Marturet - Planet Nine Op.3
for Electric Guitar and Orchestra
Inspired by Konstantin, Helen, Rami, Soichi, Dani & Athina

Specially written for GENIUS 100 with the Miami Symphony Orchestra
and Konstantin Batygin on the Electric Guitar, Eduardo Marturet - Conductor
at the Moore Building/Elastika of the Miami Design District
on March 14th 2021

PLANET NINE Op.3

Eduardo Marturet - Notturno (3 Haikus)
1.- The evening Cool, Knowing the Bell, Is tolling our life away. ISSA
2.- At the sound of the jumping in, All the frogs, Jumped in! WAKYU
3.- The long night, I think about, A thousand years afterwards. SHIKI

World Premiere - Teatro Israel Peña, Caracas, 06/09/1980
Orquesta Filarmónica de Caracas
Eduardo Marturet - Conductor

Orquesta Filarmnica de Caraca

Notturno (3 Haikus)

Marturet - In Memoriam

Rose of Jericho

The Rose of Jericho is a typical desert plant.  In some, 40 years easily pass without rain and yet the plant survives, persisting in the inclemency of its environment like a skeleton of plant origin.  They completely blend in with their surroundings; that is to say, they are arid, brown with golden streaks, very dry, brittle, they seem to be taken from a movie that narrates the kingdom of the underworld. 
 
 Now, if the water were to touch any of its parts, a miracle would happen that astonishes even the most hardened academic.  This biological miracle that occurs when the plant hydrates is capable of visually telling us a sacred story: the story of the resurrection.
 The Rose of Jericho can reopen its leaves and turn green again in order to frighten us from the idea we have of death.  It takes away our fear of the unknown because it tells us about a rebirth, it teaches us that the difficult moments in life pass and that it is possible to become greener, reborn. 
 
 The Rose of Jericho is a creature that sleeps for years until the sky gives it a little water and thus, in a few hours, it turns green again, as if each drop of water were a sacred spring that resurrects it, helps it to feed by synthesizing chlorophyll, to reproduce and once that water evaporates, it goes back to sleep until the Creator wants to wake it up again with his rain, over and over again, in a birth and death and rebirth again.  The famous mythological cycle of eternal rebirth shown in the biological cycle of a plant.
 
 We tell you all this because in order to carry out this musical work that you are going to listen to, we have connected several sensors to a Rose of Jericho that are capable of translating the different electrical and optical parameters that the plant produces in its awakening to life into musical notes. .  The sound was recorded over a month of recording and cut down to 3 minutes.  These 3 minutes of sounds were orchestrated and that is what we are going to enjoy.
 
 The recorded sound is magical, really fascinating because it shows us that the beauty of creation is in its simplicity.  Something very curious happened in the recording because naturally it is recorded binaurally, that is, in two slightly different frequencies that we will hear in each ear.  When the brain perceives these differences, it translates it into a single sound, personal and non-transferable.  So, we will all listen to this work, in a different way. 
 
This sound can reorganize our brain waves and emotions.  We hope that when you hear it, you will travel to the place of hope that gives you rebirth, restarting, awakening from sleep to the joy of life itself.

Bonora - Rose of Jericho

PSYCHONS
When I meditate in remote places of the cities I can come to feel who is thinking as “out loud” individually; that is, I can perceive how the thoughts of a certain person break the tranquility of meditation. Imagine what happens in any city, where we all have thoughts of competition, or inflated egos, depressions or joys, emotions evoked by successes or failures. All this emotional maremagnum produces a large amount of energy that translates into mental pollution, that is, it pollutes the environment just like the combustion of a plastic or the use of a fluoride spray would.

The electromagnetic frequencies in this piece (audible and inaudible) are arranged in such a way that they try to block the atoms that produce negative, external and internal thoughts. These atoms the French called Psicones because they showed that they are atoms that can be directed mentally. The piece tries to dissipate the pistons that accumulate in our spaces, it is like generating a breeze that moves air pollution, like opening the windows in a house so that any smell comes out. The electromagnetic waves of the piece also accelerate the nano magnetite particles in our frontal lobes, which causes the Ego, the I itself, to lose strength and transform into a we. Increases the photoluminal energy of the DMT crystals found on the sella turcica, below the pituitary gland, which are related to feelings of unconditional love, kindness, and tranquility beyond peace.

Psychons in G Major is a piece that illuminates those dark paths through which, at some point, we must travel. It is a kind of environmental sterilizer that makes us return to what we are, without dressings. It is a piece that can be very interesting as a meditative tool precisely because it cleans the spaces of any psychic contamination, of any energy content. For example, when two people argue an energetic footprint is created from that discussion. If a person with a low vibrational frequency enters that space, he or she could resonate with that event and feel disgusted without an external stimulus that evoked that emotion.

Psychons cleanses that energy and prevents precisely that we resonate with those unconstructive frequencies. Sometimes the negative energy or the thoughts that evoke it come from ourselves, this piece also tries to eliminate that type of mental pollution by making us feel more comfortable with ourselves.

SANTIAGO BONORA

WARNING:
we do not recommend listening to this audio with headphones, it has some very loud sounds.

Bonora - Psychons

Marturet - VARIATIONS on "With a Little Help from my Friends" (world premiere)
Eduardo Marturet conducts The Miami Symphony Orchestra 
Recorded at the Adrienne Arsht Center for the Performing Arts on November 16, 2014.
The David Anderson Ensemble
Julian Avila - Solo Guitar
Haven Star - Vocalist

VARIATIONS on "With a Little Help from my Friends"

by Eduardo Marturet © 1988
CASA BONITA - El Salón
Private Music
http://marturet.com/composer_casabonita_livingroom.asp

PRIVATE MUSIC
as unavailable as a work of art can be when is owned by a single person.

Soundscape Architecture
the organization of sound vibrating in organic harmony with its own space.

El Secreto del Unicornio

Spirals of Sound vibrating in harmony with your own private space.

Composed on New Year's Day, specially dedicated to my dear friend Zaha Hadid.
Eduardo Marturet, Miami 2015.

Art by Zaha Hadid
Album performed, recorded, mixed and mastered by Eduardo Marturet at PRIVATE MUSIC Studios
Key Biscayne FL, January 2015.

© 2015 Eduardo Marturet (ASCAP) All Rights Reserved

http://privatemusic.com http://musicaprivada.com
http://www.marturet.com/partners/

I had my first experience in meditation while I was a student in Cambridge, UK. It was so powerful that it changed my whole conception of music, from its creation to finding new ways of listening and being exposed to the experience and perception of sound. Sound on its own, away from the aesthetic concept.
An equally important influence in my music is the use of the Golden Ratio (Fibonacci sequence) as the basis for the organic structure of my work. Soon I discovered the powerful effect of the spiral proportion on the brain and its ability to induce alpha waves, which we know as the blissful state of meditation.
The concept of Soundscape Architecture was developed as a meditation on sound vibrating in harmony with its own space, and PRIVATE MUSIC was born with the desire of making a composition as unavailable as a work of art can be when is owned by a single person.

REVIEWS:

"Returning to the fountain; that's how I would describe and define this wonderful masterpiece created by Maestro Eduardo Marturet.  It's made me find a side of me that I had totally forgotten… Peace!  
Bravo Maestro!"
Rudy Perez
Multi Award Winning Producer, Songwriter & President / Founder of the Latin Songwriters Hall of Fame

“@ Zaha's place" a composition put together by Eduardo Marturet, transported my awareness to a level I have never experienced before.  I was paintings an abstract for an exhibition when my husband put the music on. My feelings arose like waves each dancing to its own strength; reaching various heights but all returning to my heart in a rhythm perfectly balanced and marvellously beautiful. “@ Zaha's Place” is a precious gift. It carries the strength to mend a broken heart.  It knows how to bring the body and soul in harmony. But it does more than that.  It connects the outer world with the inner world and paves way for us to experience the true nature of our being “Joy"
Heather Welsh
Visual Artist

“What a World, a perfect combination of intuitive and sensual environmental sound and the rigor and discipline and architecture born of the genius of a world-class musician. Zaha’s Place – where I live”
Christopher O’Riley 
Pianist

"Composed as a gift for the home of world-renown architect Zaha Hadid, Marturet's “@ Zaha's Place" is a gentle musical invitation for us to experience our mind and spirit in privacy and peace. A must have... this is music to be cherished." 
Tulio Cremisini
Composer

“The soundscape created by Eduardo Marturet is brilliant in its sublimeness, creativity, and ethereal essence. I can think of no other music that equals “@ Zaha’s Place” for the purposes of meditation, yoga, or relaxation.”
Jerry Haar
Professor of Business - Florida International University

"@ Zaha's Place is a Sanctuary  after a hard's work day. Totally recommend it." 
Maria Bestar
Singer / Composer

"Very quickly, my bewilderment about the technical skillfulness and overall intelligence with which the piece was composed was overpowered by its overwhelming beauty. All I could do was to let myself go, listen, and enjoy. A sonic out of body experience.” 
Florencia Di Concilio
Composer

"Private Music @Zaha's Place, by Maestro Eduardo Marturet, is a journey of non invasive however permeable sounds, like gentle breeze swinging bells from a temple as ancient as the soul itself, that through calmness into positive feelings, creates an atmosphere of self confidence and focused thoughts."
Luke Grande
Singer

@ Zaha's Place

Eduardo Marturet - Composer,
Rubén Riera - Guitar,
Luis Julio Toro - Flute,
Luis Julio Toro - Güiro.
original album: 15 Cuentos para 2
http://www.sincopa.com/ethnic/cdinfo1/lujuto_ruri_15cuentos.htm

© 1998 Eduardo Marturet (ASCAP) All Rights Reserved
http://www.marturet.com/Listening_Detail.asp?LGID=EN&LDID=66

Picture by Armando Reverón (1889-1954)
http://www.marturet.com/images/LaHamaca_full.jpg

La Hamaca

CANTO LLANO for solo Marimba and tape delay system - by Eduardo Marturet © 1976
Eduardo Marturet - Marimba

Composed in 1976 in Cambridge - England, for any melodic instrument and Tape Delay (also known as Digital Delay) or any combination of melodic instruments. The same year the piece was premiered by the composer himself on Marimba. Since then the work has been performed on multiple ocassions on varied solo instrumental combinations, chamber ensembles and symphony orchestras, in New York, Miami, Toronto, Sydney, Amsterdam, Caracas, Rome, Stuttgart, Berlin, Tokyo, Odessa, London (Wigmore Hall): “in particular lingers in the memory - the Venezuelan composer Eduardo Marturet’s Canto LLano for recorder and tape delay system. This is a beautiful little modal phrase accumulating, overlapping and finally winging away into the distance.”  (Malcolm Hayes - The Sunday Telegraph, London May 31, 1987).  
"The second half opened with an extremely imaginative and partly improvisatory work called Canto LLano by the Venezuelan composer Eduardo Marturet" (Henry Fogel - On The Record, New York September 04, 2007). CANTO LLANO 2, composed in Miami in 2016, is a revision of the original version.
The contrapunctal character of the work allows for the free transcription for any combination of instruments without changing the essence of the work which is eminently descriptive of the inmensity of the Venezuelan plains (llanos), of the infinite, the abstract, with the double meaning of the religiosity of the Canto LLano = Cantus Planus or Gregorian Chant. 

The first edition was published by Verlag Hubertus Nogatz - Düsseldorf © 1991, since 2004 has been published by Tempo Primo, http://www.tempoprimo.com.  

Canto LLano

Eduardo Marturet - MANTRA © 1996
Orquesta Sinfónica Gran Mariscal de Ayacucho
Eduardo Marturet - Conductor
Sala Rios Reyna, Teatro Teresa Carreño
Caracas, Venezuela
October 25th 1998

The music of MANTRA can be used as a protector of your house. It was inspired on the mantra Mahakala, the most important protector of the Tibetan Buddhism, similar to Saint Gabriel the Archangel. It  can create an energy of great protection and purification of the space. 
Lama Ole Nydahl was present at the world premiere giving its blessing!

La música de MANTRA se puede usar como protector de tu casa. Está inspirado en el mantra Mahakala, el protector más importante del Budismo Tibetano similar al Arcángel San Gabriel. Puede crear una energía de gran protección y purificación del ambiente.
Lama Ole Nydahl estuvo presente el día de su estreno mundial dándole su bendición!

Marturet - Mantra

Mantra

music as unavailable as a work of art can be when is owned by a single person

PRIVATE MUSIC

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