Name: Russell Haswell & Yasunao Tone 'Convulsive Threshold #2 (excerpt)' (eMEGO 142) by Editions Mego in Dark Enlightenment (Low)
Duration: 5 min 13 s
Description: Taken from the album 'Convulsive Threshold' released as CD / Download

WOW! Best work Tone has produced in years!

Dark Enlightenment (Low)

END - 40 Days Of Silence - Jacob Kirkegaard - Soundtrack -VON019

www.thetrilogytapes.com

Skogar – Dark Fantasy
Skogar – City Morgue
Semilanceata – Swunnen
Ildjarn – Succumb...
Schändermond – Er Wird Alles Schänden
Schändermond – Novemberfrost
Taqbir – Tfou 3lik
Civil Defence Programme – Track 2 (Tape 7)
Civil Defence Programme – Track 3 (Tape 7)
Metalvarefabrikken – Eksempler Nummer Tre
Hilozoizmo – Extravagancias
Hilozoizmo – El Árabe Loco
Hilozoizmo – Expanciones
Hilozoizmo – Fantasías
Hilozoizmo – Entonación
SHXCXCHCXSH – SWSWWWSSWSW
SHXCXCHCXSH – Nges
Fleckentarn – Le Temps Ne Guérit Rien
Vaurien – Biture Tiède
Fleckentarn – Une lame de flammes et de rancœur
Excrement – Respectable Living
Yellowcake – When Night Comes
Asmus Tietchens – Medienlandschaft 6
Asmus Tietchens – Fron
Giovanni Bignone – Maschinengewehr
Urfalı Cemil Cankat – Sultan Süleyman'a Kalmayan Dünya
Bill Orcutt – And Lenny Bruce Made Love
Orchestre De La Paillote – La Guinée Moussolou
A LARGE SHEET OF MUSCLE – GO W THE GHOST
A LARGE SHEET OF MUSCLE – SADDLE IAN
John Grzinich – Spruce

TTT NTS 21.07.25

Queen Paramount, DJ and graphic designer from Toulouse, draws deeply from a city ingrained with the legacy of both hardcore continuum and english rave. As a passionate digger, they masterfully weave Mark Fisher's cultural theory into electrifying musical sessions. Hosting "Coredump" on Egregore Radio, they deliver insightful commentary while melding UK bass genres like dubstep and jungle along with messy beats and post-club vibes. 



Queen Paramount @ Kiosk Radio 09.08.2025

Many Worlds w/ Joel Arcane - 18/08/2025

Sticking a dirty thumb in the eye of fate, our third collaboration sees our marrow deep family malarky turn official as Pace Yourself teams up with YS’s own imprint Erf Records for a split release. 

Burn is the second YS album and written as a direct follow-up album to Brutal Flowers. If their first album was an exercise in the incremental, a construction of poise and patience, Burn, should be taken way the fuck at it’s word: it quite literally finds catharsis in twisted reverse. Birthed out the malignant kick found in deconstruction and chaos. The hit is radical and instant: a new way for the world to go up in smoke. Cauterising infected suburban minds world over. 

Dunno quite what YS have been ingesting of late but this massively twisted LP touches on a host of gloriously fucked totemic underground sources while not sounding much like any of them. Struggling to conceal their tongues in their cheeks there’s an air of paranoia and proto-conspiracy theory. Leaving you feeling like you’ve stepped into a New World Order.  

Burn like other works by YS, is its own ritual beast. ‘Moth’, a track which has been knocking about the underground deejai circuit for many moons, is a real raw slice of stoner erotica that reeks of obsession and unrequited desire. Elsewhere, on tracks like ‘Switch’, ‘Trying’ and ‘Drift’ the throughline from Brutal Flowers can be heard. Underneath the driving heavy gravity the trademark emotional intimacies of YS linger: eternal recurrence, ghosts of static and shortwave, worn memories of the playful and painful sort. The brief moments where flashes of orchestral ambience get out from underneath the swagger are so pure, personal and unguarded that for a moment they leave you completely lonesome.    

A dubbed to death classic straight out of the annals of nowhere. A perfect postcard from oblivion. A bleak, bold and personally ferocious vision of tomorrow and tomorrow and tomorrow - Jack Anderson (@jankanderson_) 

Preorder link in Bio.

Music - Leon Wan (@l_professionel) & Nipuna Jayasekera 
Design - Nipuna Jayasekera (@born_slip_e)
Distribution - Rubadub (@rubadubgla)
Photography - Disc_Archive (@disc_archive)
B/W Photo - Jessica Lipington


YS - Burn 12"- PERF000 (Pace Yourself & Erf Records)

From forthcoming LP 'Reverse Acceleration of Dragons' https://12thisle.bandcamp.com/album/reverse-acceleration-of-dragons

Radx- Heavenly Shepherd of Silence (ISLE019)

Adriaan de Roover is a musician living in Antwerp and has been releasing records since 2013. This radio show is an unstructured, honest reflection and blur of what Adriaan is listening to. 

Adriaan de Roover @ Kiosk Radio 22.08.2025

Doline is back with his sophomore album on Grid Records.
A one-of-a kind experimental and bassy release where stars meet hearts in the deepness of the universe. Thirteen tracks exploring emotions, from sorrow to happiness, from fear to serenity. A rich path into the unique and colourful world of the French producer, always evolving over his music researches.
This LP is another milestone for Grid, the fourth release from Doline and maybe his best piece of work so far.
The albums opens on Earth, linked to the last track of the previous one, to take off straight to the hyperspace. Then Flutina continues the story, with suspens and discovery in weightlessness, floating towards a new world. Janus Complex is a post-trance track with Y2K vibes, like humans explaining their origins to someone new. Sensunreal and its deep synths shows Doline's groove before Through The Stellar Foam lost us into a thick fog trying to find a way out : Chœur, our wormhole to distant stars, where then Etherrestrial Xo suggest the joy and relief to find them, an emotional mood as Doline has the secret. Cockcrow will softly awake us with its AFX-like lo-fi tickling loop and his synth melodies, before Oniromance makes our heads shaking with its thin and unpredictable bass groove. For the last part of the album Carolus Ex-Lament, probably an unknown space conqueror, brings back trancy synths and melodies, while Before What's Beyond choose to show Doline oddness and his speaky synths again, reminding his 'Dompte Regard' era. Star Funeral, a tribute to his loved ones, shows once again Doline's talent for emo-pop melodies. Phœnix too, a brilliant closing track telling us there are always other new worlds to discover : it's already time to fly away!

🛒: https://gridrecords.bandcamp.com/album/threnody-of-moaning-sparks
youtube: https://youtu.be/JOmp1ADxpOM

https://soundcloud.com/grid-records
https://soundcloud.com/doline

follow Social Club:
youtube: www.youtube.com/@44100HzSocialClub
instagram: www.instagram.com/44100hz_social

PREMIERE | Doline - Oniromance

Living Room n°88 ~ @user-195275547

q. pls introduce yourself…
Hello, we are forest.exe (Sven and Silvan). We run a label that focuses on ambient, avant-garde and experimental music. It is called Jurassic Ambient Records. The name is inspired by the Jura forests in Switzerland, where we live and grew up. We create our own mixes and also release guest mixes as well as music from friends and anyone interested. We started about four years ago. Over time, we gradually moved away from technoid sounds and club culture, and began experimenting and mixing together within the genres of ambient, experimental and drone, where we felt more at home. For us, it is essential to connect music with the wellbeing in nature, which is also the origin of everything.

q. is there a story behind the mix?
This time we created the mix with Ableton in Sven’s home studio, nestled near the Jurassic forest — not, as we usually do, in a rehearsal room with a Pioneer setup. It was a warm and luminous day at the very beginning of summer. Surrounded by nature, we let the atmosphere guide us, working spontaneously and intuitively. Instead of CDJs, we wanted to explore a new approach, giving ourselves more time and space to shape the flow. This allowed us to engage more deeply with each track and to sculpt the transitions with greater precision.
The result is a mix that feels reduced and calming, almost dreamlike, yet still carries a quiet strength. It mirrors the uncertainties and concerns we feel about the world, and the question of how we might navigate through them. We dedicated an entire day to the process, with pauses, a few beers, and long conversations about the value of music and the character we wanted this mix to embody.

q. what’s the best way to enjoy your mix?
Step into the forest, put on your headphones, leave the world behind and sink into natural, calming sounds. You might wander along the paths and lose yourself in the embrace of nature, or sit quietly on a tree stump, listening to the mix while observing the subtle life unfolding around you. This is, in essence, what our name forest.exe is meant to evoke.

q. describe a favourite object in your living room...
Silvan: My favourite object in my living room is a handmade ceramic piece with an organic, natural design. I discovered it in Krakow last year during my visit to the Unsound Festival.
Sven: Hehe… epic indeed. My favorite object in my living room is a triptych of three Japanese woodblock prints. In the first, several farmers brandishing katanas burst forth with fierce cries. In the second, a lone farmer leaps dramatically over a waterfall, sword in hand. And in the third, a bear flees from the oncoming attackers. The imagery is raw and powerful, yet strangely inspiring. I don’t know the artist or when the pieces were created — but stumbling upon them in an antique shop felt like a stroke of fortune, as if they had been waiting there for me.

q. are you working on any projects right now (music or not music)?
We are both working on new music, though it often takes a lot of time — which can be challenging, since we both work more or less full-time as social workers, and Sven also has children. Still, we meet regularly to create ambient mixes, discuss musical developments, and continue shaping our vision for the label. Through it, we keep releasing new mixes as well as music (EPs) from ourselves and from other artists.
What we love is that this project has been with us for quite some time, and we can move at our own pace — deciding how much energy to put in, or when to slow things down. That way, it never becomes stressful, because we are not chasing success, but rather sharing our musical principles and offering others a fresh listening experience. We are also searching for a spot in the forest where we can record outdoor mixes, letting nature inspire our music even more directly.

Living Room n°88 ~ forest.exe

An unmastered version of track for the lovely Pep Gaffe 2024 compilation.
To listen and support: https://pepgaffe.bandcamp.com/album/room-fiction-vol-1

skip_2024

Many Worlds w/ secret getii - 15/09/2025

You Only Live Ice

V/A - mono no aware もののあわれ

Format: 2xLP / Digital
Label: PAN
Cat.No: PAN 77
Release Date: 17 March 2017

http://p-a-n.org/

purchase:
site: http://bit.ly/2mQN5AO
bandcamp: http://bit.ly/2n9ToSm

mono no aware (もののあわれ) is the first compilation to be released on PAN, collating unreleased ambient tracks from both new and existing PAN artists.

Featuring Jeff Witscher, Helm, TCF, Yves Tumor, M.E.S.H., Pan Daijing, HVAD, Kareem Lotfy, ADR, Mya Gomez, Sky H1, James K, Oli XL, Bill Kouligas, Flora Yin-Wong, Malibu, and AYYA, the compilation moves through more traditional notions of what is called ’ambient’, to incorporating wider variations that fall under the term.

“Mono no aware”, ‘the pathos of things’, also translates as “an empathy toward things", or "a sensitivity to ephemera”. A term for the awareness of impermanence, or the transience of things. A meditation on mortality and life's transience, ephemerality heightens the appreciation of beauty and sensitivity to their passing. In investigating the passing of time, the boundaries between memory and hallucination become blurred; between fiction and reality. The movement of time transforms into an eternal present.

The album is mastered and cut by Rashad Becker at D&M, featuring photography by Molly Matalon and design by Bill Kouligas. A limited version of 100 copies will be released as a special art edition in collaboration with Mount Analog for the LA Art Book Fair 2017, before going on general release.

mono no aware

7. Flora Yin-Wong - Lugere (PAN 77)

10. Jeff Witscher - ok, American Medium (PAN 77)

MURCOF + PHILIPPE PETIT: 1st chapter
(LP + CD + Digital / Rev. Lab. - Aagoo)

Release date: September 2013

www.aagoo.com
www.revlaboratories.com

Fernando Corona
Hailing from Tijuana, on the Mexico/US border, and now a Barcelona resident, Fernando Corona rose to attention as part of Mexican collective Nortec, mostly for his work as Terrestre, but it is with another project, Murcof, that he has made an extremely strong impact. Merging micro-beats with samples of contemporary classical music, his work, often crystallised into sweeping haunting pieces, bridges the gap between Arvo Pärt or Henryk Górecki and part of the electronic scene of today. He is credited with being one of the main influences of the likes of Erik Skodvin and of many of the artists who have appeared on Miasmah in recent years.
www.murcof.com

Philippe Petit
This self-styled musical activist began his career as a journalist and DJ in his native Marseille, and went on to form Pandemonium Rdz., a label with which he explored the outer reaches of experimental rock, before turning his interest to electronic music by setting up BiP_HOp Records at the beginning of the noughties. Since 2009, his focus has shifted once again, this time on his own music, a refined blend which can incorporate elements of experimental rock rock or classical music and can take the form of complex electronic, electro-acousticism, experimentation or turntablism. Although Petit occasionally works alone, it is in the collaborative space where he truly thrives, casting his sonic world against that of the likes of Eugene S. Robinson, Lydia Lunch, Pietro Riparbelli, Bella Emerson, Cosey Fanni Tutti, Asva & loads more... 
www.philippepetit.info

The album
The meeting of such unconventional musicians was always going to result in a pretty incredible piece of work, but confronting such strong identities and getting them to work together was not a given. For the past three years, Philippe Petit and Fernando Corona have regularly played live together, undoubtedly refining their collaboration with each new performance and finding the right balance between their respective sound worlds. The result is this album which equally finds its roots in Murcof’s modern classical influences and Petit’s coarse post modernist soundscaping.
The album may barely reach the forty minute mark, but in the space of three tracks, Corona and Petit create a magnificent soundtrack which teems with haunting choral chants, lush string work and unsettling atmospherics. This album is rooted in ancient myths and legends, borrowing from Greek mythology for "The Call Of Circé", daughter of Helios and powerful enchantress, and winged divine horse "Pegasus", or from Nordic tales of giant squid-like sea monsters on "The Summoning Of The Kraken". This very much characterises the epic proportions of this album, echoing in parts the amplitude of Murcof’s "Cosmos" (Leaf, 2007), and in others Petit’s equally ambitious "Off To Titan" (Karlrecords 2010), but they temper this with much more delicate moments, for which they assemble incredibly detailed and refined atmospheric passages.
Clocking at just over twenty minutes, the opening piece "The Call Of Circé" is articulated around a series of sequences which range from stern, doom-like guitar stabs and harsh percussive noises to eerie choral laments and theatrical vocal flourishes. The haunting melodies and ambiences of the first half are slowly broken apart by the recurring thuds of metallic percussions. When these recede, the mood has become darker, grittier, more oppressive, and remains as such for much of the remainder.
"Pegasus" recalls some of the more baroque treatment Murcof experimented with on his commissioned work for Les Grandes Eaux Nocturnes de Versailles, especially through his use of the viola de gamba as a primary sound source, but this sound source becomes corrupted as the track progresses, perhaps subject to Philippe Petit’s radical decay processing, until only a few distorted strands of grating bowed strings remain.
With the last track, Corona and Petit opt for an overall softer, warmer atmosphere, but there is a lingering feeling of impending danger lurking below the surface of the whole piece. This is marked by the use of sparse percussions, magnified vinyl crackles and processed guitars and textures which, assembled in various combinations, weight heavily on the otherwise almost pastoral nature of the composition.
Philippe Petit knows how to find collaborators with whom he can go beyond his own sonic universe and make them venture into unfamiliar territories, and he is an expert in making these collaborations gel perfectly. And this is one hell of a collaboration: two artists, each with this visionary approach, working together to create a truly magnificent piece.
WRITTEN BY Bruno Lasnier / January 2013 (www.themilkfactory.co.uk/st/)

MURCOF & PHILIPPE PETIT : The call of Circé

Taken from the album 'Convulsive Threshold' released as CD / Download

Russell Haswell & Yasunao Tone 'Convulsive Threshold #2 (excerpt)' (eMEGO 142)

Independent record company based in Vienna.
For Spectrum Spools go here: https://soundcloud.com/spectrumspools

Russell Haswell & Yasunao Tone 'Convulsive Threshold #2 (excerpt)' (eMEGO 142)

Editions Mego

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