Participantes:

Tim Rescala e Caio Guerin (“Pluft!”)
Julia Teles e Sérgio Abdalla (“A maior massa de granito do mundo”)

Mediação: Fernando Aranha (A3pS e MUSIMAGEM)

Música E Mixagem Na Pós - Produção De Som

Brad Engleking tells us about working on the sound for the amazing documentary, Fathom. The film is about scientists that are recording humpback whale calls and trying to decipher their language. Fathom features some of the most beautiful whale recordings ever captured.

See our Site

174 - The Sound of Fathom with Brad Engleking

Guests Dane Davis & Steph Flack talk about their work as sound supervisors on The Matrix Resurrections.  They discuss the challenge of coming up with new sounds that fit into the existing world of the franchise, techniques to make tricky dialog work on screen and the differences in their workflows from the last time they worked on a Matrix film 18 years ago.

Show Notes & Full Transcript: https://tonebenderspodcast.com/188-the-sound-of-matrix-resurrections/

Podcast Homepage: https://tonebenderspodcast.com

See Our Site

188 - The Sound of The Matrix Resurrections

Espero que gostem. 2023 o ano da vitória !!

144 BPM Fivio Foreign Vs Pop Smoke - Prod Big Wolf

We are joined by Supervising Sound Editor Nicholas Renbeck, ADR Supervisor Angela Organ and Re-Recording Mixer Andy Kris from the HBO series Succession.  They tell us about their work on the final season of the series, with a special focus on how the series handles dialog. We also dig deep into the game changing 3rd episode and how its incredible sound was achieved.

Show Notes: https://tonebenderspodcast.com/226---the-sound-of-succession/

Podcast Homepage:  https://tonebenderspodcast.com

Tonebenders Hosts This Episode: Timothy Muirhead & Teresa Morrow

226 - The Sound Of Succession

"Terapia do Som no Deserto" é uma jornada sonora transcendental, onde cada nota e harmonia são extraídas diretamente do fundo do coração. Nesta peça única de Sound Healing, o canto ressoa como um eco através das vastas e serenas paisagens do deserto, evocando uma sensação de paz profunda e conexão espiritual. As vozes, meticulosamente entrelaçadas, criam um tecido sonoro que acalma a mente e nutre a alma, convidando o ouvinte a uma viagem introspectiva. Esta música não é apenas uma composição; é uma experiência imersiva, um convite para se desligar do mundo exterior e explorar os vastos espaços internos do ser.

Voz No Deserto

As a longtime fan of the Alien franchise, I have been looking forward to seeing director Fede Alvarez's latest instalment Alien: Romulus. The sound team was tasked with designing an audible world that fit in with the original 1979 film but still lives in today's definition of what blockbusters should sound like. Supervising Sound Editors, Will Files and Lee Gilmore, are joined by Dialog/ADR supervisor Polly McKinnon and Sound Designer Chris Terhune to talk about the sounds of the Xenomorphs, launch sequences and building the ambiences before the film was shot. Also in you live in London, England, mark your calendar for Sept 24th, 2024, for Motion Picture Sound Editors Presents: The Tonebenders Sound Design Meet Up.  At The Queens Head pub in Soho at 7pm.
Show Notes: https://tonebenderspodcast.com/275-alien-romulus/
Podcast Homepage: www.tonebenderspodcast.com
Tonebenders' Host this episode: Timothy Muirhead

275 - Alien: Romulus

guizos

I was an artist in residence with Labverde in the Brazilian Amazon in 2017. These are the compositions I have thus far written for this new body of work. During my time with Labverde I made audio recordings of ants and the soundscapes of their habitats. I composed percussion and ambient music based on these recordings, supplemented by observations of the movements and form of the ants and my surroundings. Ants are doing so much of the vital work maintaining Amazonian ecosystem functions: herbivory, seed dispersal, predation, decomposition - which are in turn crucial to global climate regulation. By amplifying the sounds of ants perhaps listeners will be able to better relate with them; there is so much disdain among humans for insects, when it should be the opposite. Can listening to ants generate empathy and encourage us to do our part in countering climate change? Myrmecologists Fabricio Baccaro and Erica Valle at Universidad Federal do Amazonas produced and analyzed spectrograms of the ant recordings and are using the recordings as the start of new research on ant acoustics.

The compositions: Atta is based on the recordings of leaf-cutter ants; Multispecies is a collage of only ant sounds; Surface of the Abyss at Ducke represents passive listening of the penetrating diurnal soundscape of Reserva Ducke; Terra Firme is my response to sitting still and closely investigating this same soundscape.

1. Atta : Composed and performed by Lisa Schonberg. Mixed by Anthony Brisson. 
2. Multispecies: Composed by Lisa Schonberg. Mixed by Anthony Brisson. 
3. Terra Firme: Composed by Lisa Schonberg. Performed by Leah Bowden, Shannon O'Brien and Fiona Digney; recorded at the University of California San Diego. 
4. Surface of the Abyss at Ducke: Composed by Lisa Schonberg. Mixed by Anthony Brisson.
5. Pheidole biconstricta (field recording): recorded by Lisa Schonberg

Schonberg/Labverde:: Surface Of Abyss At Ducke

A chill baile mix from the Apropri4damente all the way from Brazil. Happy 4/20/2020!

guizos

Edwakaplot Sheeva

Related tracks