend Gaianeh Pilossian as well as sound artist and frequent collaborator Yair Elazar Glotman for a two-part composition built around tuned sustained tones performed by electronic and acoustic instruments that were combined with field recordings in order to evoke a psychedelic state of reflection, a dream-like elegy for the acoustic properties of the former iron ore mine Ställbergs Gruva where the music has been conceived and recorded. Following up on releases on labels such as Hallow Ground label mates Kali Malone and Maria W Horn’s XKatedral imprint, »Minnesmärke« is Erlandsson's most accomplished work yet. 
Originally a commissioned work by the Non Existent Center for a month-long artist residency in Ställbergs Gruva last Summer, »Minnesmärke« conceptually picks up on the socio-political and economic history of the Bergslagen region where the mine is situated. After mining operations had been on-going for decades prior, in the Industrial Age iron became one of the country’s largest exports, making the mining industry an integral part of the country’s progression towards a socialdemocratic welfare state in the years after World War II. With the rise of neoliberalism and the simultaneous erosion of the welfare state however, the mines around the region started closing, which resulted in the surrounding community losing its relative prosperity. Erlandsson’s interest in this story though does not exclusively stem from the historical significance of the mine, that has been re-opened in 2012 as a centre for cultural activities and critical thought. In fact, his grandfather was born and raised in the vicinity of it and thus his life - and, by extension, his grandson’s - was inextricably linked to its fate and the ebbs and flows of the industrial development in the area. 
It’s no surprise then that the two parts of »Minnesmärke,« which translates to »memorial« or »monument,« is marked by a sense of dislocation and dissociation. »Working in Ställberg was a somewhat surreal experience from the point of view of a musician some one hundred years later,« says the artist. »Being in that environment makes you view time from the side - since the place remains the same it accentuates the deep chasm that separates my perspective from those of my relatives, while at the same time providing a form of intimacy with them.« This naturally shaped the recording process, which saw Erlandsson create an interaction between the acoustic and the electronic, the human and the machinic as well as the natural environment and the technology that has shaped it as much as it has been shaped by it. A combination of synthetic and recorded sound sources was processed by reamping it in various rooms of the vast mining complex. The resulting hybrid field recordings were transferred to tape and have then been treated extensively. An arrangement for Pilossian’s violin, Jeffery’s tuba and trombone playing as well as Glotman’s parts on double bass were recorded separately and similarly manipulated to create an expanded chamber ensemble with a wider range and an ability to transcend the usual temporal bounds of the instruments.

MATS ERLANDSSON - Vilja (edit)(HG2008)

Independent record company based in Vienna.
For Spectrum Spools go here: https://soundcloud.com/spectrumspools

COH 'BECHA-KPACHA (Matmos Crunchtime Mix)' (eMEGO 197X)

Editions Mego

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