Gentle beings, we are entering the world of the ambient, atmospheric, downtempo, and sublime. Transcend at your leisure. [cover Rachika Nayar]

Third State

ITSU – DECI

An intimate, mesmerising record about loss and change, 'sorry i thought you were someone else' is K-LONE’s most personal album to date and his debut release on Incienso. 
Made after his father’s passing, the album became a place of escape and reflection. A warm, hypnotic space to drift within.

Written and produced by J. Gladwell
Mastering and lacquer cut by Anne Taegert at Dubplates and Mastering
Artwork by Josh Abramovici
Cover figure by Mark Gladwell
INC-029

"sslip" is taken from K-LONE's new album 'sorry i thought you were someone else' - out November 14th.

ORDER: Vinyl/Digital:
https://k-lone.bandcamp.com/album/sorry-i-thought-you-were-someone-else
Out November 14, 2025
INC-029

K-LONE
@k-lone93
www.instagram.com/k_lone_

Incienso 
www.inciensorecs.bandcamp.com 
www.instagram.com/inciensorecs 
www.incienso.nyc

K-LONE - sslip [INC-029]

info + tracklist: https://radio.syg.ma/episodes/guests-208-siuxsun-somewhere-between-lost-and-found
https://www.emelinedescreaux.com

GUESTS

GUESTS 208 – Siuxsun: Somewhere Between Lost and Found

LE DON DES LARMES

LÉO LA NUIT - NAUSÉE

Pioneering experimental electronic record receives first-ever complete vinyl pressing, featuring expanded content and exclusive liner notes.

Editions Mego release the highly anticipated vinyl reissue of Get Out, the groundbreaking second album by Peter Rehberg under his influential PITA moniker. Originally released in 1999, this seminal work stands as a landmark achievement in experimental electronic music, praised for its revolutionary fusion of ear-splitting noise and melancholic melodies.  Moving beyond the era's trend of pure abstraction, Get Out represents a pivotal moment when experimental electronic music began exploring new territories laying forth a path which many artists would subsequently follow.  

This expansive reissue marks a significant milestone for collectors and enthusiasts, presenting all 12 tracks from the 2008 eMego CD version on vinyl for the first time. The inclusion of the rare Detroit live recording (remastered by Jim O’Rourke) provides invaluable insight into PITA's performance practice during the album's original touring cycle, whilst new liner notes from Jim O'Rourke and Chris Clepper provide further personal and anecdotal insight.  

Since its original release, Get Out has been recognized as essential listening for understanding the evolution of experimental electronic music in the late 20th century. This authoritative reissue ensures that Rehberg's visionary work remains accessible to new audiences while providing longtime admirers with the definitive version of this crucial album.

Get Out

Get Out 3

Pita 'Get Out 3' (EMEGO029)

Muted Forms

Form 9

Angel Wings

I Created The Universe So That Life Could Create a Language So Complex, Just To Say How Much I Love You

Y Tu Mamá Ambient

Come What May

Water ripples all around, and echoing sounds stretch out into a shady sub aquatic habitat. Its dark corners slowly burst into view as cresting noises reveal fresh caverns teeming with liquid life. This is Sueños Acuáticos, the latest sonic exploration from Lamina, a musical project by French artist, Clarice Calvo-Pinsolle. Built from years of carefully gathered field recordings, the album constructs immersive, detailed soundscapes where watery environments, caves, and forests intertwine with digital manipulations.

Rooted in the myth of the ‘Lamina’, a creature from Basque folklore, the project blends this oral tradition with technology to build a geological myth. The Lamina’s world—a nocturnal ecosystem of water and stone—serves as the foundation for the album’s sound design. Lamina reshapes these natural recordings into something new: stretching, pitching, and layering them to build intricate sound environments that feel simultaneously organic and synthetic. “I transform these sounds much like I would sculpt in ceramics,” explains Calvo-Pinsolle, “by adding, removing material, and imagining landscapes.

Drawing from hydrofeminist and posthuman ideas, particularly those in Astrida Neimanis’ Bodies of Water, the album treats sound like water—shifting, flowing, connecting, and buoying life. Tracks flow into one another without clear boundaries, much like the natural currents they represent. The result is a continuous listening experience, inviting deep focus on texture above melody.

Lamina is exploring the potential of the field recording as a compositional tool. Natural sounds, like trickling water or wind through trees, are processed out of recognition—or cliché. A sense of weightless immersion takes hold as Lamins’a music unfolds, and listeners float freely and choose their own adventure in the Lamina’s home. Less a set of songs than its own evolving environment, Sueños Acuáticos (‘Aquatic Dreams’ in English) is a meticulously constructed work in which we can freely float. 


All tracks composed, recorded and mixed by Clarice Calvo-Pinsolle in Brussels in 2024
With the voice of Mars on Aqualines
www.claricecalvopinsolle.com
lalamina.bandcamp.com
www.instagram.com/laminalalamina/

Mastered by Adam Badí Donoval
abdonoval.com

Artwork and design by Fen ToucheMoulin
www.instagram.com/touche_moulin/

Words by Tristan Bath
Photography by Michaela Cagáňová

Released by mappa as MAP054 in 2024

Dissolution

the lights flow up

?¿ Somewhere between a foggy forest and a cracked hard drive ?¿ 

Fatale Furylax @ Kiosk Radio 22.11.2025

Editions Mego welcomes KMRU back to the fold. Kin is Kenyan born, Berlin based, sonic wizard Joseph Kamaru’s second release on Editions Mego, following on from the classic 2020 release Peel. Since the release and subsequent praise for Peel, the artist has been a staple on the electronic scene performing on numerous stages and festivals worldwide in tandem with a flood of media recognition. Kin could be construed as the second child following Peel. The project came out of initial discussions with Peter Rehberg about what a Peel sequel would sound like. Kamaru is quick to clarify that Kin is not that record; “I'll know when that record will come and when I'll make it. It's already happening... or maybe it lives within both of these Mego records”.

It is this deft ambiguity and vague tiptoeing around the concrete that encapsulates the ambiguous sound world of Kamaru’s vision.

Kin was started early 2021 in Nairobi with Kamaru exploring his noisier palette of sounds encompassing distortions reminiscent of the sounds he would muster from in his youth when playing guitar. He paused making this record for a year as soon as Peter died, then slowly returned to it through 2022 resulting in the immense new work we have here.

The charms within Kin lay as Easter eggs revealing the true identity behind the colourful sonics only after multiple deep listens. With Trees Where We Can See sets the tone by way of a warm swaying melody inviting the listener in for further investigation. In 2022 KMRU and Mego stalwart Fennesz toured the USA together resulting in a strong friendship and also, the second track here, Blurred. A neat Mego/Editions Mego loop as such. Blurred arranges twangy guitar strums alongside glistening glaciers of shimmering drones. They Are Here represents a darker hue as melancholic clouds of shadowy noir tap directly into the listener's nerve stream. Maybe takes a detour into a bristling euphoric electronic storm whilst We Are screeches in a pattern formation not unlike a highly abstracted Aphex Twin forcing its way out of a hard drive. By Absence concludes proceedings, operating as both exit music and a portal to further sonic investigation with acoustic bellowing residing amongst a kaleidoscopic backdrop.

Kin is a trip that rewards close repeated listens as all the colours and textures, nuance and narratives unveil themselves. This isn’t a record to be glossed over, magic rewards concentration.

Kin is a record to be Played slow and LOUD.

For Pita.

All tracks written, produced, mixed by Joseph Kamaru  
Blurred co-written & produced with Christian Fennesz  
Mastered by Stephan Mathieu at Schwebung Mastering  
Photography: Joseph Kamaru  
Layout & Design: Nik Void  
Cut by Andreas Kauffelt at Schnittstelle, Berlin

With Trees Where We Can See

KMRU 'With Trees Where We Can See' (EMEGO319)

Azimuth Divergence

Ask The Rain

Starting off as a proper serene slice of beatless musing, 'Cogent' slowly hatches into a rhythmic shape-shifter combining the immersive power of elastic sound membranes with the incisiveness of post-industrial breaks, leaning towards IDM-oid fractals and signature UK bass menace.... 

Written, Produced & Mixed by vase & Conna Haraway
Final Composition & Arrangement by vase
Drum Programming by usiq
Live Instrumentation and Additional Production by Alex Keogan
Intuition Suggestions by MCRD

Recorded in the Scottish Highlands, September 2025

Mastered by Ike Zwanikken
Cut by Pitchcraft Mastering
Artwork by Conna Haraway
Words by Baptiste Girou

Distributed by Rubadub

Department – Cogent [INDEX:021]

welcome to my advent calendar !
today @innerinnerlife and I split the mix
a musical romcom about an orange and a mandarin

artwork by me inspired by "Notting Hill" soundtrack artwork

TRACKLIST
Barbarelle - il placere
Belle and Sebastian - Do It for Your Country
saint etienne - This Is Radio Etienne
To Rococo Rot - Mit Dir In Der Gegend
dotset - morning routine
pet shop boys - Home and Dry (Ambient Mix)
swing out sisters - Through the Sky

Hareton Salvanini - Panorama
Mike Oldfield - Red Dawn
Oneothrix Point Never - Petro
The Cars - Drive
Tennyson - aka
Trevor Jones - Will and Anna
The Kinks - Too Much on My Mind

24 mixes before xmas, day 13 : with innerinnerlife

DROPOUT DISCO 
playlists + podcasts
a sound / a scene / a story

curation by Krystal Rodriguez & Zel McCarthy

Independent record company based in Vienna.
For Spectrum Spools go here: https://soundcloud.com/spectrumspools

KMRU 'With Trees Where We Can See' (EMEGO319)

Editions Mego

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