This is stunningly beautiful, absolutely loved it. The violin in the background puts me in mind of early godspeed for some reason. Amazing work, will be checking out more.of your stuff!

haha love it when that happens! Will defo check out the album.

@tom_leonard_uk Thanks so much, especially for the connection!

Beautiful atmosphere here, very nice work

ReEx 7

“Atlantic to Adriatic” is an album built on connection — across distance, time, and sound. A collaboration spanning oceans, the record transforms each track into a shared space where field recordings, classical instrumentation, and synthesizers intertwine to evoke memory, place, and movement. Every piece emerges from the intersection of our two worlds — Venice and Boston — bridging geography and time to create something timeless.

▶️ Buy High-Quality Digital Album: https://edoardogastaldi-music.bandcamp.com/album/atlantic-to-adriatic
▶️ Listen on other Platforms: https://sirilrecords.ffm.to/atlantictoadriatic

🔗 Connect with Jay Brewer: ‪www.sirilrecords.com/jay-brewer
🔗 Connect with Edoardo Gastaldi: ‪www.sirilrecords.com/edoardo-gastaldi

Credits below.

Artists: Edoardo Gastaldi, Jay Brewer
Genres: Ambient, Drone, Soundtrack, Space Ambient, Guitar and Piano Instrumental
Original Picture: Edoardo Gastaldi
Cover Art: Edoardo Gastaldi, Davide Fasiello
Mastering: Jay Brewer
Record Label: Siril Records
Release Date: 14/03/2025

© 2025 Siril Records
℗ 2025 Siril Records

Atlantic to Adriatic

That Saturday

Following the release of The Rising Sun's orchestra version, which was basically an experiment, I decided to bring new versions online for The Suns set featured in The People of The Sun. They are still true to their original synthwave versions, but arranging a piece for orchestra is a completely different thing, so there are adaptations and new parts too, which I like.

The Falling Sun is a more dramatic counterpart to The Rising Sun, and they work in tandem. The latter representing our rise, the first representing the subsequent fall. I do not intend to remake the whole People of the Sun album in orchestral form, only the Sun songs. I hope you enjoy this one, because damn, it was a struggle to make, but I'm ultimately happy with how it turned out - a far superior version to the original one, I must say.

Lemme know what you think, hit me in the comments or my DM! Thanks and enjoy.

The Falling Sun (Orchestra Version)

Love Light - Robert Grigg & Combstead

i don’t wanna lose this

Summer Waves

Sailing By Night

Carpathian

Alt J-Hunger Of The Pine Flip

🎵 Title: Music of Silence
🎼 Composer: Michael Herter

🕒 Duration: 03:18
🐢 Tempo: Slow
🎻 Genre: Minimalist / Solo Piano / Ambient
🎧 Mood: Reflective, Calm, Poetic, Meditative
🎬 Video: 

📝 Description
“Music of Silence” is a minimalist solo piano piece that lives in the space between sounds. It evokes the feeling of watching clouds drift or still water softly shimmering under a pale sky.

Each note is allowed to breathe. Each silence speaks.

This composition is designed not to fill the room, but to open it up.

Its subtle dynamics and introspective character make it ideal for moments of reflection, deep focus, intimate storytelling, or cinematic calm.
Perfect for projects seeking emotional authenticity and elegant minimalism.

🎼 Key: Es-Dur | Time Signature: 4/4 | Tempo: Varies

► Support my music: https://bnd.link/sibviolin
—
Your support means the world to me and helps me continue creating music. Every like, share, and subscription is deeply appreciated.

🙏 Thank you for listening!

Music of Silence

This tune was released by Toto in 1982. Performed by me on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: www.harveytwyman.com

Name That Tune #579 by Toto

Nevaeh

A slow unraveling before the break. How curious.

"Really" is a leftfield electronic instrumental I made in the final days before a domestic violence incident that changed everything. It is the last song of the album and the relationship of seven adaptive years.

There are no lyrics here. Just ambient textures, downtempo pacing, and leftfield electronica tension. It doesn’t process pain. It precedes it, almost anticipating what’s to come.

Built on a foundation of lo-fi loops and intuitive mobile production, the track captures a moment of eerie calm. Created without conscious knowledge of the trauma ahead, it is still steeped in emotional weight.

It explores space, restraint, and discomfort using sound design to build a psychological atmosphere.

This is the sound of unspoken recognition. A shift. Once a symbol of safety, your buoy becomes the very weapon of your destruction. It evokes the sensation of holding your breath just a little too long.

"Really" opens the final chapter in the PXL arc, marking a pivotal turning point. It is not healing. It is the moment just before rupture.

"Really"

Really

A track from an upcoming EP that I've been working on
Also on Bandcamp right now- https://loosejoxx.bandcamp.com/track/same-light

Will be on all platforms soon and thanks for listening

Bandcamp

Same Light

Miro

AVRIL...

new album: https://soundcloud.com/temple-of-the-haunted-man/sets/from-here-to-everywhere

From Here To Everywhere

I am the NerdWiser and I play the Synthesizer.
I make electronic music you can’t dance to.
🎧 plz! Thank you for listening.

Edoardo Gastaldi, born in 1998, is an award-nominated film-music composer based in Venice, Italy. 
His style combines slow piano lines with deep ambient atmospheres. In his creations, the frontier of repetitive post-classical minimalism meets deep compositional ambient layers, leading his arrangements to become a philosophical thread of condensed melancholy and sparse hope.
After several years of music studies, which provided him with formal training ranging from classical piano to music theory, in the summer of 2021, Edoardo started publishing his compositions and productions.
The influence of 17th-19th century pianists and the fascination for experimental edges make his music an ever-evolving equilibrium among Modern Classical, Ambient, and Post-Rock subgenres.

Gastaldi's philosophical approach is inspired by the sounds of foundational artists including Johan Söderqvist, Hammock, Tony Anderson, Leonard Petersen, Atli Örvarsson, Stephen Porter, Ronit Kirchman, Sigur Rós, John Cage and Nils Frahm.

Edoardo’s work deeply reflects his desire to explore human fragility, paradoxes, and the complexities of existence. Over time, his soundtracks were described as capable of delving into the big consequences and underlying roots we can’t avoid.

In 2024 Gastaldi scored the soundtrack for the multi-award-winning short film “Etilismo”, a story that delves into the sensitive issue of chronic alcoholism in youth.

Contact: edoardogastaldimusic@gmail.com

That Saturday

Edoardo Gastaldi

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