Great mood. The bells remind me a little of Geir Jensen aka Biosphere as he traveled the mountains - I think in the Himalayas and recorded the sounds of Jaks on Dat recorder :-) - Excellent. Hi. M

All submissions to Haiku 230

http://www.naviarrecords.com/2018/05/30/naviarhaiku230-to-the-end-of-the-field/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- Upload your song on Soundcloud and message me privately with the track's URL (if you don't have Soundcloud or can't message me, visit www.naviarrecords.com/about/naviar-haiku for more options)

- Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

Your track may be included in Naviar's weekly podcast and monthly free (pay-what-you-want)compilation. Please set the track as downloadable on Soundcloud and allow others to remix it by using a Creative Commons License.

Haiku #230:To the end of the field / All alone I go / Autumn sky

Going heavy in Osaka, Japan, summer 2025.

Croma [Live]

La copule :
Matthieu Guillin : composition, électronique
Loïc Varanguien de Villepin : performance vocale

Amorce d'une nouvelle performance, d'un nouvel album.
D'autres compositions arrivent bientôt.

The start of a new performance, a new album.
More compositions coming soon.

La Copule - déploration

Places we have been - they guide us somehow. Sometimes even if we only have been dreaming of beeing there.

In the streets of Osaka there is a lot of melodic sounds in the air. From traffic lights, garbage collections, mobile traders selling ramen soup... 

In this track everything you hear is from field recordings made by @maguri - thank you Martin!

Osaka

refraction

Inspired by a performance of 'Drumming' by Steve Reich.  Sound Source: https://freesound.org/people/drotzruhn/sounds/439504/

Humming After Reich

Púca

for orchestra

Commissioned by SWR / Donaueschinger Musiktage

A few short bars from the Intermezzo of Ralph Vaughan Williams’ Seventh Symphony provide the entire material for this composition. Through the “sampling” of this score fragment, its musical gesture is frozen: it becomes an “animated still life” (Lauren Berlant), an image that slowly drifts by. The material is extremely reduced, yet never exactly identical. The gesture appears in fragments, presented from countless different perspectives. Only the logic of digital processes is capable of achieving such a precision of cuts within the sample, whose artifacts are translated into complex, displaced rhythms and ornamental variety. This careful transcription of digital artifacts is an attempt to approach a perspective of machine listening. 

Each bar is a cut. The result is a continuity that is dialectically dependent on discontinuities. Peter Osborne, in Anywhere or Not at All, refers to Gaston Bachelard: “‘Psychic continuity is not given but made.’ And it is made out of the temporal structure of the relations between acts: ‘What has most duration is what is best at starting itself up all over again.’” In other words: The deepest continuity is paradoxically that which continually restarts or renews itself.

Sunday, 19 October 2025 — 17:00
Donaueschinger Musiktage — Closing Concert

SWR Symphony Orchestra
Elena Schwarz — conductor

The deepest continuity is paradoxically that which continually restarts or renews itself.

Original Music::::
https://soundcloud.com/egidija_medeksaite/prakanda

Egidija Medeksaite - Prakanda (Senglar Alarm Version)

Mournful ode to a crumbled city and it's inhabitants.

Bahkmut

soundscapery_07

This week's Haiku is by Natsume Soseki:
To the end of the field / all alone I go / Autumn sky.

This piece is a self-paying patch on my modular synth, all I did after wiring up the cables was press record and then set it in motion, choosing a nice cadence to end on.

To The End Of The Field (naviarhaiku230)

This track was created for the Naviar Haiku group.
230 week haiku
naviarlab.tumblr.com/

2018-06-01

To the end of the field (Naviarhaiku 230)

my submission for this week's naviar haiku:

to the end of the field
all alone i go
autumn sky

http://www.naviarrecords.com/2018/05/30/naviarhaiku230-to-the-end-of-the-field/

made with a single row of modules, as a simple self-generative patch

for my process see https://youtu.be/LGh2VxyPTJA

vcv rack experiments

to the end of the field [naviarhaiku230]

Made for Naviar Records' 230th Haiku Challenge - http://www.naviarrecords.com/2018/05/30/naviarhaiku230-to-the-end-of-the-field/

Into the autumn sky [Naviarhaiku230]

3Jun18

Created for Naviarhaiku230 – To the end of the field;
http://www.naviarrecords.com/2018/05/30/naviarhaiku230-to-the-end-of-the-field/
:D

Boson Spin - To the end of the field, I go [Naviarhaiku230]

AUTUMN fading IntoWinter At the end of the field(NaviarHaiku230)

Explorations and experiments,  in sound, image, and animations . influenced by  interests from Organic Gardening to Neuroscience, Basic Electronics  and Mechanical Invention, Re-purposing Transforming and Recycling of Domestic Devices, Permaculture, Ecology,  Ambient and Noise music. Animated Sound and Image- Experimental,Animated and Visual Music Short films,installations and live audio visual performances with custom built interfaces such as the disco-microwave,midi-vacuum cleaner, and prepared ironing board.see more at 
www.paulfletcherartwork.com
and at vimeo
vimeo.com/album/188779sound music noise ambience

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

AUTUMN fading IntoWinter At the end of the field(NaviarHaiku230)

Ed Mundio

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