Beautiful sound you’ve got here. Thank you for this [via https://sc.repostexchange.com]

tranquilidad, paz y armonia , esta pista lo tiene todo

If We Had Been ForthComing

Lil_Allotic - Why_are_you_so_afraid _Lyrics  

                                         (Allotic)                                  (losing my head everytime and night lm gone, ohhh ohhh ohhh ohhh)  
                   yeah      
  l just see you everywhere, l don't  want to leave no ohhh , l just see you everywhere, l don't know what's going on ohh, tell me what be going on inside your head, l say tell me what be going on inside your head, why are you so so afraid, why you so so afraid, why you all afraid            (why you so so afraid ohhh)           l don't know what been going on, l don't want to let you go. you always right in my head luv (ohhh) l tell you that l love you, l need you everytime and night. I will never even fuckin lie, tell you that l need you baby what you even want, you always right on my mind..... (ohh ohhh)

(1)why are You so afraid [lyrics in description]

"The Truth Is..." is a piece in 4 movements, with the band taking ownership of the composition for their respective part supported by the Heima Kvartett's strings.

See if you can work out which part was composed by which musician!

The band are:

Jussi Siglarson - Guitar
Bjarne Guðjohnsen - Bass
Matthias Helguson - Drums
Mike Taylor - Keyboards
Lisbeth Heima - Violin
Sif Árnadóttir - Violin
Natasha Guðmundsdóttir - Viola
Ída Sigurðardóttir - Cello

The Truth Is.. by Laxá

These song depicts a complex relationship where the singer is addressing their partner. They deliver both good and bad news, asking which one the partner wants to hear first. The bad news is that at some point in the future, their relationship will experience pain. However, until that time comes, the singer promises to love their partner more and more each day. The lyrics further describe the unpredictable nature of their relationship, with moments of frustration and affection. Despite the ups and downs, the singer emphasizes the deep and enduring love they have for their partner, even if they don't appear to be a perfect match. The lyrics highlight the unique and passionate connection the two share.

Every Day More

imy cause ily

never

It'll Rain Regardless

Genesis

I think you have understood that Michèle is simply unlivable!

Michèle

Michèle - KRT Production

Jeezus

JEEZUS

Autumn Songs (for Mezzo-Soprano and Chamber Ensemble)
Duration: ca. 18'

MOVEMENTS
I. Ascension: Autumn Dusk in Central Park (Evelyn Scott)
II. Under the Harvest Moon (Carl Sandburg)
III. All Hallows’ Eve (Dorothea Tanning)
IV. November for Beginners (Rita Dove)
V. Leaves Before The Wind (May Sarton)

Performers: American Modern Ensemble, Blythe Gaissert, Mezzo-Soprano
For more information: https://robertpaterson.com/autumn-songs
Publisher: Bill Holab Music: http://billholabmusic.com/store/index...
Purchase Sheet Music: http://billholabmusic.com/store/index.php?keyword=autumn&main_page=advanced_search_result&search_in_description=1
View Perusal Score: https://issuu.com/robertpaterson/docs...
Also available as a version for mezzo-soprano and piano: https://robertpaterson.com/autumn-songs-version-for-mezzo-soprano-and-piano

PROGRAM NOTE
Autumn Songs for mezzo-soprano is my final song cycle celebrating the seasons. As with my previous three seasonal cycles for different voice types, this cycle contains settings of poems by various American poets.

Like Spring Songs, Autumn Songs begins with New York: a setting of Evelyn Scott’s Ascension: Autumn Dusk in Central Park, an early 20th century Imagist poem in which people seem to merge at dusk. The second movement is a setting of Under the Harvest Moon by Carl Sandburg. In this poem, Sandburg uses autumn and summer as a metaphor for people in two different periods of life, revealing beauty in both stages. Memory is the primary concern for someone who is older, and possibly for someone who is younger. The third movement is a setting of All Hallows’ Eve by Dorothea Tanning, who was not only a poet, but also a well-known visual artist whose early work was inspired by Surrealism. This is perhaps the most playful setting, and I used Tanning’s evocative, Surrealistic imagery as inspiration for colorful sounds and angular dissonances in the ensemble. November for Beginners by Rita Dove is the text for the fourth movement. In this setting, Dove beautifully encapsulates the feeling of waiting for winter in November, and the sense of anticipation one feels during the fall months. At the end of her poem, she uses the sound of zithers as a metaphor for the sounds of wind and rain when spring comes. The final movement, a setting of Leaves Before The Wind by May Sarton, is inspired by Irish jigs, and mimics leaves blowing in the wind. The penultimate section is anthemic, and the end of the movement is more calm and similar to the beginning.

Autumn Songs was made possible, in part, by generous support from the Gerson Family Foundation.

ARTISTS
American Modern Ensemble: http://www.americanmodernensemble.org
Blythe Gaissert, mezzo-soprano: http://www.blythegaissert.com/
Sato Moughalian, flute
Pascal Archer, clarinet
Matt Ward, percussion
Esther Noh, violin
Dave Eggar, cello
Geoffrey Burleson, piano
Robert Paterson, conductor

never

EDTS

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